The Copollogism Essays - Part 2: The Assassination Scene
Part 1 (The Tent) ~ Part 2 (The Assassination) ~ Part 3 (Lester's Reaction) ~ Part 4 (Leo's Questions/Seeing Commodus Again) ~ Part 5 (The Arena) ~ Part 6 (The Waystation) ~ Part 7 (The Yacht) ~ Part 8 (The Final Moment)
Analysis: Part 1 (Apollo and Commodus as Individuals) ~ Part 2 (Toxic Relationship?) ~ Part 3 (Codependent - Or Is It?) ~ Part 4 (Other Thoughts)
Oh ho ho ho. Here it is. The One You Have Been Waiting For.
A little personal backgroundā
This was the scene that I remembered that made me pick the Trials of Apollo books back up last year.
It was this scene that brought me back into the fandom.
Everyone say thank you to this scene because it is a masterpiece and I sure damn well hope I do it justice.
Anyway. Let us begin~
I KNOW WHAT YOU are thinking. But, Apollo! You are divine! You cannot commit murder. Any death you cause is the will of the gods and entirely beyond reproach. It would be an honor if you killed me! I like the way you think, good reader. Itās true I had laid waste to whole cities with my fiery arrows. I had inflicted countless plagues upon humanity. Once Artemis and I slew a family of twelve because their mama said something bad about our mama. The nerve!Ā None of that did I consider murder.
None of that, none of the deaths Apollo has caused, did he consider murder.
But Commodusās he does.
This has always stuck out to me, even when I first read the books.Ā
The praetorian prefect Laetus had pulled me aside only an hour ago: We failed at lunch. This is our last chance. We can take him, but only with your help. Marcia, Commodusās mistress, had wept as she tugged at my arm. He will kill us all. He will destroy Rome. You know what must be done!Ā They were right. Iād seen the list of namesāthe enemies real or imagined whom Commodus intended to execute tomorrow. Marcia and Laetus were at the top of the list, followed by senators, noblemen, and several priests in the temple of Apollo Sosianus.Ā
Something that was pointed out by @amiti-art was how Apolloās priests were set to be killed. This is baffling for a couple reasons: 1) Apollo is well known to deliver terrible punishments onto those who even treat his priests with disrespect (Agamemnon in The Iliad got a nice plague for his disrespect); and 2) Why would Commodus do this? Why would he specifically kill Apolloās priests?
I suggested it could be a way to āget his attentionā so to speak. Because remember, in Part 1, we know Apollo left after Marcus has died. And now, Commodus is deep into his paranoia and lashing out at everyone and everything he perceives as a threat.
Perhaps something triggered him to think the priests were some sort of threat, or maybe heās so far in his delusions that he thinks he can have everything be āfixedā if he draws Apollo back to him. As we saw in Part 1, Commodus looked to Apollo first at the news of Marcusās deathā maybe even now, heās trying to rebuild that bridge because everythingās falling apart.
If soā¦he did not think it through š¬ I mean⦠*eyes the plague Agamemnon got; Clytemnestra being killed by her own son for murdering Cassandra* yeahā¦things donāt end well for those who mess with the people in Apolloās cult.
I pushed open the bronze doors of the emperorās chambers. From the shadows, Commodus bellowed, āGO AWAY!āĀ A bronze pitcher sailed past my head, slamming into the wall with such force it cracked the mosaic tiles. āHello to you, too,ā I said. āI never did like that fresco.ā
*wheeze from alder* I get the feeling there was very casual banter in their relationship lol
Commodus knelt on the floor, clinging to the side of a sofa for support. In the opulence of the bedchamber with its silk curtains, gilded furniture, and colorfully frescoed walls, the emperor looked out of placeālike a beggar pulled from some Suburra alley. His eyes were wild. His beard glistened with spittle. Vomit and blood spattered his plain white tunic, which wasnāt surprising considering his mistress and prefect had poisoned his wine at lunch.
This whole paragraph really gives you a glimpse into Commodusās mindset, even if we donāt see his thoughts. He is quite literally at his witās end. His mistress and prefect have just tried to assassinate him. Everyone is against him. He is completely alone; no father, no lover.
Except Narcissus.
But if you could look past that, Commodus hadnāt changed much since he was eighteen, lounging in his campaign tent in the Danubian Forest. He was thirty-one now, but the years had barely touched him. To the horror of Romeās fashionistas, he had grown his hair out long and had a shaggy beard to resemble his idol, Hercules. Otherwise he was the picture of manly Roman perfection. One might almost have thought he was an immortal god, as he so often claimed to be.
Not very important but short-haired teenaged Commodus canon š
Sike, this can be important because it is INTERESTING that Commodus deviates from the traditional Roman culture here. He grows his hair out, as well as a beard. Roman men didnāt typically do that.
But you know who does?
Greek men. Such as Heracles (which is why Commodus does so.)
I find this VERRRYYY interesting, especially paired with his relationship with Apollo. Because if you look at Commodusā¦heās not very Roman, no? Iād say heās more Greek-flavored than Roman.
Because hereās the deal: Besides the longer hair, Commodus (historically, at least) also liked to sing and dance. That was 100% accepted for men to do in Greece, but in Rome?
Rome had a very convoluted attitude towards singing and dancing. It was essentially āoh the upper class OBVIOUSLY can get SUPERB teachers for it, but if they're TOO GOOD AT IT they are NO BETTER THAN A WOMAN OR A SLAVE!!!!ā
The kicker here is that the Greeks were typically slaves within Rome. They were regularly hired by the Roman elite to perform music and dances.
(Interesting how Apollo is their god, too.)
Out of all the Romans, out of the Roman eliteā¦Apollo falls in love with the most Greek one he can find.
Whatās even better is that Commodus continues the trend of āApolloās lovers are related to his domainsā because of music and dance.
That is what they bonded over. You bet Apollo made Commodus feel better over what he liked doing when the society he lived in looked down on it.
My poor, precious heart š„²
āThey tried to kill me,ā he snarled. āI know it was them! I wonāt die. Iāll show them all!āĀ My heart ached to see him this way. Only yesterday, Iād been so hopeful. Weād practiced fighting techniques all afternoon. Strong and confident, heād wrestled me to the ground and would have broken my neck if Iād been a regular mortal. After he let me up, weād spent the rest of the day laughing and talking as we used to in the old days. Not that he knew my true identity, but still⦠disguised as Narcissus, I was sure I could restore the emperorās good humor, eventually rekindle the embers of the glorious young man Iād once known. And yet this morning, heād woken up more bloodthirsty and manic than ever.
Ouch. Owie. This hurts.
Time to discuss Apolloās disguise now.
Narcissus, now, was a real person. But it appears in the RRverse, Narcissus was Apollo the whole time. And Apolloās goal here was to, and I quote; ārestore the emperorās good humor [and] eventually rekindle the embers of the glorious young man Iād once known.ā
Apollo initially disguised himself because he wanted to stop Commodus from going down his bloody, awful path. Apollo had been keeping such a close watch on what was happening that he knew things were getting bad enough to warrant his interference, with the hope of steering his former lover away from a dark fate.
*insert āI can fix him!ā meme here* ah, Apollo. If only you could RIP
Also wow, Commodus wrestled Apolloā Apollo, who beat Ares in a wrestling matchā to the ground? And would have broken his neck if he were mortal?
Iām guessing Apollo was holding back here, consideringā¦well, considering the ending of this scene heh. But I doubt Apollo was a slouch even holding back, so Commodus is probably very good at hand-to-hand combat. Sheer brute force is exactly his style.
I approached cautiously, as if he were a wounded animal. āYou wonāt die from the poison. Youāre much too strong for that.āĀ āExactly!ā He pulled himself up on the couch, his knuckles white with effort. āIāll feel better tomorrow, as soon as I behead those traitors!āĀ āPerhaps it would be better to rest for a few days,ā I suggested. āTake some time to recuperate and reflect.āĀ āREFLECT?ā He winced from the pain. āI donāt need to reflect, Narcissus. I will kill them and hire new advisors. You, perhaps? You want the job?ā
Itās really telling how much Commodus trusts Apolloā that is to say, Narcissusā here.
Itās also telling how Apolloā his loverā is using his fatherās words to get him to stop.
Marcus Aureliusās advice is coming out of Apolloās mouth, but Commodus has no idea; he does not know itās Apollo telling him this.
Not until itās too late, that is. When itās revealed once and for all that he has no intention of stopping.
But it does make you wonder what Commodus would have done if he had known it was Apollo. Would the combined might of his fatherās advice and his lover be enough to prevent him from killing more innocent people?
Or would it have only made things worse?
I did not know whether to laugh or cry. While Commodus concentrated on his beloved games, he turned the powers of state over to prefects and cronies⦠all of whom tended to have a very short life expectancy. āIām just a personal trainer,ā I said. āWho cares? I will make you a nobleman! You will rule Commodiana!ā I flinched at the name. Outside the palace, no one accepted the emperorās rechristening of Rome. The citizens refused to call themselves Commodians. The legions were furious that they were now known as Commodianae. Commodusās crazy proclamations had been the final straw for his long-suffering advisors.Ā āPlease, Caesar,ā I implored him. āA rest from the executions and the games. Time to heal. Time to consider the consequences.ā He bared his teeth, his lips specked with blood. āDonāt you start too! You sound like my father. Iām done thinking about consequences!ā
Apollo is once again putting on his Marcus Aurelius hat.
But once againā¦Commodus does not listen. Heās done listening to wise counsel. Heās done doing what other people have told him to do.
Heās emperor, after all.
Nobody can stop him. Heās blessed, after all. Who would even try?
My spirits collapsed. I knew what would happen in the coming days. Commodus would survive the poisoning. He would order a ruthless purge of his enemies. The city would be decorated with heads on pikes. Crucifixions would line the Via Appia. My priests would die. Half the senate would perish. Rome itself, the bastion of the Olympian gods, would be shaken to its core. And Commodus would still be assassinatedā¦just a few weeks or months later, in some other fashion. I inclined my head in submission.Ā āOf course, Caesar. May I draw you a bath?ā
Read no further if you wish for a happy ending š¢
Commodus grunted assent. āI should get out of these filthy clothes.āĀ As I often did for him after our workout sessions, I filled his great marble bath with steaming rose-scented water. I helped him out of his soiled tunic and eased him into the tub. For a moment, he relaxed and closed his eyes. I recalled how he looked sleeping beside me when we were teens. I remembered his easy laugh as we raced through the woods, and the way his face scrunched up adorably when I bounced grapes off his nose.
Their relationship was more carefree in nature. It was more teenager-esque, with Apollo even saying āwhen we were teensā, despite the fact he is merely a teen in body.
Even soā¦
I sponged away the spittle and blood from his beard. I gently washed his face. Then I closed my hands around his neck. āIām sorry.āĀ I pushed his head underwater and began to squeeze.Ā
Apollo begins with gentleness. With cleaning him off. He doesnāt immediately kill himā perhaps to give both of them one last moment of peace.
But then that gentleness turns to murder.
Commodus was strong. Even in his weakened state, he thrashed and fought. I had to channel my godly might to keep him submerged, and in doing so, I must have revealed my true nature to him. He went still, his blue eyes wide with surprise and betrayal. He could not speak, but he mouthed the words: You. Blessed. Me.
Apollo is forced to reveal himself in all his gloryā and in that moment, they are both aware of his betrayal. Commodus is floored by what he seesā by who he sees.
This isnāt merely his trainer who he has grown to trust.
This is his lover who he has loved for decades.
The lover who blessed and reassured him that everything would be fine.
But itās not.
Apolloās the one with the hands around his throat, and all Commodus can do is throw his promise back in his face: You. Blessed. Me.
*and this is the moment everyone knew: they started bawling*
Tissues, anyone?
The accusation forced a sob from my throat. The day his father died, I had promised Commodus: You will always have my blessings. Now I was ending his reign. I was interfering in mortal affairsānot just to save lives, or to save Rome, but because I could not stand to see my beautiful Commodus die by anyone elseās hands.
And even at the end, we can still see the toxicity that permeates their relationship.
Commodus took Apolloās love and support for granted. He thought he could do anything he wished because he had the love and blessing of a god.
Apollo loved Commodus so much that he couldnāt stand the thought of someone else killing him. He could have kept his own hands clean of the kill, but he did not.
Because he wouldnāt be able to bear it to allow someone else to do the deed.
His last breath bubbled through the whiskers of his beard. I hunched over him, crying, my hands around his throat, until the bathwater cooled.
Even after Commodus is dead and gone, Apollo stays sitting there. Crying. He is utterly distraught by what he has done, and will continue to torment himself over it.
Perhaps even for eternity.
Britomartis was wrong. I didnāt fear water. I simply couldnāt look at the surface of any pool without imagining Commodusās face, stung with betrayal, staring up at me.
That, my friends, is how you write an ending. That is how you write a tragic, doomed romance.
This is the deepest romance in all of Rickās books. And weāve only gotten through the flashback scenes.
We ā and Rick ā are merely getting warmed up.










