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Starlog: Favorite Character
“Who is your favorite Star Trek character?” Feel free to discuss any character from the franchise. Why is this character your favorite? Is it someone you personally connect with? Is it someone who played a particularly powerful role in the franchise? How is this character grounded in the social or political time of his or her creation?"
My all-time favorite character is Dr. Phlox. He's a Denobulan served as the Chief medical officer on the Enterprise NX-01. I like him because he's of a nutreul voice of reason that many confide in. Due to his scientific approach he never seems to be surprised by the many various emotions many of his patients are feeling and has a way of explaining personal mattters from both an informative and education perspective. These explanations are helpful the the inquiring staff and audience too. I personally relate to this character because human connection, function, social constructs are a passion of mine. I also have many people that confide in me due to my 'neutral' approach and I have learned very much by that method. I enjoy seeing the show explore human nature and connection.
Dr. Phlox is aired on the Enterprise series which is often over looked. Although the character writing did not start off strong, it developed into a show that doesn't get enough credit. His character is not associated with what might traditionally be considered powerful but I appreciate the the crew acknowledges the importance of his role on the ship, both personally and professionally.
I think Dr. Phlox is an accurate, progressive reflection of early 2000's. What I appreciate about this character is that they made his species and nature so different that everyone else on board. I feel like this was done so that he brought a challenging and new perspective when interacting with other characters. In the early 2000's, politically and socially, discusssing uncomfortable topics was still fairly taboo. The internet was still forming and without that platform naturally less discussions were exchange. Dr. Phlox demonstrated an important listening and counseling role which represented a fill-gap to many relatable questions in current society.
Canon, or not to be?
To put it lightly, canon can be a tricky thing. There are many variables that make it arguably acceptable (or not). Overall, I think remaining canon is very important and agree with Judith Okuda in the previous video when she described it as perimeters.
Whether a story is told strictly text, as in a novel, or a tv show, defining the parimeters, and or rules, is the foundation of understanding the world and characters within a imaginative universe. Often times when something is off canon it can conflict with previously established informaition which can be extremely distracting to the audience.
Where canon could be useful is when writers may want to take a different, creative approach. In this sense, paramiters could limit and or restrict creative efforts. I'm fairly new to the Start Trek world and have not encountered uncanon content yet. Where I do have more experience is Star Wars and Marvel comics. Those world have expanded so much that it can start to feel like anything goes. Many character personalities unpacked personal histories feel less interesting with the bigger the changes are made. That's hard to enjoy and stand by as a fan. In fact, now the term canon is used by fans as a definition of acceptance or rejection of any newly release content and whether it's worthy to be considered in alignment with original work.
For example, The Last Jedi. As a fan, it had felt that Luke, regardless of all the supporting evidence, (story flashbacks, etc.) of what happened to him brought him this point in time; the decisions he had [apparently] made and the current behavior he exhibited. For me personally, I struggled to relate to 'new Luke' because there was more [prior] content which laid the foundation of his character which revealed his character in a wholesome light, completely contrary to his weathered character in The Last Jedi. Therefore, I don't accept it as canon.
Stardate 06.11.22
“What Star Trek technology is on your list of must-haves?” Could the Star Trek universe exist without this type of technology? How would it be better (or worse) with (or without) this technology? Be sure to use evidence to support your argument.
I think that the replicator is a very interesting piece of technology that is integral to the Star Trek universe and the message that it is sending to it's viewers, and if it suddenly became real, it would have huge effects on our society today.
The replicator is there not only for convenience of plot but to drive home the point that the federation is post scarcity, which is a thing that comes up time and time again. And while the Star Trek universe could exist without the replicator I do not think that it could exist without the ideal that it stands for.
The federation would be worse off without the replicator because they would still have to deal with conflicts and issues dealing with scarcity, which, now that I think about it, might make the franchise as a whole more interesting and perhaps more poignant in today's society as we definitely do not live in a post scarcity world and it might be nice to have a futuristic hopeful television program show characters managing, living, and persisting in scarcity instead of just brushing it off as something that humans moved past long ago. However losing the replicator would definitely negatively impact the lives of the characters in the show. Especially if removing the replicator also means removing the ideals behind it.

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Starlog 06.05.22
In your opinion, what are the benefits of adhering to canon? What creative potential exists in jumping off from it? Where has Star Trek (or other similar franchises) done it well or poorly?
I think that adhering to cannon makes it easier for viewers to suspend their disbelief and makes it possible to establish a certain logic in the series that not only makes the story possible to understand but can also introduce fun ways to play with the narrative within its logic and rules. If there was absolutely no cannon at all you would not be able to have a non-anthology show let alone a franchise. Cannon is what makes the world. Cannon also introduces world mechanics which can help viewers understand the message of the text and can make fun and creative ways to play to the mechanics advantages. A good example of this would be how the Next Generation two parter Unification uses the well established relationship between the Vulcans and the Romulans along with Spock's past to build a story that could not exist without these previously established world mechanics.
However, cannon can also become a sort of trap that forces a series into corners that do not make sense and can hold back a metatext from expanding and growing with our modern world, and in these cases it's probably better to abandon the cannon and retcon. Turnabout Intruder, the last TOS episode, established that women cannot be captains in Starfleet, which was later disregarded, and rightfully so.
There are also other cases in which jumping off from the cannon is useful and can better your story, such as when trying to expand the universe or when things need to be taken in a new or interesting direction. With a strong creative guidance, breaking away from cannon can make a series relevant and can even better the world the story exists in, however without that creative pull it can end up being a garbled mess.
Stardate 05.29.22
To what extent did the business model of network television enable Star Trek: The Original Series to appeal to such a wide range of audiences? In ways did that same model constrain it?
In today's world where practically anything anyone could want to watch is just a few clicks away at any possible time (if you've signed off enough of your money to subscriptions that is), it can be easy to forget that it wasn't always that way. Streaming encourages hyper-targeting demographics in a way that was impossible in the network television days of the 1960s when Star Trek: The Original Series first graced the small screen. Despite the fact that the business model used by network television stations when Star Trek aired promoted low production costs and exceptionally high ratings, which eventually caused the series to be canceled, the business model's key objective to make all of their programming easily accessible general audiences and family-friendly, lead what otherwise could have been an extremely niche show to have a broader range of viewers.
The importance of appealing to broad audiences in the business model of network television enabled Star Trek to reach a wide range of viewers because it caused the show to fundamentally change to become appealing to this larger demographic and then was given the platform to do so. The first pilot, The Cage, was deemed to niche and cerebral to be a valuable asset to the network, which caused the show to be reworked. Everything thing from the uniforms to the increase of action-adventure sequences and the recast of the captain caused the show to become more marketable to more people. Another thing worth mentioning is Majel Barrett's role going from second in command to Nurse Christine Chapel. While Star Trek has always been a beacon of progress, things like recasting a woman into a less powerful role to appeal to a larger audience remind us that there are obvious flaws in their progress.
However, even if the reworked show was able to captivate far more people that it would have initially, the same business model took its platform away after the third season. After the studio was bought by Paramount and before demographics were analyzed, the mediocre ratings along with the high production cost caused the show to be canceled, despite the fact that it had gathered a mass of extremely dedicated fans who has been able to save the show with a letter writing campaign one season earlier. In the era of network television a niche collection of extremely dedicated fans was not enough to keep a show a float as it would be today.
Stardate 05.27.22
Introduction:
As a nerdy teenager who loves space history, media analysis, and was looking for something interesting to do for the few months I have out of school, I couldn't pass up the opportunity to learn about one of the greatest sci-fi franchises to grace the screen.
I'll admit that I haven't really watched a lot of tos, but I am looking forward to becoming more familiar with it as I take the course. Despite the fact that I haven't watched a lot of tos, I have spent a very large amount of my life watching StarTrek and engaging with the franchise and I'm just really excited I dunno.