Jul 7
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Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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April,02,26
I've been debating to write anything. On here. On my journal. I guess I'm kinda scared of what I'm going to say but at the same time I've been thinking about it almost everyday. I know I accept the reality of how my life is right now. I know I feel stuck and I should be doing something to move forward. Time doesn't wait for you so I feel a lot of pressure. I'm not like other adults that I wish to be but then again I shouldn't be comparing my life as to how others are living because it's my fault I am where I am. I am responsible for my future . I'm still trying to figure it out but I try not dwell on it too much because I get bad anxiety and I shut down. Thinking about the future does get scary but I can't avoid my future too. too much on my mind right now :/
โ โ โ โ โ โ โ โ โ โ โ โ โ๐๐ถ๐ด๐ค๐ข๐ด ๐ญ๐ฐ ๐ฒ๐ถ๐ฆ ๐ฅ๐ข๐ด ๐บ ๐ฆ๐ด๐ฆ ๐ฆ๐ด ๐ฆ๐ญ ๐ฑ๐ณ๐ฐ๐ฃ๐ญ๐ฆ๐ฎ๐ข. ๐ ๐ข ๐ฏ๐ฐ ๐ฒ๐ถ๐ฆ๐ฅ๐ข ๐ฆ๐ด๐ฑ๐ข๐ค๐ช๐ฐ ๐ฆ๐ฏ ๐ต๐ถ ๐ช๐ฏ๐ง๐ช๐ฆ๐ณ๐ฏ๐ฐ ๐ฑ๐ข๐ณ๐ข ๐ฐ๐ต๐ณ๐ฐ ๐ฑ๐ฐ๐ฃ๐ณ๐ฆ ๐ฅ๐ช๐ข๐ฃ๐ญ๐ฐ.
Too Much Season 1 โ โ โ โ โ โโโโโ
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Every time I feel like apologising for being โtoo something,โ I try to think of the Mad Hatter telling Alice: โYou lost your muchness. You used to be much muchier.โ We let the worldโs labels chip away at us until weโre left believing our enoughness depends on being smaller. Quieter. Easier. But we all have a lot of muchness, that is uniquely ours - and it's alive inside us, waiting to get out. Thatโs what weโre exploring this month in the Worthy & Rising community - The Power of Being Seen. Come join us in the challenge (you can listen back to Day 1 + 2 already). Or, if youโre craving a guide walking beside you as you reclaim your muchnessโฆ Iโve got 2 early bird coaching spots open right now. Link are in my profile, or here: The community:
A soft, sacred space to land. Share your reflections, your magic, or simply be. Youโre welcome here, just as you are.
Book a discovery call with me:
Your muchness is needed here
S1E8 Too Much, "One Wedding and a Sex Pest" is redefining film-making for me. Like this single episode deserves its Emmy. I know it's a little gauche and saran-wrapped around the edges but the material is punchy fresh and still alive with the charm of an era I thought was bygone. The costuming, superb, the sets, delicate, the emotional intricacy/humor/landscape - down to the french women brawling on the dance-floor, the notes on classism and toxic history, like. i don't know i just love the satire and its mercurial boldness and that it's this haphazard uncomfortable inappropriate mess that still sort of culminates in something relatable. do i love all of it? no. do i still have some sideways thoughts about dunham just in terms of maybe sexual/touch inappropriateness on set akin like the feeling i get watching drew barrymore host certain guests on her show? and the plugging of like celebrity men who infantilize women in order to sleep with them...like the sort of age-inappropriate subtext is bizarre but this show still is quite the ride. i picked up on some nuances that felt weirdly reminiscent of things i've scripted and long-since published but i break that down to more likely irony or overlap. i feel like this is the marketed material netflix needs, it's the breath of fresh air to distinguish them as a platform that can market broadly but still have resounding taste and discipline in the material they push. also yes, despite some of my hesitation to aspects of her character i would like to work with dunham given the opportunity to create and collab. the show's lead is great, i just have few complaints, even the over-scripted bad acted scenes like the tossing of the pink pillow don't really register to me as that so much as adding to the camp and the awkward slow reel.
Too Much, is not enough
Yes, I am a millennial and a fan of Girls. I didn't expect Too Much to be the new Girls. But I did hope it would share some of the elements that made it brilliant - flawed, relatable characters, a sort of meta self-awareness, smart, relevant humour and generationally applicable critiques.
It's hard not to compare because Too Much was lacking all the elements that made Lena Dunham a voice of a generation.
Too Much follows Jessica (Megan Stalter) journey to London as she takes advantage of a work opportunity to recover from a break up. There, she meets the handsome and charming Felix (Will Sharpe) and together, they unpack their previous trauma and baggage from relationships, learning how to grow and love together.
Jessica is over the top. Too Much, of course. Maybe I'm out of touch, but I found her to be unrealistic. She moans and stomps her feet when she's frustrated. She trauma dumps on people. She easily embarrasses herself. She's a more female driven version of the manic pixie dream girl trope - lacking in self-awareness, were it not for the plot, I would have suspected that she'd never been told no in her life. She has ambitions of being a movie director, and despite the descriptions of the show describing her as a workaholic, we rarely see evidence that she actually cares, or is all that good at her job (that she landed because of her soon to be ex-uncle James, played by the hilarious Andrew Rannells).
She crosses paths with Felix. A dreamy musician who says all the right things, the sort of nonchalant romantic lines written for Hugh Grant. But, he seems to be pretty distant and non-committal with other women in his life. He's giving serious love-bomber vibes. He's flakey, no job, basically moves in with Jess after first meeting her and a history of drug issues. Just like Adam in Girls. Maybe Lena Dunham has a fictionalised type. Unfortunately, it's my type too.
Look, the show was fine. It was entertaining, often funny, I sat through the whole thing in one sitting. The most moving elements, like the flashbacks to Jessica's relationship with her ex and her reflections on Felix frustrating her were deeply moving (perhaps because I'm in the process of ending my own 7 year relationship). But even these moments were very "poor me" coded. She refused to grow until the very end. Finally, she unpacked the baggage she brought to relationships, her unwillingness to ask for what she needed in a relationship, or why she stayed for so long with a man who clearly didn't love her, and still obsessed over him for a year after it ended. The journey to that payoff was 8 episodes long.
The disappointing part is just how fine it was. Girls was brilliant Hannah was dim, totally lacking in self-awareness, but that was the joke of the series, it was poking fun at her and this group of flawed women with compassion, a balance that's so hard land. Hannah wasn't self aware, but the series was. It's that sort of extra layer of percipience I was hoping for here that never quite arrived.