Nov 18, 2025
kerriwatt: 1 trip, 7 work days, 5 broadway shows, 3 bagels, old friends, new colleagues, worlds colliding and a few margaritas 🌃
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kerriwatt: 1 trip, 7 work days, 5 broadway shows, 3 bagels, old friends, new colleagues, worlds colliding and a few margaritas 🌃
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Tim - The Curve (1998)
This was requested a few times; GIFs of your favorite little asshole! Yes...I am not a fan of The Curve like at all, but I do like Tim as a character. He's dislikable, but in the best ways. He is definetly the best thing that came from that movie... Please Tim's fan do not kill me 😭
'Two Strangers' is not your ordinary rom-com. It lands with humor, poignance, immediacy and spontaneity thanks to the brilliant, charismatic performances of Christiani Pitts and Sam Tutty.
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TIM JACKSON // 1988 // VENICE BEACH // 📸: JBK
HOW?! LITERALLY HOW?! THAT WAS NOT THE SAME BOY.
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
The final off-Broadway curtain call for “Merrily We Roll Along”, posted on Instagram by @bionikc. It includes director Maria Friedman, choreographer Tim Jackson and later NYTW artistic director Patricia McGregor coming on stage.
Another view of the closing bows was posted by crew member Ryan Duncan-Ayala on TikTok.
https://vt.tiktok.com/ZS8ASchW5/
The Carny Band: Peter Tork, Danny Bryck, Nick Thorkelson, Maurice Martin, and Tim Jackson; photo by Daniel J. van Ackere (more rehearsal photos here).
Carny Knowledge: A Slideshow Extravaganza of Original Plays and Extraordinary Oddities —
"At [Nick Thorkelson’s] invitation, his brother Peter Tork, the former Monkee, will play guitar and banjo in the [show’s] band. ‘For Nick and me, this reminds us most of “The Threepenny Opera,” by Bertolt Brecht and Kurt Weill,’ said Tork. ‘The music we’re talking about, this kind of evil-clown music, it’s the Kurt Weill music from between-the-wars Germany. There’s something luscious about it, like New Orleans on a foggy winter’s evening, where there’s something lurking around there.’”- The Boston Globe, January 29, 2010
Tim Jackson