#tellofilms

What I liked: The couples had chemistry ranging from good to really good. (There’s no Hollstein-level chemistry here, but that would be asking too much for mere mortals, wouldn’t it? Just kidding.)  I enjoyed the romantic arcs. It was a romantic comedy, but wasn’t all the typical Christmas fru-fru (though it was still a lot).

Couple #1: Mardou and Iris. Mardou (Laur Allen)’s performance was especially well done, and the character had more engaging subtly than you typically see in  Holiday movies. For you to understand that Mardou has been in love with Iris (Emily Goss) for years but has been exercising mature and caring restraint to not show it, to carry the movie, the role *had* to be portrayed with not just body language, but with sincere facial expression, especially with the eyes. Props here go also to choices made by the writers and execution by the director relating to the actors’ interactions and positioning.  Iris’ performance was almost as good. I say “almost” because while the story gives Mardou a very serious, almost tragic role, Iris’ role shoulders lower levels of comedy in addition to the serious undertones of what her character is going through. This is accomplished through physical humor and situational levity (often related to depression-related awkwardness) with brief forays into the ‘useless lesbian’ brand of awkwardness. (One scene is *truly* a laugh out loud moment, and Emily Goss’ facial and body performance here was right on point. I had to pause the film just to finish laughing, and then watched the moment twice more just for fun.)

Couple #2: Lou and Kenna. The arc between the brewery owner, Lou (Jessica Clark), and welder, Kenna (Sandra Mae Frank), was a super cute idea in theory, and was actually super cute in terms of how it was carried off, though it needed more situational authenticity. This arc gets plenty of laugh moments, as that’s its primary role in the plot. Lou is beyond adorably clumsy. The filming/artistic decisions relating to how Lou sees Kenna in various supermodel-esque mini-shots are cringe-worthily hilarious. The mix-in fact that Kenna is deaf and Lou has to figure out how to navigate this is both heartwarming, because it brings in something society generally sees as a disability and again, the basis for a good part of the humor. The actors have good chemistry together. The height difference is again, ‘super cute.’ Lou’s blatant pining and angsty awkwardness is both relatable and charming. Kenna is fun. Her roommate is also fun.

My nitpick: (Nitpick? Maybe just disappointment over a missed opportunity...) This arc is where the film slips into a Holiday movie trap of not being authentic to setting. The reason this is a real shame is because both brewing and welding, combined into female love interests, is a hot idea for a wlw story. And so I wanted to see an actual female welder and a female brewer, rather than just pretty people given the titles.  I know enough about brewing from watching documentary shows, visiting breweries, and doing my own research (I’m a long ways into a WIP of my own that involves a brewery and a brewmaster incidental as a sub-plot to my main plot) to see that Lou is a brewery owner only in name only, with no real development given here, nor attempt to make it look or feel real. The same goes for the welder: I’ve never welded, but my father has, and I grew up with a fair bit of rag-tag rural living and was around equipment and welders enough in my early life to know that nothing about the way Kenna is portrayed makes her being a welder authentic.

I give this arc a thumbs up. It’s just... it could have been amazing instead of simply good.

Couple #3: Janey and Sue. The final arc is between Janey (Janelle Marie) and Sue (Waverly Earp Dominique Provost-Chalkley). They’ve been on-again-off-again sweethearts since high school, but life keeps getting in the way. Janey is in the military and Sue is a musician with performance anxiety related to singing in public. She also has a recently-ill mother, and finances are tight. This arc has some sweet elements, and the actors are cute together. I’ve not yet entered into the Waverly kingdom of fangirling, but Dominique is definitely a talented actress and plays the role perfectly: It’s impossible not to be engaged with Sue’s emotions and experiences through Dominique’s expression of her.

There are some bittersweet notes throughout this arc, and it is by far the most complex relationship of the movie even though it is secondary or tertiary in the film. In reality, it could have been the most impressive of the three stories, if the film had given it an ending that was realistic relative to Sue’s particular brand of anxiety. (Spoiler: They didn’t. Here is the one truly glaring point where the movie falls prey to the Holiday movie curse: Something unrealistic happens, essentially an invisible fairy-plot mother waves a magic wand behind the scenes and a personal struggle for Sue that shouldn’t be overcome so easily- if at all- suddenly is.) It would have been more powerful if Sue’s arc had ended without the typical holiday triumph in the ‘resolution’ stage that follows the narrative ‘crisis,’ and instead used the ‘crisis’ stage as a springboard for Janey and Sue to grow through the realities of her anxiety together, coming to a deeper understanding of the other, and maturing their love.

Music Bonus: The song Sue/Dominque plays at the end is fabulous! I would buy it on iTunes in a heartbeat if it were available. (It’s not. A big ‘why not’ aimed squarely @tellofilms​.)  There’s a music video on Tello, which you can see (but it might be pay to access). There’s a version on youtube, but be ware that whoever put it up isn’t officially related to the film or the song/song writer/performer and their transcription of the lyrics is off in several places.  With how incredibly well Dominique sings, it would be great to see her reunite for a song with Natasha Negovalis (previously together in the Carmilla Movie, 2017) in Tello’s future 2020 Holiday film, since it will be about a music star.

In conclusion: The stories were decently solid, and were definitely enjoyable.  There’s plenty of kissing scenes ultimately, so there’s payoff. It’s sweet. It’s cute. It is all HEA. There was humor mixed in throughout. It could have handled a higher production value, as sometimes between sets and sound, you can tell it’s not quite up to a movie theater release standard. It would be nice to see it not be every one of them all perfect-looking people. But, that being said, it does well.  While well above the typical Hallmark holiday standard (for me, anyway), there were places where the stories could have taken on a bit more depth. (Oh: Just to warn you: There was one bizarre moment in the middle at a Christmas party with an encounter that felt out of the blue, didn’t make sense given who was theoretically invited to the party, and jerked me hard out of the viewing experience. Also, I suppose it could be a trigger for some people, though it’s relatively mild. I understand the point they were trying to make, and agree with it, but it did not belong in this movie, or at least in this scene.) 

If you have the $6.99 spare to do the digital three-day rental, or $14.99 to purchase (I rented but will probably go back and purchase as well), head over to @tellofilms​ and take the risk. It’ll be a holiday pick of mine for years to come.

Please watch it if you’re so inclined! Doing so will hopefully brighten your day, and will help support the people who make generating wlw content of increasing quality possible for all of us to enjoy.