Queer Book Character Tournament Round 1
Jean Moreau- All for the Game
Shizuka Satomi- Light From Uncommon Stars
Thomas Rye- Don't let the Forest In
The parson | Edward Harper- Briarley
Character, book, and author names under the cut

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Queer Book Character Tournament Round 1
Jean Moreau- All for the Game
Shizuka Satomi- Light From Uncommon Stars
Thomas Rye- Don't let the Forest In
The parson | Edward Harper- Briarley
Character, book, and author names under the cut

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shoutout to the simpsons for making me simp for hot religious men
Three examples of the landscape as mental state in The Parson
Suddenly a soldier's automatic awareness of weather conditions made him look out the window. A peculiar blanching and blurring process was obscuring the light outside. The sun was paling, a curious dimming was everywhere apparent, a pallor was diffusing itself into the air, smudging the shapes and stealing the colours of the garden flowers. Eclipsed to a pale lamp, the sun suddenly went out altogether; the cliff withdrew from sight. Only a few of the flowers in the foreground still floated, dim and derealized, colourless ghosts of themselves,in the thick white mists billowing up from the invisible water, which could be heard softly sucking and smacking the rocks below. (p.20) So she was disconcerted to see, straight above them, the hoary grey head of rock, thrust into and filling the sky. Taking her by surprise, the bare upheaval of naked granite, grim and overwhelming in its immensity and nearness, had a strong effect on her imagination. She'd never been close to one of the tors; and, to her surprised eyes, there was something extraordinary about the huge knot of pale, up-ended stones, towering aggressively just overhead, like a fortress, excluding the sun. (p.31) Suddenly, as she looked, the valley sank out of sight, all its toylike brightness put out as the sun disappeared and the lumpish tors heaved themselves up all around it in startling significance, huge and uncanny, the gloomy dark masses of moorland standing out menacingly. (p.47)
The General Prologue: Parson's Portrait
I have just completed reading the General Prologue of The Canterbury Tales in preparation for the first seminar of the term on the 1st October. Consequently I thought I would share my initial thoughts before being bombarded with criticisms and lectures from well-versed academics.
Upon reading the General Prologue, the character introduction that most struck my attention was that of the Parson. Overall, the narrator's voice in the General Prologue (whether it be Chaucer himself or a devised persona) came across as very "mocking" of society - especially concerning the corruption of the church. I thought that this voice was most evident in the description of the Parson, for example:
He was a shepherde and noght a mercenarye. And thogh he hooly were and vertuous, He was to sinful men noght despitous, Ne of his speche daungerous ne digne, But in his teching discreet and benigne...
The narrator lists virtuous qualities that one would expect to be known facts about a holy man, and simply go without saying. However, the narrator lists them, one after the other, extensively - in a way that makes him seem surprised to find a man as good as he. (This is emphasised further through the use of negatives - saying what the Parson "was not" as well as, or even instead of, what he was.)
A bettre preest I trowe that nowher noon ys. He waited after no pompe and reverence, Ne maked him a spiced conscience, But cristes loore and his apostles twelve He taughte, but first he folwed it hymselve.
I find it quite funny that simply because the man embodies of a true and honest priest then the narrator decrees that there is no finer priest anywhere, certainly outlining the corruption of the church - simply having a man doing his work properly and without an ulterior motive is cause for celebration and honourable regard.

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"That if gold ruste, what shal iren do?"
The Canterbury Tales by Chaucer