#shakespeareposting

Ok so William Shakespeare's character of Richard of Gloucester is very much the archetype for the Tyrant in western literature and I just have SO MANY THOUGHTS about the way Enver Gortash wears that particular crown... (Not to mention how the fangirl in me just loves some of Richard's dialogue and could easily see it coming out of Gortash's mouth, and I'm trying so hard NOT to write a whole ass fic just so I can get Gortash to say, "I am not made of stone.")

WHO IS RICHARD III?

In real life, he was the last Plantagenet king of England, and a controversial figure, but I'm just talking about how he's depicted as a character in William Shakespeare's play Richard III (and to a lesser degree in Henry VI) . In Shakespeare's plays he is written as the quintessential scheming, backstabbing, duplicitous tyrant who will stop at nothing to gain and keep power. He concocts a massive plan in which he will manipulate the whole of the English aristocracy into crowning him king, by creating a situation in which they will be so desperate and angry at an imagined enemy that they will beg him to assume power over them. Sound familiar?

"Since I cannot prove a lover (...) I am determined to prove a villain." They have different backgrounds, but with both Richard of Gloucester and Enver Gortash there's a driving current of otherness compared to the ranks of the nobility that they're manipulating. Gortash is from a working class family but clawed his way up to join the ranks of the well-bred elite through cunning and ingenuity (and lots of crime). Richard was born into a noble family, but is physically disabled and is often mocked or insulted for it. In context, Richard uses the phrase 'since I cannot prove a lover' less as a complaint about his love life and more as a general example of how he has doesn't fit in with his peers. Basically, "You don't accept me? I'll make that everyone's problem."

"How sweet a thing it is to wear a crown..." Both of them survived trauma and violence, which was directed at them by people against whom they were powerless at the time. Gortash was sold to Raphael as a child and spent years as a target of every kind of abuse his master deigned to throw at him. Richard saw his father and brother brutally tortured, then murdered by the queen of their country, while he could do nothing to stop it. In both cases they internalized at a young age that violence = power = safety.

"Was ever woman in this humour won? (...) I, that kill'd her husband and his father, to take her in her heart's extremest hate (...) and yet to win her, all the world to nothing!" Both Richard and Gortash are platinum-tier smooth-talkers, who are skilled at getting other people to act the way they want through use of charming words. Richard shoots his shot with Anne despite the fact that she knows full well he murdered her last husband and she literally spent the first half of the scene wishing death on him. But by the end of the scene he's convinced her to marry him. Gortash, similarly, can talk the player character around to siding with him against the Elder Brain in spite of having just spent the first 2 act of the games trying to unravel his evil plots. Why? Because they're both just. that. smooth. They both have a way of manipulating others with a smile and good cheer - they sound so reasonable, even when you KNOW you shouldn't listen to them.

"Why strew'st thou sugar on that bottled spider, whose deadly web ensnareth thee about? Fool, fool! thou whet'st a knife to kill thyself." Both of them have are underestimated partly because of their ability to be charming, and partly because of their status as outsiders. Gortash because of his working class background, and Richard because of his disabilities. In both cases, there are people who find them repulsive but generally toothless (Queen Elizabeth and Ulder Ravengard respectively) who live to regret it. In both cases there are also people who ring the alarm bell that this creep is up to no good, but who aren't heeded soon enough.

"And thou unfit for any place but hell." "Yes, one place else, if you will hear me name it." "Some dungeon." "Your bed-chamber." They both have a little bit of that freak in them and seem to get off on trying to fuck people who want them dead. See: Richard with Anne. Durgetash in general.