kind of obsessed with how mytho is cast as this princely damsel in distress,, there's smth so hollow about him and it's so ironic cos he is ostensibly the "hero" but feels more in line with, a prop or prize

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kind of obsessed with how mytho is cast as this princely damsel in distress,, there's smth so hollow about him and it's so ironic cos he is ostensibly the "hero" but feels more in line with, a prop or prize

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see now if kemutai hanashi ever went triple platinum mainstream i would love that but also i actually would not 😨 the idea of ppl trying to pigeonhole arita and takeda's relationship into something like romance and going "there's no platonic explanation to this [therefore gay]"........i will end up on the news. what if they [the hypothetical fandom] miss the entire thesis of the manga. what then.....
chp.43 made me feel unwell (positive). the intimate act that is noticing!!!! the attention that takeda pays to arita being so detailed, so devoted in clocking something as small as a half-closed up piercing. the way he treads around such a mundane topic. caring so much is a kind of tender terrifying thing; obviously he has all these worries about why arita doesn't wear earrings and if he's overstepping, but the crux of it (to me) is the saying it out loud. hey i noticed this about you, ive been keeping note of this tiny thing that's part of you, and i want you to tell me about it, if you want. that is so exposing that's. im unwell. and of course in the end there's no Particular reason that arita doesn't wear earrings, kemuhana has never been about melodramatic backstories. but yeah the asking—there's the curiosity and beside it the fear of rejection, that the attention takeda pays is unwanted.
but arita doesn't reject it. he says "if you want me to wear them, i will."
i finished reading our dreams at dusk and wow what a masterpiece. i wish it were longer only because i loved it so much -- the visual metaphors and storytelling, the grounded cast of characters who all felt like fully fledged people in their own right, the insistence on kindness but also it being okay to not understand others and rather that letting people exist exactly as they are is far better than pigeonholing them for your comfort; the community that tasuku fosters with those at the lounge and how it makes him want to live again, seeing other queer people live full and messy but beautiful lives, that in spite of the sometimes cruel reality of being queer there is still a space for him, a sofa to sink into and feel safe. god i love this manga
hdwr asks the subversive question of: what happens when you're both tops w intimacy issues. peak yuri i think

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taking my kemuhana thinking from vfei nation dc server and putting it here so i can expand later:
there's something so delicate and understated about it — it's grounded and the characters have this quiet way about them. the way the mangaka makes use of white space on the page, letting everything that's said and Not said breathe.....even the title itself kemutai hanashi, which I've seen translated as smoky conversation, relays this quiet feeling of ambiguity that you learn to love.
kemuhana low-key altered my brain chemistry when i started reading it last summer because i was someone very set in Understanding and Labelling, because it gave me a sense of comfort (when it came to myself) to put things into a box. but kemuhana Thesis says, no actually sometimes things just Are and there are no good words and that can be ok. IS okay
hmm think i will probs catch up on the ongoing manga ive fallen behind on (green yuri, love bullet and arisaku come to mind), and Then i wanna pick up another completed series (probs another yuri) to fill the void left behind by hdwr lol
finished hdwr and...idk i think part of me, while happy miwa and saeko got their happy end, feels like it was almost Too neat and tidy (maybe this is just my problem with timeskips tbh—there's something lovely about being left to imagine the future of the characters, to have it suspended and uncertain). i also just (maybe selfishly) wished that we got to see more of yuria and esp tamaki, but i realise they were never as central to the narrative as saeko and miwa's relationship...all that aside though, hdwr really is the lesbian bible, to me