#sleep deez

-Dj swivel: “I think he absolutely crushed the vocal and it was really the perfect vocalist for this type of record”. (Producer for Euphoria)

-Sleep Deez: “He's amazing, one of the best singers in the world. His voice is pure. Actually the song was originally down 1 key but his voice is so good we raised it up a key so he could do his own thing. HIS RANGE IS CRAZY". (Producer for My Time)

-Andrew watt: “He knows what he can do. He was a perfectionist. And as a producer, what more can you ask for when you’re working with an artist? It was such a positive experience. He has such an incredible range and his ability to go between the two like that was amazing”. (Producer for Seven)

-Cirkut: “He has an amazing voice. I think it’s his versatility. He can kind of do it all and he’s not afraid to try any different style or try singing in a different way. He’s a chameleon. He can mold into any different kind of song. He’s got a great, beautiful high falsetto and he can do strong powerful notes too. It’s really pleasing to hear him sing.” (Producer for Seven)

New Billboard Streaming Rules You Need To Know For Comeback

-Sleep Deez, Dec 22, 2025

"For decades, the Billboard charts have been treated as the ultimate scoreboard for success in music. But what happens when the biggest music platform in the world walks away from the chart entirely?

In this Pillow Talk Edition of The Sleepover, Sleep breaks down YouTube pulling its data from Billboard, Billboard increasing the weight of streaming, and why these two moves may signal a much deeper shift in how music success is measured. Using a hypothetical breakdown of BTS’s Map of the Soul: 7, Sleep explains how YouTube views once helped tell the full story of an album’s impact, and what it means now that those views no longer count.

The conversation expands into what this shift could mean for music video budgets (especially in visually driven genres like K-pop), why YouTube’s move may be a strategic leverage play tied to ad revenue, and how industry power players like Lyor Cohen understand and influence measurement systems better than most. We also unpack the uncomfortable reality of streaming’s “gold rush” — where revenue is booming, but artists, producers, and songwriters often feel left out.

Finally, Sleep asks the question many creators are quietly wrestling with: should artists still be chasing charts, or should they be chasing hearts — building sustainable communities that allow them to live and create outside of mainstream validation?

This isn’t about cheating.

It’s not about bots.

The producer of My Time (sleep deez) wrote a letter to ARMY