You and Johnny are strangers that die in just a regular everyday accident, a car that came around a bend too fast, a crash, death. Somehow you two become inextricably bound as ghosts, where one goes the other has to follow. But luckily you and Johnny get along swimmingly.
He coaxes you into following his old military pals around- most often Simon, and with nothing better to do you agree (when you do want to go see your own family or at least attend your own burial, Johnny pulls out the âbut heâs so sad and pathetic and I fear for his lifeâ and you fold every time because youâre a soft hearted bitch).
It turns out Simon took the death of his lover very hard. It makes it all the worse that heâd died seemingly for nothing, just a freak accident. He becomes obsessed with finding some greater reason behind it. Becomes oddly obsessed with you. Maybe it was because of you? Maybe you were the target, maybe you were an evil mastermind, maybe maybe maybe. But the deeper he digs the more obvious it becomes that youâre just a regular civilian. He digs into your family, your job, your involvement in the community- something, anything that could be misconstrued, twisted one way or another to make sense of the tragedy? And yet the more he learns the more he starts wondering about you as a person, a soft civilian life, what was that like? What were you like? Soft-spoken or bold? Effortlessly charming or endearingly awkward? Did your eyes sparkle like in this picture? What did your laugh sound like? What would Johnny have thought of you? If he hadnât died, would he have met you? Why did he have to die and leave Simon here all alone? And the spiral continues ever on.
Johnny gets increasingly more worried about Simonâs self destructive tendencies. You two have found that the veil between the living world and your realm is thinnest at night, so you both take turns whispering promises and comforts and bolstering words, lying in his bed and stroking his back, his hair, until his troubled expression unscrews and he falls into a deeper sleep. You two ease his life in small, near imperceptible ways. The kettle turned on again after it stood cooling a bit too long as Simon got distracted. Trash that otherwise would have littered the floor collecting instead into the bin. Lights turning off when Simon once again falls asleep at his desk.
He is quite handsome, you think privately, with his big miserable eyes and his hair that curls round his face just so. It really is a sorry sight to see him so depressed, worse still when you see how much it saddens Johnny to see his lover in such a state. The love they share is so very obvious- such a shame that only half of the equation is left in the world of the living, and even so he seems to be determined to run himself into an early grave through sheer sleep deprivation and malnutrition.
Still, some days are better than others. Some days Simon will pull himself together and go for a run, or go visit the base, or go out to the pub with his military buddies. On the good days, you and Johnny go wandering the streets together, taking the tube, looking through bookstores, going on hikes. Itâs so strange experiencing all of it when you are invisible and can phase through solid objects. Life truly is grandiose, you think. A pity you can no longer really interact with it, but at least you have Johnny by your side (and you have no idea how grateful he is that you are here with him, too. He knows he would have gone insane by now if he didnât have someone to bounce his thoughts off of). He can be such a cheerful presence beside you, that sometimes you even forget that you are, well, dead. He gives you a tender companionship you have never really experienced before. Though he can be a bit pushy sometimes, he only ever is when it comes to Simon, his love for him a bottomless well. Sure, sometimes you wish he would let you just see to your family for once, but you canât really blame him for wanting to stick around when his lover is in such a sorry state.
You learn to live with it, and find that you donât really mind so long as you have Johnny by your side. Youâve seen more of this country than you ever had when you were alive. Eavesdropped on strangerâs dramatic conversations, pulled harmless pranks in busy office buildings, phased through high security buildings just to see what they were hiding. You may have been dead, but somehow life was livelier than ever with Johnny at your side.
And then, one day, as you two are wandering a plaza, you feel an electricity in the air- a crackle, a snap, and then a feeling akin to being torn apart, and- Johnny disappears from your side, as though whisked away by an unknown force. You panic for a minute, searching for him, and then a force bowls you over, like an aftershock. You fall down, and are assaulted by a sudden wave of pain- you didnât know you could feel pain as a ghost?- and when you rise to try to get up, you dazedly realize you are no longer in the plaza. Youâre lying in some kind of⌠long dark box? Oh. Oh.
Your breath hitches. You bring a shaky hand to the top of the box. For once, it is entirely solid beneath your fingertips. Your breaths come out shallow as you press your hand harder against the lid, then you slap it, then you punch it, and all of a sudden you are a flurry of motion, kicking and swinging and using all the force in your body to try to get out.
You smash the lid open, blood and splinters piercing your knuckles, and dirt spills in. You swipe it away and keep fighting, keep scrambling as a very sudden terror embalms you for the fear that you will die a second time.
You have barely made any progress in the dirt when multiple pairs of hands start digging away from the other side, eventually yanking you out of the dirt. You stare wide eyed up at your saviors, weak limbed and dirty. They are a group of scraggly young men, with shovels and bags. What⌠what were they doing here, digging into your grave in the first place? With the amount of dirt displaced, they must have been digging before you were even alive again.
They help you up with gaping mouths, wide eyes matching your own.
Then one of them awkwardly asks,
âSo, uh⌠is there a diamond necklace in the coffin?â
ââââââââââ
Meanwhile, in some witchâs dingy apartment, Johnny comes to in Simonâs arms, some kind of ritual spread around him. Simon gasps when Johnny awakes, almost surprised it worked, and then grips him tightly, relief constricting his lungs and translating through the rest of his body into a suffocating embrace. Johnny can only gape at him, utterly confused.
âSi- Simon, what-?â
âIâm sorry, Johnny, I just- I couldnât live without you-â
âSo you fecking brought me back from the dead-?! Wait. Wait wait wait wait, whereâs the bonnie lass?â
âWhatâŚ?â
âShit. Shit! Where is she? Please tell me you got her too, Simon? Is she- is she still in the fucking ground?!â
âI- sheâs buried in Springfield.â
âFuck! Fuck, we gotta get er, Si, shit!â
When they get to the graveyard youâd been buried in, they see your lone figure sat down in front of a row of graves, your upturned grave off to the side. Youâre absolutely covered in dirt, clumps of it even stuck in your hair, your hands are bloody and torn up. You sit placidly with your knees weakly pulled up to your chest, staring at the graves before you.
Johnny calls your name. You donât react.
âAw hell, are you aâright?â He reaches out to touch your shoulder. You slowly turn to look at him, your eyes dead and distant, face entirely blank.
âDid you know, Johnny, that my parents had died?â
âWhat?â His eyebrows furrow. He glances to the graves. The names of your father and mother are carved in the stone, the death date a couple weeks after your own.
âNo, of course you didnât.â You continue speaking dourly. âYou insisted we stay near your precious Simon. Not once, not a single moment, did you even consider the possibility of visiting my family, even for the short time they were here for my funeral.â
âIâŚâ Johnny has nothing to say.
âYouâre not the only one in the world with loved ones, John. I would have liked to see how my familyâs doing. I donât know how my brotherâs taking all this. I donât know how my niece is doing. I donât even fucking know how my parents died.â
A silence stretches, only the sounds of the city some where in the distance.
âThey got mugged.â Simon speaks up. Your eyes flit to him. You shouldn't know who he is, should maybe even be angry at him, but your eyes are impossibly soft when they connect with his. âDied from the stab wounds.â
âFuck.â You whisper hoarsely. Wipe a hand over your face. Tears start silently streaking tracks through the dirt on your face. âFuck, Johnny. One minute weâre standing together and the next Iâm in a fucking. Box. In the ground, and everything hurts, and then thereâs some fuckers-â the more you talk, the more steam you gain, voice rising, sobs breaking up your words. Johnny is quick to tug you into a hug, and you clutch desperately at his shirt with bloodied, dirty fingers, â-digging into my grave, saying there was some- some fuck-ass rumor, about the American being buried with a- a diamond necklace or some shit, and then Iâm- then Iâm looking at the fucking graves of m-my parents, who were stabbed to death.â
âIâm sorry, bon.â Johnny gently rocks you back and forth, clumsy hands petting your hair, sliding down your back, âIâm so sorry.â
Simon stands just behind, grimly looking over the scene. The silent gravestones all around, the moon just barely breaking through the clouds, the pile of dirt beside the hole that was once your grave.
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Here's a thought, you know the concept of an MC with time loop powers? And whenever they die, time loops back for the day until they find a way to get out alive.
Now. Imagine one of their friends goes through a tough loss. Imagine they take it really hard. Imagine them begging MC to use their power, go back in time, bring back their loved one, please, PLEASE. Imagine MC sorrowfully explaining that it doesnât work like that, the powers donât work unless they die. Imagine the friend falling apart, how it isnât fair. Then they pause, an idea forming.
âIâm sorry.â They hold up a gun to MC, âJust please, bring them back.â
MC wakes up with a gasp, a day behind. For a long time they can only sit there in shock.
An Archive of Our Own, a project of the Organization for Transformative Works
Chapters: 1/1
Fandom: Voltron: Legendary Defender
Rating: Mature
Warnings: Graphic Depictions Of Violence
Relationships: Keith/Shiro (Voltron), Keith & Shiro (Voltron)
Characters: Keith (Voltron), Shiro (Voltron)
Additional Tags: Beauty and the Beast AU, Red Riding Hood AU, it's a crossover, shiro is the beauty and the beast, keith is red riding hood and the big bad wolf, they're both cursed, AND GAY, let's just say keith has a kink for monster shiro, some gore towards the end but it's not like super graphic
Summary:
After being injured, Keith stumbles upon a castle in a strange forest. Seeking refuge inside, he quickly falls through a rotten floor and into the castle dungeon where he encounters a beautiful white beast. After being bitten and threatened, Keith succumbs to his wounds and is trapped in the castle by the strange monster. The revelation of a curse draws Keith's curiosity and he can't find it within himself to leave without answers.
I would like to see more powerful manipulative reader with cod men so Iâm just gonna write it myself
Fae reader who lures this big bad military man in bit by bit, one glamorous smile here, one near imperceptible favor there, a name given and taken with a smile a bit too sharp. A dazed  Simon following his gut because his gut has never led him astray before- but now all itâs done is led him straight into your web, and you need only to feed him one good home-cooked meal (ingredients I grew myself! you say), something he simply cannot resist (he doesnât know better, never learned of the fae, of their rules), and he is forever ensnared, never to be found. The military looks for him, but what has it ever done for him beyond break him and use him as their weapon? Itâs better this way anyway, pet. No new scars marring his skin, no more battles won or lost, no more blood spilled. The others? What others? No, no, darling, they are perfectly fine, saw them yesterday, remember? But today, today is only for the two of you. Only your too-warm embrace, your sharp smile, your claws running through his hair. See, isnât this nice? He only hums a drowsy assent and sinks deeper into your hold, his ear pressed to your chest, listening to the strangely inhuman rhythm of your heart.
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Hey y'all, enjoy my most recent, incredibly persistent brainworm that's resulted in this word vomit. Heavily heavily inspired off the vibes of The Secret Garden and Jane Eyre. read on AO3
Warning: I wrote a sad ending for this one. Major character death yâall, so watch out.
The distinguishable gentleman Mactavish has at long last taken a wife. His heart is not truly in the marriage, but that is perfectly understandable for a man of his standing in high society. (Heâs never been so listless before his dearest friend, Simon Riley, died- but those are just the whispers of his staff). He is not cruel or particularly dismissive of his wife, but⌠it is clear he does not care much for you either.
Not minding much, you take on the duties of the estate admirably. The staff all respect you greatly, and you find fulfillment in many a task surrounding the care of the grounds. Regrettably, however, you do end up falling in love with your husband from the glimpses of him that you get interacting with the staff, with animals, with children⌠Youâd wanted to avoid catching feelings for him when you knew from the get-go that this was a marriage of convenience, but there is a true goodness in him and a charm just past the deep gloom that settles on his countenance.
The thing is though, the Mactavish estate holds a secret. Late at night one might hear a haunting howling. On the dreariest of days, when the fog lies thick and curling over the moors, youâd swear there was a dark presence wandering the grounds. And no one dared enter the abandoned walled-off garden. There is great evil brewing there, the staff would say. It was never particularly dangerous before that one night that⌠oh, well, they really shouldnât say.
You start trying to investigate into this mystery. How could it be that there is a whole garden, a plot of considerable size, that no one had access to? What is it that all the staff are nervously tipping-toeing around saying? And why are all past accounts of an energetic and joyous Johnny so false in the face of the cold, impassive character in the present day?
One stormy day, they take in a group of people passing by to provide them some refuge until the storm passes. One of them, an old woman, confidently claims there is a ghost in their midst. The crack of lightning and thunder immediately following her statement does not lend itself well to the doubt of such a statement. Neither does the nervous silence of the staff. Johnny, however, is adamant that such talk is nonsense.
Later, you take the old woman aside, and ask more about what led her to such a conclusion earlier. The old lady just pats your hand and cheerfully says, âBecause I am a witch, dearie- I have a sensitivity to these sorts of things.â
You decide far be it from you to question an old lady, but ultimately you do not take much stock in her words. (Though, you make note in your mind, you may not believe it to be true, but you certainly donât believe it entirely false eitherâŚ)
You spend your days occupied with the goings-on of the estate, but occasionally you go for a walk around the grounds, reveling in the feeling of being surrounded by rolling hills and nothing but moorland and some sheep in the distance.
A horse comes galloping down the road, and the rider brings it to a full stop as he nears you, the horse rearing itâs head at the suddenness, itâs hooves clipping against the ground anxiously. Itâs Johnny. He seems surprised to see you.
âWhat are ya doing all the way out here, my lady?â
âSimply out for a stroll, my lord.â You answer, confused.
âIs that where youâve been disappearing for hours? Youâve got all the staff on edge.â
âMy apologies, my lord, I hadnât meant to-â
âJust let them know when you go out next, is all.â And that concludes the conversation. His expression hardly changes as he gallops back out to whatever business he must attend to.
His back and forth attitude confuses you. Just this morning you saw him jump up from the breakfast table to go see to an injured lamb on his property, but now here with you he is cold and impassive.
Still you make attempts to connect with him, and dutifully continue doing your countess tasks.
When one day you ask Johnny on an evening stroll about the garden, what starts as an innocent question becomes a full blown argument as he gets increasingly more upset and angry at you. You cannot for the life of you understand what is making him so irritated about it- you just wanted to know more about this garden!
âFine! You wish to know about the garden? Let me show you the garden.â He snarls in his fit of rage and grabs you by the wrist. You stumble after him as he stomps to the walled garden, brushes aside the vines to reveal a door and lock that you would otherwise have never known was there. He pulls a key off a chain around his neck and slams the lock open, yanking you into the garden.
The thing is, the sun is setting, the sky darkening rapidly- likely due to the dark clouds brewing on the horizon, inching closer and closer with the strong winds. You are entirely uneasy. The last thing youâd wanted was to see this garden in such conditions, with Johnny in such a rage. For the first time in your stay here, Johnnyâs made you truly afraid as he guides you deeper into the garden. You softly plead for him to stop, to slow down, but your pleas seem to fall on deaf ears.
The garden is so large itâs practically a forest of its own. The plants are so overgrown, the bushes towering over you may as well be walls, and the vines and roots taking over the ground seem to make it their mission to trip you up. Already you have lost sight of where the door was.
âHere. Here is the god damned garden.â He says as he tugs you even deeper into the foliage. Your foot snags on a root, and this time you fall to the ground. Your fall causes him to pause a few steps ahead, and you wonder if it might have pulled him out of his episode. But then he turns to you with a manic grief-stricken glint in his eyes, spreading his arms out demonstrably. âIs this what you wanted to see so badly? The ruined remains of whatever good Iâd had?â Johnny roars.
You can only stare up at him, teary-eyed and confused. He opens his mouth to say more, but the wind makes a whisper noise akin to what youâd swear sounded like someone saying âJohnnyâŚâ. Both your heads snap towards the sound. You see nothing but the swaying branches, but Johnnyâs sharp inhale has you turning back to him. His face is pale as you have never seen it before, mouth agape, eyes wide.
âNo, noâŚâ He whispers. Never had you seen such deep terror in anyoneâs face. Just as you are about to ask what is the matter, he turns and sprints away as though he had all the hounds of hell on his tail.
âJohnny!â You shout in alarm, but by the time you have risen to your feet, he is already out of sight. You run in the same direction he took, but it is difficult to navigate the garden, especially now that the sun is gone and darkness coats everything. Branches slap painfully against your face whilst your hands are busy hiking up your skirts, so you drop one side to shield your head. âJohnny!â You shout again, with a growing panic as you realize you donât know where he went or where you should go to exit the garden.
Nothing answers back except the howling of the wind.
You come to a complete stop. You cannot even hear any sound of Johnnyâs movements. Looking around provides you with no clues for where to go. Your breath hitches, but you bite down your panic and steel your nerves.
âAlright,â you mumble to yourself, âalright, no need to panic. I must simply find one of the walls and follow it until I reach the door.â With your newfound inkling of bravery, you set off in one direction, attempting to keep as straight a line as you can with the bushes and trees in the way. A nearby owl taking off nearly makes you jump in fright, but you push onward. Just as you reach a wall, setting a hand on the stone bricks with triumph, the first drop of rains hits your nose.
Your spirits take a swan dive as the heavens open up a torrent of downpour. You try to hurry along the wall, but it is difficult to do when there are huge swathes of overgrown plants that you must find a way to step around, then find the wall again. It is only when it starts to rain so hard that you canât keep your head up without droplets obscuring your vision that you decide to perhaps wait it out a little. You find the largest tree within your limited line of sight and hug yourself close near its trunk. Underneath the canopy of the tree, the rainfall is lessened, allowing you to see just how hard it is raining outside the cover of the leaves. You let yourself sink down to the ground when shivers start to wrack your form and the rain shows no signs of easing up.
You sniffle miserably. If you let a few tears loose, well, who would be any the wiser whether the droplet down your cheek originates from the sky or your eye?
âIâm so stupid.â You murmur despondently, âNever should have brought it up in the first place.â
But you still when it feels as though a hand is wiping your tears. You turn to the source and see- nothing. And yet the warmth along your cheeks is undeniable. Some unseen hand slides down your hair and settles a warm, warm palm against the back of your neck. Your breath is caught in your throat, your eyes searching for someone who is not there.
âDonât give upâŚâ A voice whispers, âTake care of him.â
You blink the tears from your eyes, wiping the remaining wetness off your cheeks.
âAlright.â You take a steadying breath, âI- I will.â And your voice carries true conviction, because truth be told, you would have kept taking care of Johnny either way, for your love for him runs deep, even though today has not been the first time youâd thought perhaps it shouldnât run so deep.
An approving hum, and then a feeling akin to being embraced. You allow the warmth to seep into your skin, to chase your doubts away, your hands hovering in uncertainty.
âWho⌠who are you?â You whisper. The warmth pulls away.
âOnly a ghost.â Is all the answer you get. Then there is a distinct emptiness in the air, and you feel as though whatever presence was here has left now, yet you still ask,
âBut what is your name?â
No answer.
You rise and look around. The rain is not as heavy as it was before. You set back off to follow the wall, when you hear an anxious voice calling your name from somewhere within the walls of the garden.
âIâm here!â You answer. Soon Johnny emerges through the foliage, looking entirely guilty, but relieved to have found you. He hurriedly wraps a cloak around you.
âIâm so sorry, my lady, I- I never should have brought you here, let alone have had the impudence to leave you in the dark unaccompanied- I am truly- truly sorry.â He stumbles over his words, worried eyes examining your form.
âItâs⌠itâs alright, my lordâ You let him wrap your hand round his elbow and lead you out of the gardens. Despite the darkness and overgrowth, it seems he knows exactly where heâs going. âYou looked terrified when you fled- what was it that sent you away in such a hurry?â
âPerhaps that old woman was right.â He says in a hushed tone, like a confession, âFor a moment, I could have sworn Iâd⌠seen a ghost.â
As you approach the door to the garden, you think it could very well be true- in the corner of your eye you catch sight of the large ghostly form of a scarred man, fading in and out of reality.
Following that day, you keep your promise to the ghost, caring for Johnny in whatever ways you can, making sure everything in the estate runs smoothly, having food be brought up to him when he misses his lunches, being a comforting presence in the evenings in the library when the fire runs low and it is obvious he is restless with the silence of the house.
He has even begun speaking to you a little about his past, which youâd like to think is because heâs warming up to you, but rationally you reason it is more likely because he still feels guilty for his actions that day. Sometimes he speaks of his old friends, men he had served in the military with when the war had been ongoing. Once heâd confessed that the garden was a gift to his old love. You hadnât pried, but you could tell this old love of his was still enduring to this day, his face struck with grief as he spoke of it. Heâd soon excused himself to retire for the night, as though suddenly remembering itâs you he was speaking to.
During one peaceful evening, you had gently asked permission to restore the garden. He had seemed uneasy with the idea, but then schooled his expression to appear nonchalant, and shrugged you off with a âsure, why not?â. His reaction had almost made you take back the offer, but then your mind flashed back to the ghost, and you felt in your bones that it would be better in the long run to set the garden back to itâs former glory, in honor of whoever it had been initially made for.
It became your personal little pet project. You did not include the staff in this effort, your gut warning you against it, as though the inclusion of others would somehow desanctify the garden. So bit by bit every day, you would go in and weed and trim and do what you could on your lonesome. Many evenings youâd be found in the library reading up on gardening books, and often youâd question the local farmers on plant caretaking - you would have asked the gardener of your estate, but it turns out you didnât have one. The staff had told you Johnny had never bothered replacing the previous gardener. When youâd asked what happened to the previous one, they all fell silent.
There were days you knew you were not alone in the garden as you tended to the plants and cleared pathways. Somehow you could always tell when the ghost would come to join you, unseen though he was. Sometimes his eyes digging into the back of your neck, other times his hands brushing some plants away to reveal your misplaced trowel.
Eventually, perhaps once it became clear to him that this isnât some passing fad but a permanent routine for you, he begins conversing with you. Just small quips at first, a âthat oneâs a weedâ here, a âdonât tripâ there. You always respond with a thank you, and try valiantly not to pry with all your burning questions. As time goes on he speaks more. He has a habit of telling you silly jokes (ones a proper lady probably ought not to laugh at) that have you giggling while youâre weeding. Oftentimes he starts talking about a specific plant and how best to care for it. You listen closely, enraptured by his vast knowledge, and even start bringing a journal to write down notes. (Sometimes he huffs out a laugh when you write something down with wide eyes, though youâre uncertain whether that was actually a laugh or just a gust of wind sweeping over your hair). On especially foggy days, you can nearly see him fully- which youâd think would be counter-intuitive, but it is almost as though the fog lends him form. It does not last long though, only a flicker and then he is a disembodied voice once more.
Every once in a while, you hear Johnny approaching the garden door while you are inside. The ghost always falls silent when it happens, and it feels as though all three of you are holding your breath. But always Johnny pauses by the door, stands for but a minute, and retreats back. The ghost becomes much more reserved after Johnny leaves, not joking any more nor speaking as much. It takes a few dayâs time before he opens up again.
Sometimes, though rarely, you admit to the ghost how deeply in love you are with Johnny. He answers with a knowing chuckle, saying âHeâs easy to love.â The ghost will let you wax on poetic about little moments that made the yearning in your heart pulse like a blooming bruise. How he handled a tough situation with the servants, treating them fairly and compassionately. How he scaled up a tree in town to get a farmerâs cat down, effortlessly climbing up the branches and gently cradling the cat. The way he looked at you over dinner with those piercing eyes of his, how the light catches in them so handsomely. The ghost only sighs wistfully, as if he shared your yearning all the same.
âBut I know he dislikes me.â You confess, âHe still longs for his old love, the one he built this garden for, and resents me for taking the place of his beloved. I feel he wishes he had never met me, let alone married me.â
âDonât say such things,â The ghost answered sternly, âThough he is swallowed by grief, he still cares deeply for you.â
You didnât believe him, but you let him have the last word, returning to your work.
When not gardening or taking care of the estate or watching out for Johnny, you start an even more private project- researching into who the previous gardener was. The servantsâ hush when you had asked about a gardener piqued your curiosity- it felt like the first real clue to solving the estateâs mystery. You tried finding records of why he isnât in the estate any longer, or even simply records of his employment, but there seemed to be no trace, not even a name. Either the records had been destroyed or Johnny kept them locked away- and the last thing you wanted was to send Johnny into a rage again for prying. (You may have forgiven him, but the mind does not forget so easily- just the mere thought of overstepping made you incredibly uncomfortable- and he never acted that way with anyone else, so, really, itâs you who was the problem. Perhaps his dislike of you is more than that, perhaps it is a hatred?)
You reach a disheartening stopping point in your research when you can find no more. That is, until Duke Price and Lord Garrick give your husband a visit. They are some of the old military friends Johnnyâd spoken of previously. Entertaining your guests in the parlour, the topic of your work in the garden is brought up. A somber hush falls over the men. A true tragedy the gardener met his demise, they say, he was a good man. One of the best. They pour out a drink for their fallen friend. Johnny asks that you give them a moment of privacy, so you oblige. (Heavy-hearted though you may be).
You learn his name that day. Simon Riley.
Later, you are hesitant to bring it up in the garden, but⌠you are burning up with questions, and perhaps, perhaps this once, the ghost might answer.
âDo you knowâŚâ you begin hesitantly, but stop uncertainly. He hums for you to continue, so you gather together whatever scraps of bravery you have, âDid you know the previous gardener of this place? A Mr. Simon Riley?â
The air grows still, a tense silence falling over the area. Then,
âOf course I knew him.â The ghost says, his voice soft and sorrowful. An invisible hand tucks a hair behind your ear, âFor he and I are one and the same.â
You take in a sharp inhale. Your hands twist the fabric of your skirts.
âMay I call you by your name, then?â You ask quietly.
His answer is whisper-soft, a shuddering concession, âYes.â
âSimon. Simon RileyâŚâ You say it slowly, enjoying the way his name rolls off your tongue. And then his form fades into view like never before. Still slightly transparent, but now he is here, directly in front of you, and so close, so close you could reach out and cradle his face, and his eyes, oh his eyes, they are so full of longing and woe. âYou are⌠beautifulâŚâ You breathe.
He flinches, taken aback, eyes wide.
âYou can⌠see me?â He asks, astonished. You can only nod in response.
He refuses to answer any more of your questions that day, and instead waits to see how long this bout of visibility lasts for. From that day forward, you can see him at all times, though some days greater than others. Some days he is barely an outline against the garden walls, and other days you can see him as clearly as if he were alive and real. Those days it is only your hand phasing straight through his body when you try to set a palm on his shoulder that breaks the illusion.
Since he will not answer your questions, you turn to other means, now armed with a name. You look through public records, and find a cemetery with his name, and then an obituary that stated he had died in a fire. You shudder at the thought of it, pained on his behalf. What a horrid way to go. But there are no further details on what caused the fire nor where it had happened. Was it on the battlefield? Was it in the grounds of the estate?You find no further details.
You return to gardening and your countess duties.
There finally comes the day that Johnny approaches the garden door and instead of leaving, creaks the door open. Your conversation with Simon had fallen silent the moment you heard Johnnyâs steps once more, but when the door had opened, you and Simon exchanged a surprised, excited glance.
Johnny stood within the doorway, looking around with equal parts amazement and heartache, his eyes wide, his brow furrowed. It made you suddenly realize just how much progress youâd made after all this time. The garden looked nothing like when youâd first seen it on that dark night. The flower beds were thriving, the bushes cut back to a respectable size, the vines no longer encroaching plants and pathways but rather providing a delightful contrast to the other foliage. Deeper in the garden there were still pathways overgrown, but for now you had completed a commendable amount of work.
A couple steps in, and Johnny was turning his head this way and that to take it all in.
âGood afternoon, my lord.â You greeted him.
âGood afternoon, my lady.â He parroted back. âYou⌠really have been busy in here.â
âYes, Iâve grown quite fond of the garden. I hope I have done it justice, though I have not seen it in its golden days.â
âYouâve done⌠remarkably well in restoring it.â Johnny murmurs. âIt looks almost⌠likeâŚâ He trails off.
âLikeâŚ?â You echo. He shakes his head, as though breaking from a reverie.
âIt looks almost identical.â He says, but you feel like that is not quite what he meant to say initially. While his attention is elsewhere, you exchange a look with Simon. Simon seems quite familiar with Johnny, and perhaps what Johny might have meant, shaking his head wryly.
That leads you to wonder why Johnny canât seem to see Simon. If he saw the ghostly figure besides you, surely he would have said something? If it was Simon that had made him flee the garden that first evening here, would it not stand to reason that Johnny knows something about Simonâs demise, and is perhaps more qualified than you to be able to see his ghostly form?
But Johnny says nothing, and his eyes never stop on Simon as he glances around.
âItâs⌠good to see the place be put in order.â He says primly, then moves to leave, âI will see you at dinner, my lady.â
You say your goodbyes and watch as he makes a swift exit. You and Simon listen as his footsteps become more and more distant. Then you crumple in on yourself.
âOhhh, he hates it, he hates what Iâve done to it.â You bemoan miserably. âIâve besmirched the memory of his lover and now he despises me all the more.â
âWhat! Are you daft?â Simon exclaims, âThat was him saying thank you, stilted though it may be.â
âDonât lie to me, Simon, you saw him! You heard his tone! I am an imposter in this garden, in this household, and he will never accept my being here.â
Simon grips your shoulders, meeting your gaze seriously, and it is the first time you have ever seen him look so angry.
âDonât you dare speak that way. You, you shining, quaking thing, you belong here most of all. He cares for you, I know it.â
âNo you donât, no you donât. You donât see us in the house, Simon, you donât see our dinners- he barely speaks to me aside from polite conversation and those few times heâs had a drink and forgets that it is me he is speaking to. There are times he looks at me and I can tell, it isnât me he is seeing, not really.â
No matter how much Simon swears up and down that youâre wrong, nothing he says can change your mind. You depart the garden that day with a heavy heart, feeling as though you had said far too much to Simon, added onto his already heavy burden with your own trifling sorrows.
Weeks go by and nothing really changes. The sun sets and rises, the skies continue to be plagued by grey clouds, the heather blooms purple over the moorland. You busy yourself with the garden and making preparations for your head maid to visit some family, which meant reworking certain schedules, and Johnny busies himself with the business and the farmers in the area.
Then one day you happen upon a tattered letter. It slips out of an old book you had reached for in the library. The book had looked worn and well-loved, so you had reached for it out of curiosity, when out dropped a lone letter.
You read over it once, twice, thrice⌠then sank into the window seat with a hand over your mouth and wept, eyes tracing the words over and over again.
It was a letter addressed to Simon, from Johnny. There was evidence of old tears on the paper. The shaky strokes of the pen were visible in every word- every word a confession of love and regrets. Every other word was an apology. Sorry for leaving Simon in that town alone, sorry for not getting to the burning building fast enough, sorry for not confessing his love properly while he was alive. An account of all the sweet moments the two had that he would miss forevermore, and a single final âI love youâ finishing off the letter.
The dots all connected in your mind then. The love they shared, the garden that was built, the yearning glances and longing sighs- the burning house, the deep regrets, the haunting, the listlessness. It was a vivid picture painted in your mind, and suddenly you wanted nothing more than for there to be some happy ending for them. Your heart ached for their love story cut short, burned with your love for them.
You tried to compose yourself and set the letter back into the book, but then your eye caught on the inscription on the cover page of the book.
âTo my dear Johnny,
I may not be the best with words, but I would borrow from all the poets in the world if only to see your smile.â
You stifle the sudden sob that bubbles up your throat, and flip through a couple pages of the book- all of it lovingly annotated, certain phrases underlined, notes in the margins of some pages. You gently, ever so carefully, fold the book closed and set it back in its place on the shelf.
That night all you can do is weep for the two.
But surely there must be something you can do? Simon may be a ghost but he is still here- that has to count for something, right? But then might he disappear if his regrets are laid to rest? Youâve read somewhere that ghosts are only souls that have unfinished business in the world of the living⌠You do not know enough about the supernatural to say anything for certain.
So you track down the old woman whoâd first said thereâs a ghost in the estate. She said she is a witch, did she not? Surely she might have some solution, something that could help? When you reach her little cottage and tell her all that has happened, all you have learned, you are not quite as composed as youâd thought you would be, instead kneeling at her side and telling your tale like a beseeching child, with tears sliding down your cheeks. The old lady strokes your hair comfortingly.
âOh, my child⌠there is little that can be done when one is dead.â She says regretfully, âThere is a balance in life, you see? One cannot bring back a life without giving something back in return of equal measure.â
You glance up sharply, eyes wild.
âA life for a life, then? It is possible?â You ask. The old woman is taken aback.
âWell, yes, butâŚâ
âI could turn in my life for Simonâs? They could be happy together again?â
âIt is⌠possible. But, child, what of your happiness?â She asks earnestly. You pause, contemplate. Then shake your head, determined.
âI would be overjoyed to see them reunite. That is my happiness.â
And so the plan is hatched. The witch needs some items of import to make the spell work, which you are able to obtain with some sneaking around. The difficult part is the spell must be done where the ghostâs presence is tethered. You arenât certain where that may be until she starts asking where you tend to see Simon most often and where is his form most sturdy and visible. Then it becomes obvious to you it must be in the garden, so the issue lies in sneaking her out to garden with everyone none-the-wiser.
In the few days leading up to the spell, you become more withdrawn. Simon catches on quickly to the change, but chooses to let you keep your secrets. To your surprise, Johnny also seems to notice a difference in you, and unlike Simon, he is persistent in trying to figure out what might be the matter. With each passing day it becomes more and more difficult to brush him off.
But soon the night of the ritual is upon you. You sneak out of the house in your silky gown with naught but a single candle, and meet the old woman near the entrance to the garden.
Simon is instantly upon you, questioning and inquisitive as the witch sets everything up.
âWhat⌠what is this?â His face is grim.
âIâm bringing you back, Simon.â You answer lightly. His eyes widen at the realization as the witch starts chanting, cutting your palm open.
âNo. No, stop this immediately!â He reaches for you, to pull you away, or push you back, but his hands phase right through you. It is one of the nights his form is weakest, and youâd purposely chosen today for that reason. âDonât you dare. I need you here- we need you!â
You only send him a soft, doleful smile, taking a vial from the witchâs basket.
Panic sets on his face as he realizes he cannot stop you. His ghostly form disappears entirely, and part of you is glad you will not have to see the pain in his eyes when you go.
Simon had gone to get the aid of the only one whoâd be able to stop you. He used all his strength to appear before Johnny, whoâd been at his desk, writing âneath the candlelight. Johnny startles and watches, mouth agape, as Simon shouts at him to save you, that youâre in the garden, about to die.
That gets Johnny up and sprinting down the stairs and out to the garden, his shirt billowing in the window, his hair askew. Simon is right behind him, though his form fades in and out of existence. They burst into the garden, footsteps skidding on the dirt.
They are too late.
Johnny grips Simonâs arm in his shock, chest heaving, and Simonâs frame is sturdy, solid, alive as he supports him. Your body is still and motionless on the ground, your face pale, lips parted, eyes open but unseeing. The moon illuminates the scene, an unwilling witness to the tragedy that has befallen.
Simon sinks to his knees while Johnny cradles your limp body. There is nothing they can do but weep.
Continuing expanding on my desire for more powerful manipulative reader in the COD scene :)
warning: description of drowning
Siren reader finding this melancholy Scotsman perched on a rock on a cloudy beach. Heâs got this sad, bitter look in his eyes and a star shaped scar on the side of his head as he gazes longingly, pitifully at the waves, and god, you canât really help yourself when heâs got such wet sad eyes like a seal pup. Youâve seen him before round these parts, have watched for him over the years. Seen him splashing with family, seen him running laps up and down the beach, seen him partying with some other men, laugh loud and boisterous. In all this time, youâve never ever seen him so miserable, so you really canât be faulted for your actions. Youâve held back for so long, only ever getting glimpses of him, and now it is like fate has presented him to you on a silver platter.
Johnny barely registers the strange hum emanating from the ocean when heâs so deep in his thoughts, but when it finally hits him that the sound must be coming from somewhere, itâs already too late for him. He glances up, looks around, trying to find the source of the mesmerizing tune, a hum that reverberates in his very bones, soothes the ache in his soul, eases his mind- heâs got to find whatâs making the noise. He stands up, walking aid mindlessly cast aside. Thereâs a bit of a wobble in his step as he treads past the rocky beach and into the water, but once heâs in the water, heâs blissfully lightweight. Heâs chest deep when he finally locates the singer, a head poking out of the water, droplets slipping down the slope of your nose. An alarm blares at the back of his head, a warning that something isnât right, that he didnât see you before when heâd been staring so intently at the waves- where had you come from? You smile and start singing fully, and he finds the little alarm inconsequential in the face of such a lovely voice. Your arm stretches out in invitation, so he gets closer to grasp it. He has to swim to you, deep enough now that his feet canât touch the ground, his head barely bobbing over the waves.Â
He grasps your hand, and suddenly it seems much too cold, too rubbery to the touch, your smile too toothy, your gaze too sharp- Too late. Just one flick of your tail and youâve dragged him deep beneath the waves, another one and youâve gone deeper still, sun rays struggling to cut through the water. Similarly Johnny struggles to get out of your grasp. Heâs strong (a commendable trait, you think), but still he is not stronger than you. Not when youâve got him wrapped so neatly in your arms, not when he is deprived of oxygen, bubbles escaping his mouth, and most certainly not when he reflexively inhales a mouthful of water. His movements become sluggish, hands weakly pawing at your arms, eyes cloudy. Maybe heâs even crying a little, but you canât really tell when youâre entirely surrounded by saltwater. Shh, shhh, darling, itâs alright, you can thank me later.
Been thinking thoughts about a good ol' soulmate au with kyle garrick... hmmmmm
Step counter au where youâve got a counter that shows how many steps away your soulmate is. And the few times that yours had gotten low were always during some sort of disaster when your safety was a much higher priority than finding your soulmate. Youâve gotta be the unluckiest person ever to have been in the near vicinity of multiple public threats- shootings, bombers, terrorists⌠or maybe youâre the luckiest person since you always get out of it with minimal damage. Either way, youâve noted how each time your counter has gone significantly down, so you figure your soulmate must be an emergency responder then or something of the sort. Youâve never really had the chance to figure out who it could be, considering each time the counter went down you were 1) in a crowded area and 2) fearing for your life and trying to get out of the situation.Â
Itâs just your luck that somehow your place of work gets attacked by terrorists this time. How do you keep getting into these situations? You wonder briefly. And youâre afraid this time you might not be getting out of it- youâre barely holding on to consciousness pressed up into a corner. Everything hurts and youâre not sure if help will get here in time. With hazy eyes you focus on the counter on your arm, and find a small comfort in the numbers flitting back and forth- and then they start going down significantly. Down to double digits, and closing in faster and faster.
Through blurry vision you bring your eyes up as the door is kicked in and in come a team of soldiers armed to the teeth, clearing the room with big guns and bigger bodies. One of them catches your gaze and you vaguely hear him exchanging words with the others, but your head feels like itâs swimming and you canât be bothered to try to decipher their words through the thick fog in your mind. You look back to your counter- oh. When did that get into single digits? And itâs still going down⌠you flit your eyes up as one of the soldiers tries to get your attention, crouching down in front of you, swiftly tending to your wound. (oh god heâs gotta be the prettiest man youâve ever seen. How can someone so intimidating all dressed out in military garb have such a tender expression and make you feel so safe?)
âDonât you worry, love, youâll be right as rain here in a bit, yeah?âÂ
All you can think is that this manâs got an angelic voice. ââRe you my guardian angel?â Your words slur a bit but you get your point across as the man lets out a breathy little chuckle- and oh a sound such as that is simply beautiful. You want to make him laugh and smile again and again forever and ever.
âLetâs just say Iâm the closest thing youâve got to one at the moment, eh?â