#sweet-rabbit

Anonymous said: Sometimes I think about all of voltron’s loose threads and how this next season is the last and am then transported back to my high school days of putting off projects until the last second, throwing something together, aiming for at least a passing grade. 

The EPs failed a long time ago, if that’s the case. When they decided to kill off one of the main characters without allowing the team to grieve, forced the most popular paladin off the team, demoted the leader of the team to a soldier, and abandoned its own lore, including breaking the strongest paladin-lion bond without any explanation - they failed to give the viewers any satisfying conclusion to this story. No matter what the next 13 episodes include, it won’t make up for the middle 39 episodes that literally brought tragedy after tragedy, especially to the team’s only LGBTQ+, multiple-minority character. 

@sweet-rabbit​ said: You know, if the EPs wanted us to not like, nay, LOVE AND ADORE Shiro as much as we do, it was probably a huge misstep on their or whoever's part that they hired a man who voiced a freakin' DISNEY RENAISSANCE CHARACTER to voice Shiro. The blasted fools, the lot of them!

Josh Keaton is a consummate professional, and no doubt, Andrea Romano nailed it when working with him and the team. If there is one thing that is absolutely, without a doubt, above reproach with this show - it’s the voice acting. It is outstanding.

@safeautistickeith said: Damsel Shiro aaaaalways felt Suspect ™ for me. Like. Keith can say, ”we saved each other” (whoever wrote that bless them) But, lbr Shiro’s sidelining was a slowburn that started from his damsel-dom. S1: S and K each got a Big Save. K saved S when he came back to Earth. S saved K when K went after Zarkon (Shiro voice: I’ve got you, buddy) S2: K saved S in Across the Universe. S saved K in Marmora. Equals? Yes. Truly. Then s3 comes along and it’s not longer this beautiful, mutual thing, but Shiro becomes a Damsel in Distress. Which Yikes ™ Asian man demoted to damsel? Unfortunate implications. He’s arc has been about leading up until then? Unfortunate implications. He’s a gay male( the reveal planned in s2??) un for tu nate implications. There’s a line between, ”you can be masc and also need help” and just making him a damsel. Big Yikes. 

Voltron originally broke tropes, which was awesome. Allura wasn’t a princess locked away in a castle-ship but a knock-out, drag-out warrior who wasn’t afraid to get into the fray. Shiro, the strong-willed leader, wasn’t afraid to accept help. Keith, the loner, felt perhaps the most for his team. “Loverboy” Lance was actually the heart of the team, rather than a female character playing that part. Hunk, too, was strong but scared, and Pidge was not the stereotypical girl figure. 

In Season 3, the story began to fall into the traps of the tropes it had broken, and it’s been a demoralizing and disappointing journey ever since.

@melissa18999 said:The lack of characters being challenged emotionally is why everything after season 2 bothers me. Kuron’s arc didn’t test the characters on an emotional level given how after the arc is over everyone just moves on. It’s there only to write actual shiro out of the show for a bit rather than seriously affect the cast. Same thing with Keith’s [crap] and every other character. Nothing tests them emotionally. (Maybe Allura with Lotor)

VLD misses a lot of emotional beats. One of the biggest failures was not showing when the team learned about Keith’s Galran heritage. Then we never see the emotional fallout with the clone, other than the team referring to him as “evil.” The clone fought alongside with the team, perhaps longer than Shiro, and the team never mourned him. Sendak and Shiro’s fight? Shiro never says a word, and then Keith kills Sendak, taking away Shiro’s right to fight back against his one-time captors. 

Lotor had Pidge’s dad and didn’t even try to make her a traitor to Team Voltron? Narti could control minds and not one of the paladins was ever brainwashed by her? Haggar did it to a clone, not even Shiro. 

Even Allura and Lotor’s relationship - Allura’s anger was the stereotypical  “woman scorned.”

So much potential, and it’s just wasted. 

Anonymous said: An ask or two doesn't have enough room to describe how much Shiro means to me, how much strength I draw from him, how many dark places he's helped me out of. But s6's treatment of kuron/shiro left me in tears and nearly dissociating for hours, and it's the only season I haven't rewatched. And here's the kicker: Everything I've read about s7 has made the thought of watching it feel identical to an urge to self harm. I want the EPs to think about that. I want them to think hard about people like me, because I doubt I'm the only one who's been affected like this. And I want them to really, really consider if this is the story they wanted to tell. If this is the effect they wanted their story to have.

Shiro is important to many people in terms of representation, and I’ve read many posts about people who identify with him. I’m glad he’s had an impact upon your life, and I hope you can still take comfort in the earlier seasons. Please take care. 

Anonymous said: I think I'd be okay with the "Shiro had a degenerative disease" if that was it alone. Like, it's a really good explanation of why everyone so readily accepted the pilot error thing despite Shiro being an absolute legend of a pilot. But it was tied together with his gay reveal and then the story he was shoved into and... I cannot like it, or accept it.

Shiro was revealed to be LGBTQ+, have a degenerative disease, and lose his place in Voltron - all in one season. The juxtaposition of the reveals is reprehensible, and it sends a horrible message to people who have mental and physical struggles, are LGBTQ+, and minorities. 

Anonymous said: So, here's why the "it's a show abt war so you have to suffer watching, bc there's only tragedy" excuse is weak: It’s a show about space robots, a space robot called voltron. It's not a show about drama, about people dying and it never was. It was supposed to be a show about teamwork (supposed bc that premise has left the building a long time ago) with war comes death? Yes, absolutely, but its not an excuse to kill all of the lgbt characters 

That’s the issue - it’s not an excuse to kill all the LGBTQ+ characters. A show about war that has death and handles appropriately is one thing. Mourning the clone, mourning Shiro, mourning Narti - all those things should have happened, and they didn’t. (These characters were also all with physical and mental disabilities, DreamWorks.)

Showing children closure, helping them to understand death - is a good lesson to learn. But excluding Shiro from his only family, killing his one-time SO in a “fringe” move, and then killing the other LGBTQ+ couple in the show - not to mention killing Shiro four times - that’s a message DreamWorks should not be sending children. 

Anonymous said: The one thing I wanted from Voltron Season 7: Shiro getting to reunite with the team, and work with them again as a part of the team - also, the one thing the Voltron EPs refuse to allow.

Not to be technical - but that’s actually two things. Shiro did reunite with the team, but unfortunately, he wasn’t a part of the team. In fact, he was excluded to the point of no longer even being called a paladin, according to “The Journey Within,” and I agree. I wanted that in Season 7 as well. 

Anonymous said: I'm still lowkey [mad] that Sincline, made of the same material as Voltron, was not sentient, but the MFE fighters and Atlas, which are reverse-engineered galtean tech and run off... idk what they run off, magic low-charge batteries maybe... are implied sentient.

I’m not sure, but I can say - I am sad that didn’t pan out, either. I wanted to see what Lotor and his generals could do in Sincline. I’m sad that Atlas, clearly built for Allura, didn’t talk to Allura first. Instead, she will always be Blue’s second choice, Lance Red’s second choice, and Keith left to Black because Shiro...didn’t not to fly Black anymore? I’m not quite sure why. The story never tells us. 

Rounding back - Sincline had so much more potential than was realized. 

Anonymous said: In not committing to a specific black paladin, or even a specific direction and endgame, the story failed to stay together. It fell apart in the same manner a soft cheese does when pressed to a fine-hole cheese grater.

There are a lot of things that failed to keep the story together. The first and foremost was - you need to keep the team together, or at the very least, not lose two of your main characters in one 26-episode batch, one character for 24 episodes, another for 12.  

Anonymous said: If the EP's have treated Shiro as an equal instead of a 'problem' they had to put up with, would VLD have not have gone downhill? It does feel like their dislike for one character and their stubbornness to stick to their original plan is what dragged the show down. It really does feel like what happened behind the scenes has become a cautionary tale on what you shouldn't do when writing a story and its characters.

I can’t say for sure, but what I can say is - the moment the EPs saw Shiro not as a character but as a plot device, is the moment the story began to unravel.