#starcourse

The first thing I have to make clear about The Last Jedi is, to me, it did not feel like a Star Wars movie. By this I mean that the way it was shot, the way it was written, the way it is placed inside the whole cinematic series just doesn’t feel like a Star Wars film. Some of this is on a meta level: it begins mere moments after the end of The Force Awakens, and that sets it apart from all the other films, which have massive gaps between them. 

The Last Jedi and The Force Awakened could be one movie, in many ways, and that’s not really a good thing, because regardless of anything else, it begins to break down the feel of what a Star Wars movie is. However, the issues that make me say this go on further. On a technical side, the scenes don’t FEEL like a Star Wars movie. There are many things to say about George Lucas but I feel the cinematography in his films was, at the least, distinct. And that distinctness left a clear impression.

But The Last Jedi doesn’t really have that. It’s shot radically different than other films in the series, I felt like. And so that contributes to the feel that it’s a movie using Star Wars props and settings and characters, but yet not feeling like a Star Wars Movie, if you catch my meaning.

Another issue is music. In prior Star Wars films, the music is as much a part of the scenes as any other element, and it stands out in my head. I can hear the music when imagining the scenes, the music is distinctive because of how the scenes are shot and scored. I don’t remember any of the music from The Last Jedi, and while I’m sure it’s actually fantastic it just... didn’t capture me the same way. I’m not sure why yet, and it’ll take multiple viewings to really grasp it probably.

Moving on, the way it’s written also doesn’t feel Star Wars. I mean this in two ways: it’s pacing is all over the place, it’s dialogue feels out of place, and the humor, while occasionally actually good, doesn’t feel like Star Wars humor. I want to be clear that for some of these, much like the above comments, these are not necessarily reasons why it’s a bad movie, but perhaps why it may be a bad Star Wars movie. Other cases, though, absolutely mark it out as just bad writing regardless, but I’ll touch on that in each case.

Firstly, the humor. There is a lot of attempted humor in this film, some which works better than others. I’ll admit, while I found the opening bit with Poe and Hux amusing, it felt utterly out of place. It’s basically an extended version of the scene from The Force Awakens, which itself felt out of place, particularly given the context. In that, we literally just saw a mass slaughter of a village and you’re now doing a comedy bit. Not only that, Star Wars doesn’t really do comedy bits. The humor in Star Wars is delivered in different ways, but the timing is also key. This is akin to Padme cracking wise after Anakin talk’s about how he killed all the Tusken Raiders.

In The Last Jedi, there is less of a poor timing, but the entire bit robs the film of momentum, and also serves to render Hux into a buffoonish character (which I’ll touch on later,) and it just doesn’t feel like Star Wars. It’s funny, but out of place. In a lot of ways, I include Luke’s flick of the saber (though I think that also works well enough) but even more so his dusting his shoulder off. The former at least serves well as a shocking sort of moment. The latter serves to break the drama and scale of it all. Included in this, though, are Poe’s ‘permission to jump in an X-Wing and blow stuff up’ line, which again, just feels... out of place given the situation. It robs the scene of seriousness.

Which is sort of the major issue; I don’t feel like The Last Jedi takes itself seriously. Or, at least, it doesn’t do so consistently. Lines like that, or then lines like Rey when Kylo shows up in the mind link shirtless, and so on just serve to make it feel... less serious. Some might say it grounds things, but that’s the big issue: Star Wars isn’t grounded. It’s a Space Opera, it’s epic fantasy in space, and The Last Jedi doesn’t feel epic. Indeed, the whole film seems... small.

This is as much an issue with The Force Awakens, though, in that it really fails to establish the sort of scope of the First Order, and the Resistance really comes off as minor as well. It continues in TLJ though in that it really just never feels like things are ‘a big deal.’ We’re told of things but it’s very mixed on actually showing, I guess? Or the showing just... falls flat.

Linked to the issue of it taking place right after The Force Awakens, the whole film takes place in, arguably, the course of, what, a day? A few days? It’s hard to tell. At first, I thought it was only literally about a day because they literally give hour counts on their fuel but Rey is with Luke for what seems like a few days. Yet the pacing is such that thing seem both too slow and too fast. There is no real sense of time in a lot of the scenes, and that really causes issues with the pacing. And also with things like Rose and Finn, because we’re talking about people who just met at most a few days ago, on less then stellar circumstances, and then things progress so very quickly, and it seems... out of place.

And then we get things like the entire Casino subplot, which irks me on many levels. First, the intentional aping of the Cantina introduction with a reworking of the ‘scum and villainy’ line, the panning around of all these fantastic and weird aliens and all, and whatnot. Sort of clever, but it just gets hamfisted when Rose goes on to imply that the only way to get this rich is arms sales. I damn near groaned out loud at that moment, because this is a movie by Disney telling me the only way to get rich is arms sales. Eat my ass, Disney! You mean to tell me there are no Space Googles or Space Comcasts or Space Disneys? It doesn’t even make sense!

Particularly not when we just had a bunch of movies about the Trade Federation and the Banking groups and other members of the Confederacy that were rich, and thus had a lot of arms to defend their financial interests, rather than being rich BECAUSE of their arms. And then we have the whole stampede through the city, and how great it was to stick it to them... yet are you trying to imply EVERYONE in the city, all the stuff you broke only belonged to rich arms dealers who are assholes to kids and kick puppies or something? I get that Finn is new to this, impressionable, and so on, but he went from being amazed and loving it to literally being glad they smashed stuff up.

Also, the alien dude with the southern accent was terrible. Should have let it be an alien language and just let us UNDERSTAND through VISUAL STORYTELLING. You know, like we got with the Kubaz who ratted out Luke and Han and them in A New Hope. Indeed, not doing this makes the whole universe feel small. Aliens just aren’t used right.

And honestly, I’m just going go through a long string of ‘why’ questions that really irked me, in no particular order or organization. These aren’t all equal complaints, but they’re just things that got to me...

Why are the bombers literal bombers, when we had Y-Wings and B-Wings in the other movies that clearly were strike craft with heavy payloads for the sort of thing they were doing. Why would you ever have a literal ‘bomber’ in space, given there is no gravity for the bombs? That whole sequence also makes the Resistance feel very very small, because it doesn’t feel like a lot of ships get blown up but apparently that’s their WHOLE bomber wing?

On that subject too, Poe gets hemmed up for disregarding orders and taking out the dreadnought, abet at heavy losses, to the point that he gets demoted and the Vice Admiral (who, by the by, I really hate the design of. Leia looks at least paramilitary in outfit, but she is just straight up wearing a dress and it just feels... out of place) treats him pretty badly despite later saying she actually understood and likes him, but later, when they get caught due to their hyperspace tracking stuff, it becomes utterly apparent that it was absolutely a good thing that Poe did what he did cus had he not, the Dreadnought could have just blasted them from space. Instead, they manage to outpace them because Poe’s desperate gambit took out the ship that could have blasted them due to its superweapon guns.

On that subject, how the hell does ‘out of range’ in a vacuum work? Like, I guess the argument is the energy dissipates but how the hell can they maintain that speed that always keeps them at range yet never outpaces them? And why doesn’t the supermassive Snoke battleship have those same guns? (Also the way these ships are introduced is meh, not like how they did the like Super Star Destroyer in the original trilogy, but that gets back to how the movie is shot and not feeling right.) 

And how the hell does on person manage to fly that massive Mon Cal ship, anyway? How come the massive damage done by it ramming them going into hyperspace is played up yet apparently the ships are still mostly functional, at least enough to get folks down to the planet and all? That felt very odd...

And on that subject, the planet! The whole plan seems so very odd. How the hell did they manage to fly so far on sublight speed to get in range of this planet that just so HAPPENED to be an old rebel base (which only has one way in an out, for some reason,) and somehow no one saw these planets? Or, you know, the SUN it must be orbiting? And why not TELL people this plan, like what was the purpose of KEEPING IT SECRET? Particularly not when you have a hotheaded and brash guy who already is on notice for disobeying orders he thought was wrong, and you think your little stern talking to was gonna shut him down? Really?

And the irony is, Poe got hemmed up for his scheme to take out the dreadnought, which ended up being not merely good but necessary. But no one really talks about how his scheme to shut off the tracker, which led to the First Order becoming aware of the transports because the slicer (cus he’s a slicer, not a codebreaker, again, use the damn Star Wars-y terms, film!) ratted them out, and that leads to, what, like 90% of the Resistance dying? For that matter, how big IS the resistance, cus you seem to have enough folks to fill the trench yet apparently everyone fits on the Millennium Falcon in the end?

And why the hell is Finn piloting one of those speeders anyway? He’s not a pilot, we’ve literally been shown he was figuring out how to operate the guns on the TIE Fighter and Falcon but he explicitly NEEDED a pilot, that’s why he rescued Poe, after all, and that’s why Rey piloted their escape. If anything, he should be with the ground forces cus that’s his expertise. And speaking of expertise, how is it that this one guy who was a janitor apparently was a janitor for Starkiller base, and thus knows his way around that in a complex and technical way, and ALSO knows his way around Snoke’s superbattleship, in a complex and technical way? That seems... weird.

Like, I liked when Rey could navigate Starkiller base cus she was familiar with Imperial tech and designs from crawling around in them her whole life. Finn being that knowledgeable seems... sort of weird. 

On the earlier thing, why is Hux portrayed in an almost buffoonish way? It robs him of any menace. His other officers seem more competent, and he just seems... very very NOT competent, and it sort of messes things up. It robs some menace from the First Order when he’s the on in charge.

Why does everyone seem to get to where they’re going instantly? Travel time seems simultaneously a plot point and non-existent.

Why introduce Snoke as this strange character if you do basically almost nothing with him? Like, the Emperor at least had build up and then sort of mattered. And yeah, they could reveal more in the third film but that’s... really not helpful for THIS film feeling odd. And then the biggie: Rey and Kylo. And I don’t mean any sort of romantic overtones cus I actually like how they handled that, with Rey conclusively saying fuck no to Kylo and thus squashing that as a thing (though I know some folks refuse to see it that way,) 

What I mean is that Kylo’s ‘let the past die, kill it, and start over’ ideology is basically the exact same thing that Yoda is telling and what is happening with the Resistance and Jedi. Which, honestly, is itself fairly stupid and I object to this idea that somehow she already knows any of the good things in ‘old religious texts’ and whatnot, because of broader implications, but if you’re gonna have that message then why show that actually they saved the books and their on board the falcon at the end.

Honestly, there is probably more that I’m missing but this is the general thrust of things. I want to be clear, though, I actually liked a lot of it. Finn is still the best character, even if put in situations I don’t actually totally agree with. The humor was legitimately funny, and sometimes actually fit well. BB8′s constantly trying to pluck the ‘leaks’ and then using their head to do it felt both funny and very Star Wars-y; I can see R2 doing something like that. (though, as a note, that R2, C3P0, and Chewbacca all get basically no real place again sort of stands out. R2 and C3P0 being major aspects of the Star Wars franchise is sort of a big deal. They’re supposed to be there, and they’re really not in this.) 

But the fight sequences are pretty damn good, with a few minor hiccups, and like I really enjoyed the film while watching it. I’ll certainly watch it again, but there is so much that I feel also was just in JUST to tweak with people and Rian trying to play gotcha games, and it, at the core, just didn’t feel like a Star Wars movie. It’s a movie using Star Wars trappings in ostensibly the Star Wars universe, but it just...