The literary work itself comes to be seen as a mysterious organic unity, in contrast to the fragmented individualism of the capitalist marketplace: it is ‘spontaneous’ rather than rationally calculated, creative rather than mechanical. The word ‘poetry’, then, no longer refers simply to a technical mode of writing: it has deep social, political and philosophical implications, and at the sound of it the ruling class might literally reach for its gun.
Terry Eagleton, Literary Theory: An Introduction













