My 3rd example of reconstruction was the use of a mount. I used the cutting of a Japanese maple bush in direct contrast to the plastics.
The union of the natural branch with the man made ‘leaves’ sparks ongoing thoughts & continued conversations...
It tied in my ideas of ‘joining together’ the materials.
The symbiosis of the natural world & human beings.
The use of typography on the leaves to pinpoint current events i.e. trace ~ COVID-19 Pandemic, environmental impacts, plastics in our Oceans, BLM, MeToo.
The use of imagery on the leaves i.e. corn ~ highlighting ongoing conversations around Brexit imports/exports, sustainability, environmental impacts, Climate change, Global food shortages
The use of specific materials e.g. bubble wrap ~ is an interpretation of cotton growing on bushes baring reference to BLM & both historical & modern day slavery
I was inspired in this Textiles workshop on Material play, exploring with recycled materials of which I utilised plastics from my recycling box at home during lockdown.
I am consciously trying to move to a zero use of plastics as my awareness has grown around the devastating impact it is having in our environment. I am mindful of how I can be more sustainable in my Art practice.
It was interesting to note how uncomfortable I was in choosing plastic as my medium. It was provocative material to use & I felt a heightened awareness because of it. My preference is usually natural materials that can return to the Earth with least impact, e.g. biodegradable papers & charcoal, natural fabrics, clay, wood etc. It was a thought~provoking process to work through & I was inspired to bring those ideas together to produce the end product of a union of both natural & manufactured worlds...