#tuika

3 - The Rodney Rocket [8/10] You never know where artists can find an inspiration for a song. Sometimes, it might be a video about an old alcoholic Canadian fella having fun with some snowy extreme sports in Rodney, Ontario 😁 The Rodney Rocket is easy to sing (mostly due to its percussion-heavy background and the L-C-B-O chant in the chorus), plus the tempo changes well along with the story - the silly-sounding words in the lyrics (dickered, hullabaloo) and a callback to "Fire Marshal Willy" are just the icing on the cake. What's not to like?

4 - Problem [10/10] Second track to come out as a single and I instantly loved it. Somehow it's just perfect: the repeating "Problem" at the end of lines, occasionally replaced by various - and hilarious! - sound effects, both the beat and the inserted Polish lyrics obviously referencing Sleep Is For the Weak, the backstory of the song, it all just culminates in this masterpiece. The music video is weird enough, although it does not reach such heights, but anyway, who the fuck cares, we are here to listen to songs, not watch them. Problem?

5 - Brisbane Harbour [8.5/10] A worthy continuation of true sea shanties like "Whup! Jamboree" and "Eliza Lee", and one which surely makes any listener's fingers and feet tap to the rhythm.

6 - Battleford 1885 [8/10] The shortest "normal" track on the album, and its title was intriguing to me when I first saw it - turns out, music can be educational (duh), because Battleford 1885 sheds some light on a tragic event of indigenous people in Canada (here's the post about the background of the song). Oh, and the ascending drum in the background of the bridge is just… *chef's kiss*

7 - The Storm [9/10] Beautiful, just beautiful, equally eerie and empowering, with an instrumental break inspired by Greek bouzouki tunes. If the previous song was about the story of oppressed people rising up against their masters, then this one puts you right in those people's mindset. Well done. And I'll be forever grateful for the Substack post about The Storm for introducing Smokey Bastard's "Baba Yaga" to me, I fell in love at first listening.

8 - Vicki's Polka [7.5/10] Judging by the title only, I thought this was going to be the obligatory instrumental track, but then again, I might have been misled by "Clavdia's Waltz". Instead, Vicki's Polka is rather a love story spanning decades, featuring references to the band's 2010 hit "Polka Never Dies" and the popular folk song "Who Stole the Keeshka?". Assisted by some top folk musicians, the bounciness of this true polka track slows down only near the end, when it's time to say goodbye to the titular Vicki, sadly taken away by the Covid-19 pandemic. Goddamnit, 2020.

9 - Scrumpy-O [8/10] You've been listening to the songs of the album in order and you're missing the amount of alcohol in the lyrics for a while? Worry not, Scrumpy-O definitely has your back. Just grab some locally made and/or rough cider (that's what "scrumpy" means), learn the words to the chorus, and raise your bottle to the sky!

10 - Tuika [7/10] Now this is the instrumental track I thought Vicki's Polka was gonna be. The frequently changing speed of the song makes you imagine dancing arm-in-arm with someone at one moment, then jumping into a mosh pit at another. (P.s.: if anyone has an idea what the title means, let me know, I could only find a politician from American Samoa by this name.)

11 - Dusty Ground [9/10] One of my favourites from the album, a very well executed song. Listen to how the tempo decelerates almost into melancholy in the third verse and then turns back up for the last chorus, just fantastic. The lyrics… likewise. If I'm not mistaken, they are meant to convey the transience of life via a clever metaphor: the ever-thirsty ground, which swallows us up like water. Well, all right, I might have taken a peek at the origin story of the track ;)

12 - Bold Reilly [5.5/10] Honestly, out of the thirteen tracks, this is the song that resonated the least with me. I wouldn't say it's bad or anything, just… Too repetitive? Too slow? I don't know. Also, being "the worst song of a Dreadnoughts album" is still a pretty high level 😁 And it has a reference to Randy Dandy-Oh, nice!

13 - Roll and Go [8.5/10] For some reason, I classified the trio of The Storm, Dusty Ground, and this closing track as giving the same vibes - no idea why I feel the similarity, at the very least Dusty Ground is notably quicker. Anyway, all three songs are unique enough for me to love each of them. Roll and Go provides a fine closure to this wonderful album: the musical background resembles a marching band (here I am giving praise to the percussion section yet again 👏), the lyrics emanate the feeling of brotherhood, and the ending slowly fades with the promise of a "fine and lucky day". Amen to that!

Overall: this was easily the release of the year for me. Usually when I listen to an entire album for the first time, the tracks don't really have their own "identity" in the beginning, and the whole thing is just a raw, big mess. Not this time! A few tracks stood out instantly and I grew to love the rest even more. Roll and Go turning out to be that awesome, given the difficulties the band had to face while recording, just proves how talented these guys are. I'll be sure to mention this album when people ask me about my favourites. Verdict: 8.5/10

GREEN WILLOW (release date: March 14, 2023)

1 - We Shepherds are the Best of Men [8/10] A proper start to the album, with a great rhythm and an even better chorus. Apparently, it's an older folk piece, which has a few versions with different lyrics, but The Dreadnoughts are the first "modern" band to cover it. And oh boy, they did it well! (One small caveat though: the grammar nazi inside me is so bothered by the "We drinks our liquor freely and pays before we go" part every time 😅)

2 - Hej Sokoły (Zal za Ukraina) [9.5/10] I see two great reasons why this track was chosen as the initial single of the album. Firstly, this song is an absolute earworm. I mean, so dangerously addictive, it can be stuck in your head for a day! Secondly, it's dedicated to the people fighting for Ukraine, and whoever has listened to The Dreadnoughts' songs knows that Eastern Europe has a special place in their pool of inpsirations. Accordingly, Hey Sokoły covers a popular old Polish-Ukrainian folk song, and frankly, I just can't ever get enough of Polish lyrics in the band's songs - no wonder the band fell in love with the suggestion of this cover. Highlight: as the last verse slows down and then builds up into the energetic last chorus… goosebumps, goosebumps every time.

3 - Rigs of the Time [7/10] It's like a good worker who does not yearn for promotion but is never in danger of getting laid off - not necessarily oustanding in his field, but someone who is trustworthy and does his job well. It has a message and a great chorus. You need tracks like this on your album. (Ironically, the song is about dishonest tradesmen, but still, that's the metaphor I chose. Also, the whole "blaming the rising prices on the war" thing is too real nowadays.)

4 - Roll the Old Chariot Along [8.5/10] This song is apparently covered by a few artists, but I don't recall hearing it before I listened to the album - only since then, but for that, the almighty Algorithm might be the one to "blame". Anyway, I remember instantly liking it upon the first listening and my opinion remains unchanged: what a fantastic and catchy tune! "And we'll all hang on behind!" (P.s.: Lads, there's a missing verse - and some other confusion - of the lyrics on the Bandcamp page.)

5 - The Foggy Dew [7/10] A classic Irish ballad, full of historical references (one of which could even be meant as a hint to "The Bay of Suvla"), so far it was only familiar to me because Dropkick Murphys used it as the opening instrumental for their shows (The Chieftains version to be exact). The lack of repeated parts and intricate rhythm of the verses makes it very difficult to sing along, but nevertheless it's a beautiful rendition.

6 - Twankidillo [7.5/10] "Half of you are going to hate it, it’s fucking weird." That's the premise I've read before I even listened to the song… and I didn't even mention the strange title. 😄 *1st listening*: They were right, what the hell is this? *2nd listening*: Okay, it IS weird, but certainly catchy… *3rd listening*: "Here's to old coal, and to young coal and to no coal at aaaaaaaaallll!" Yep, it grows on you. It's another cover of a traditional folk song (like all tracks except one), and if you haven't noticed, the lyrics also contain a reference to the album name. Yay!

7 - Spanish Ladies [7/10] Sorry guys, I have absolutely been in love with Sarah Blasko's version of this song for years, and I don't think anything can change that. To be fair though, this cover is more sea shanty-esque, if you close your eyes, you can almost visualize the crew hauling ropes or heaving the capstan around.

8 - The Unquiet Grave [8/10] Upon seeing the tracklist, this was the title that stood out the most for me - and damn, it did not disappoint, especially storywise. This tale of love beyond the grave has been sung for centuries, I haven't heard it before, but I must say that The Dreadnoughts have really managed to capture the appropriate eerie vibe which surely gives you the chills. (Bonus funfact for anyone who's familiar with the band's discography: this track was first intended for the 2017 album "Foreign Skies".)

9 - Apple Tree Wassail [8.5/10] Don't believe Google Translate saying "wassail" is an Arabic word, this catchy track is actually a blessing ritual for apple trees in hope of a good crop to make cider from… although the mental image in my head is stuck halfway between an orchard and a mosh pit due to the song's fast pace. Hell, I hope at some point I'll have the chance to hear it live and jump around like a maniac. (Please come to Hungary!) (P.s.: The "Let every man drink up his glass" line is possibly a callback to "Spanish Ladies", am I right?)

10 - Roll Northumbria (Loud Version, sometimes called "Heavy Version") [7.5/10] Green Willow features nine covers of traditional folk pieces and a reboot of one of the band's earlier songs… yep, this closing track is the reboot one. What I said previously about Spanish Ladies, can be applied here as well - I like the original so much that no newer cover can surpass that, even if it's from the same band. Also, I think the original's slow and dark vibe is more fitting to the topic of the song, but if there's one place where the heavy/loud version could be used, it's concerts. The final drum beats provide a great ending to the album.

Overall: When I first listened to the entire album, I thought "maybe Roll and Go set the bar too high", although my reception of Green Willow has improved well since then, as it can be seen in the ratings. A shorter collection of tracks than its predecessor, but it has a bit of everything from patriotic through silly to haunting, while covering well-known and lesser-known folk songs. I know an album a year would probably be too much to ask, so I'll just patiently wait for some fresh stuff from The Dreadnoughts! Verdict: 8/10