Nov 26, 2025
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Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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And so I stand among you as one that offers a small message of hope, that first, there are always people who dare to seek on the margin of society, who are not dependent on social acceptance, not dependent on social routine, and prefer a kind of free-floating existence.
Thomas Morton
The Asian Journal of Thomas Morton
The Great Bookcase - William Burges (1827–81) Oak, carved, painted and gilt, 317.5 x 173.9 x 49.5 cm
Enormous, elaborate and highly decorated, the Great Bookcase was made to hold art books in the London office of William Burges (1827–81), the eminent Victorian architect and designer. Work on it began around 1859 and was completed by 1862, when it was included in the Medieval Court at the International Exhibition in London. Although the design was based on surviving medieval furniture, the bookcase remains a purely 19th-century creation.
Burges believed that, in addition to serving a practical purpose, furniture should also tell a story. Here the emphasis is on the painted scenes and decoration. Fourteen leading artists worked on the Great Bookcase: Edward Burne-Jones, John Anster Fitzgerald, Henry Holiday, Stacy Marks, Albert Moore, Thomas Morton, Edward Poynter, Dante Gabriel Rossetti, Charles Rossiter, Frederick Smallfield, Simeon Solomon, William Frederick Yeames, Frederick Weeks, Nathaniel Westlake and Burges himself.
The decoration is divided into Christian themes on the left side of the cabinet and pagan themes on the right side. The large number of artists who worked on the Great Bookcase was unprecedented. Although the paintings are of the highest quality, the cabinet-making evidently was not: the bookcase collapsed in 1878 and had to be substantially rebuilt. [x]
Thomas Morton is my new 17th century hero.
“everybody under the age of 30 these days” is “dressed like an actual lunatic,” decked out in illegible outfits like “JNCO jeans with a blazer, a cardigan sweater tucked into camo pants with no belt, a T-shirt over a peasant dress with sleeves pulled through with a belt.” The punk, goth, and ska tribes of his youth served as “a bulwark against the fracturing sense of atomization,” whereas today’s hyper-specific micro-aesthetics (“performative matcha boy,” “urban-witch-prairie-goth”) keep kids “permanently aloof.”
Chip Nerds and Generation Larp
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Volume 319
0:00:00 — "Once" (Edit) by Mich Live (1990)
0:01:32 — "Outcry" by Bourbonese Qualk (1985)
0:03:15 — "Faith in You" by Jean-Luc Ponty (1987)
0:07:36 — DJ
0:12:29 — "Play the Music II" by Thomas Morton (1987)
0:16:09 — "Swahili" by Nick Carr (1985)
0:21:09 — "デイ・ドリーム" by 野田ユカ (1989)
0:24:05 — "Palabre d'A" by Serge Blenner (1986)
0:28:18 — DJ
0:34:26 — "Morning" by Yon Seok Won feat. Lee Gwang-Jo (1991)
0:38:40 — "Night Sky" by Zack Laurence (1988)
0:41:51 — "Nachts: Schnee" by Popol Vuh (1987)
0:43:17 — "Green Thought (In Green Shade)" by Another Fine Day (1994)
0:50:34 — "Beach Sit-In" by Supersempfft (1982)
0:58:20 — DJ
1:04:21 — "Humanize the Machine" by New Continent (1990)
1:07:56 — "Theme for the Far Away" by Michael Shrieve & Steve Roach (1988)
1:12:11 — "The Receiver and the Fountain Pen" (Edit) by Orchestra Arcana (1988)
1:14:50 — "Devotion" by Aeoliah (1985)
1:19:42 — DJ
1:26:07 — "Devotion" by Aeoliah (1985)
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“Around 1630, he did what any true American, official or aspiring, would do: put together a lawsuit.”
In the contest for the title of the most American historical figure of them all, Thomas Morton's name can't be left out. Businesslike, litig
