Gladys Moore Vanderbilt, Countess Széchenyi (1921) by Philip de László. The Breakers, Rhode Island.
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Gladys Moore Vanderbilt, Countess Széchenyi (1921) by Philip de László. The Breakers, Rhode Island.

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On my way home after a Simply Amazing Week in Siesta Key with Lisa...
I wanted to stop in at "The Breakers" in Rivera Beach, where Ginger @astogurlnikkipinkai was guest speaker for "Spacex" and lend her my full support..
We had agreed to meet as soon as I arrived in the outside gardens near the ocean.... Where upon seeing each other we couldn't resist but to fall immediately into each others arms and share a tender kiss..
I have a distinct feeling that after tonight, Ginger wont be leaving so early in the morning...
The Breakers, Newport, Rhode Island, United States
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Jane French Home
1 OVER X. Chapter 11: Uh Oh! Bad Place to Be!
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How far removed one is when confronted by this bloody and tear-stained Calvary from those debonair Golgothas adopted by the Church ever since the Renaissance! This lockjawed Christ is no Christ of the rich, no Galilean Adonis, no dandified picture of health, no handsome youth with curly brown tresses…. This is the Christ of the poor, the Christ who is one and the same with the most wretched of those He has come to save, the beggars and outcasts….
The Breakers is full of what we call Sacred Geometry, such as the Flower of Life and the Fibonacci Sequence. Recurring patterns symbolize the connection between the material and the spiritual realms, bridging the finite with the infinite. And it's said when humans engage with spaces infused with these designs, they subconsciously align with a sense of cosmic order, balance, and harmony...