#sourcematerials

coasters and saying pardon are middle class

In March I went to visit a friend who studies at an American University. Clark was founded in 1887 (which looks a lot grander as MDCCCLXXXVII). Latin and Wooden panelling, tarnished silver and black and white photos

In this book Criminal Profiler ,John Douglas, outlines how he can create a profile of a Killer from what they leave behind. This is interesting because, as he says, the more what is done to cover up a crime that creates the profile. This isn't because of forensic clues, its behavioural. Why did they cover the face etc. The more they do the more they reveal. 

class systems floor by floor. Divisions, social climbers

Whilst currently my practice does not focus upon political or technological change the idea of creating a space in which people are able to envision different and alternative futures for characters or themselves is appealing. It feels honest because there are the bare bones of familiarity and fact but hexes 2.0 is also deceptive and confusing and it needs to be because it makes you think. 

 ^A brief description of mono-ha. I was pointed to the movement in a tutorial, and it makes great sense to me. Particularly that “objects acquire meaning and are given shape through shape and location. In turn, specific locations gain meaning through the objects situated in them” 

Malcom Morley paintings of aeroplane model boxes

Malcom Morely’s artwork has changed the way I’m thinking of approaching the unit. Despite the work I’ve put into the murder mystery I like how he looks at the box that his models come in a takes a step back. All of it is content and it makes me want to focus upon the figurines and model people because what you take from his paintings of model boxes with models is far beyond what you necessarily take from the actual model in reality. I’m leaving the murder mystery idea here.