#sam leach

Q: Let's go back for a minute and talk about all the early influences on the Beatles. What would you say had the greatest effect on the group? Was it Liverpool? The Cavern? Hamburg? Did Hamburg really improve the playing?" JOHN: "Oh, amazingly. Because before that we'd only been playing bits and pieces, but in Hamburg we had to play for hours and hours on end. Every song lasted 20 minutes and had 20 solos in it. We'd be playing eight or ten hours a night. And that's what improved the playing. Also, the Germans like heavy rock, so you have to keep rocking all the time, and that's how we got stomping. That's how it developed. That made the sound. Because we developed a sound by playing hours and hours and hours together." Q: "You all must have found yourself playing in some unbelievably bad conditions." JOHN: "Yeah, but it was still rather thrilling when you went onstage. A little frightening because it wasn't a dancehall, and all these people were sitting down, expecting something. And then they would tell us to 'mak show' (make a show). After the first night they said, 'You were terrible. You have to make a show -- Mak show!' So I put my guitar down and I did Gene Vincent all night. You know -- banging and lying on the floor and throwing the mike about and pretending I had a bad leg. They're all doing it now -- lying on the floor and banging the guitar and kicking things and just doing all that jazz. "Then they moved us to another club, which was larger and where they danced. Paul would be doing 'What'd I say' for an hour and a half. And these gangsters would come in -- the local mafia. They'd send a crate of champagne onstage... this imitation German champagne, and we had to drink it or they'd kill us. They'd say, 'Drink it and then do What'd I Say.' We'd have to do this other show, whatever time of night. If they came in at five in the morning and we'd been playing for seven hours, they'd give us a crate of champagne and we were supposed to carry on. We'd get pills off the waiters then, to keep awake. That's how all that started. "I used to be so pissed I'd be lying on the florr behind the piano, drunk, while the rest of the group was playing. I'd just be onstage fast asleep. Some of the shows, I went on just in me underpants. I'd go on in underpants with a toilet seat 'round me neck, and all sorts of gear on. Out of me fucking mind!"

(John Lennon, September 5th, 1971, St. Regis Hotel in New York City, interview with Peter McCabe and Robert Schonfeld)

Q: When Ringo joined the band, that must have interrupted your emerging career on drums. A: Yeah, I was completely redundant. We loved Ringo so much. He was our favorite drummer in Liverpool, and when he joined the band, it was an explosion: Every song sounded new and fresh. He could pass what we felt was the true test for drummers, which was to be able to play “What’d I Say” — the cymbal work and the toms.

(Paul McCartney, interview with Robert L. Doerschuk for Drum!Magazine, 2005)

Then, to an expectant hush, he [Rory Storm] announced, ‘It’s Ringo Starrtime!’ Instantly, Ringo grabbed the audience by the short and curlies with his spirited version of Boys. Without even pausing, he ripped into Hit the Road, Jack. His final number, What'd I Say, lasted for fifteen minutes as the fans kept repeating the chorus. A shattered Ringo had earned his tumultuous reception. It was the inclusion of the ‘Starrtime’ spot in the Hurricanes’ performance that led to Ringo’s surname being shortened from Starkey.

(The rocking city : the explosive birth of the Beatles by Sam Leach, 1999 about a gig in March 1961 at the Cassanova Club)

On the topic of John and Brian's relationship and the buildup to the Barcelona trip, a passage from the book The Rocking City: The Explosive Birth of the Beatles was brought to my attention, which I found interesting so I wanna post it here and talk a bit about it.

Earlier in the evening, The Beatles performed at the Village Hall in Knotty Ash, Liverpool. The evening was billed as a "St. Patrick's Night Rock Gala". Sam Leach, (Liverpool concert booker) booked The Beatles and Rory Storm and The Hurricanes to draw a big crowd so that he could make enough profits to pay for his engagement party, scheduled to follow the night's show. Both bands attended Leach's party, which didn't end until the following afternoon. Also present at the party was Mike McCartney, Paul's girlfriend Dorothy 'Dot' Rhone, Brian Epstein, Bob Wooler and Ted 'Kingsize' Taylor.

In his book Sam Leach has a distinct memory of 'a gang of us' (presumably including Beatles and Hurricanes) travelling to the party from Knotty Ash in a van. Their driver (not Neil Aspinall) pulled out from the Village Hall into the path of a speeding articulated lorry which seemed to have appeared from nowhere. Everyone braced themselves for the inevitable impact but miraculously the lorry, its brakes screeching hysterically, managed to stop less than a foot from the side of the van. Shocked, stunned, shaken and stirred, everyone in the van travelled the 1.5 miles to the party in complete silence. 

Hurricane Johnny 'Guitar' Byrne diary entry for 1962 mentions the party:

"Bought Zodiac. Knotty Ash, Orrell, then Sam Leach's engagement party. Had row with Eileen. Got home 6."

The party was at the family house in Huyton, thrown by Dolly, mother of Vera and Joan McEvoy.

"I can vouch for the fact that Brian fell in love with Vera and pursued her all night. In fact after the party he wrote more than one letter to Dolly asking her could she help him fix a date with Vera. Unfortunately for Brian she wasn't interested." Sam Leach (She seemed a little interested, as displayed below)

"Brown, who was married (but separated) at the time of her liaison with Epstein in 1962, describes him as "...very emotional. He always gave the impression of being cold and icy, but he was very softhearted, very tender, very gentle, and he had a lot of feelings. And he was all man, I don't care what they say." (Ray Coleman, The Man Who Made The Beatles)

"We’d been to the Knotty Ash Club for my sister’s engagement. The Beatles had played there, as did Rory [Storm] and a few other groups. Afterwards, as usual, we all went back to the house and Brian came along.

If you saw the Beatles in my mother’s they were just a scruffy bunch of boys. And who’d look at them? I wouldn’t bother with them but then Brian stood out and Brian looked like the real thing. He was handsome. He was tall. He was immaculate. That’s why I let Brian get behind the bar with me and help me serve the drinks. He was the best of the bunch.

So we were just behind the bar when Elvis came on, 'Heartbreak Hotel’. He loved it, I loved it, and we started dancing. There wasn’t much room. You know, you could go two steps forward, three steps back and that was it. So we sort of got a bit close and everyone was laughing at us, saying, like, 'What’s going on?’ But if you moved sideways you fell over the crates. There were crates of beer in there and everybody’s coats. We ended up on top of the coats or on top of the crates if we just moved the wrong way. And we got pretty close but I wasn’t surprised by the way he was acting towards me.

We were dancing and kissing at the same time. He was probably one of the sexiest fellas I had ever met. People say, 'Oh well, Brian was gay.’ but he wasn’t very gay with me. He was just like any other man and more. He was very easy-going and casual and funny. He’d make you laugh and he could dance. You know he could move. He said to me, 'I’ve seen you in different places and I thought you were stuck up.’ And I said, 'Well, I thought you were stuck up because I remember being in your shop and you were like the big boss.’

I think he was pretty fresh. In a house where people are looking at you it’s not like a club with all the lights out and people tend to be aware of others but Brian wasn’t that bothered. He was interested and he showed it. Maybe he’d had a bit too much to drink. I don’t know. But I can’t say that because I met Brian afterwards and he was still interested.

The next day he called round to the house. I wasn’t there so he talked to my mother about poetry. I don’t know how they got talking about poems but Brian came the following day with a book of poems for my mother with a little letter. He also gave her a letter thanking her for having the party because everyone had made such a terrible mess of the house. It was full of eggs and rubbish and bottles everywhere and he apologized for the actions of everybody else at the party.

Well, my mother just thought he was the most wonderful person in the world. At last a gentleman has come through this door and not Teddy boys and hooligans and all the rest of it. In the first letter he said he’d enjoyed meeting her, loved coming to the house, felt so welcome and would she mind if he came around again to see me. I said to my mum, 'Well, that’s impossible. How can I see him? You know I can’t go out with Brian.’ She said, 'You will have to’.

My mother was in love with Brian: 'He’s beautiful. He’s wonderful.’ So she sort of arranged it. I didn’t want him to come and pick me up at the house because I didn’t want people to see us going out. I arranged to meet him in a little cafe in Bold Street. We had a coffee and a chat and then I can’t really remember where we went. We went somewhere for a drink around Bold Street where there were all these little dives at the time. But I had to be back for nine o'clock. Another time I met him in the Tower and we had a little chat. We met in the back office and had a talk.

I liked Brian as a man and I think Brian liked me. But then he suggested if we were to go out we’d have to go to Southport or Manchester - anywhere out of Liverpool because he didn’t want to walk into my husband in Liverpool. We were separated at the time but it was a little bit awkward, you know.

It’s hard for me to believe Brian was gay. I think if I had been free and if I’d seen more of Brian I think we could have got serious. I think he was all man. I just can’t accept that he was gay.

In the shop Brian seemed like a man, like your dad shouting at you and superior. He had an attitude of superiority. But later on I discovered he was just like any other man. I thought he was a very passionate, loving person. He was like two different people. So if there’s a third person involved - this gay person - I just say he’s one hell of a man to be able to please everybody. You know, he was just unique. That’s all I can say." Vera Brown, In His Life, The Brian Epstein Story.

"George always fancied Joan and when I began dating her, he asked her to let him know when she finished seeing me. 'But don't tell Sam', he added. 'He’d batter me!' Today she probably feels like battering me for spoiling her chances." Sam Leach, The Rocking City

"Later in the evening, Joan had a headache and said she was going upstairs for a lie down. I went to fetch a couple of aspirins from the kitchen and said I'd follow her. Bob Wooler then made a typically cheap remark about pre-marital sex. Before I had a chance to sort him out, Paul and George grabbed him and made him personally apologise to Joan." Sam Leach, The Rocking City

"Rory Storm was lying on the floor hopelessly drunk. He shouted up to Paul, 'I wanna be in the picture'. So, as you can see, Paul bent down and lifted his foot into the shot." Sam Leach

"The night rolled on and I found Lennon, completely sloshed, sitting in the kitchen rolling raw eggs down Ann Barton's birds-nest hairstyle. Each time one broke, he gave a gasp of astonishment at the gooey yellow mess spreading across the tiled floor. Dolly found out and gave him a severe rollicking, which sobered him up enough to utter a sincere, 'Sorry, Mrs Mac'. Everyone liked and respected Dolly McEvoy and that was the only time I ever saw Lennon genuinely humbled. He disappeared for a while after that and was found later fast asleep in the bath.

In an effort to get the Beatles noticed by London labels, promoter Sam Leach books them for five Saturday nights at Palais Ballroom in Aldershot, Hampshire. Unfortunately, many factors contribute to this being an utter failure, including:

The venue actually being 37 miles from London

Leach's newspaper ad being rejected because, as a new advertiser, he was required to pay in cash and sent a check instead; without contact info, the paper could not reach him to explain

The band descending upon local coffee bars prior to the show failed to drum up the required interest

The record player used during the interval broke, so the Beatles barely got any break

The band played to about 18 people and while they did play the whole set, eventually found comfort in dancing with one another and playing football (with bingo balls) in the hall and drinking beer.

The police were called and upon exiting the boys were told to leave and never return

Oddly, this did not result in overnight fame and fortune, and after one more night with Rory Storm and the Hurricanes, Leach canceled the remaining rentals.

George Harrison, Paul McCartney, John Lennon, Pete Best, Rory Storm, Joan McEvoy and others at a party at the McEvoy's home in Huyton, Liverpool, on 17 March 1962. Photos by Mike McCartney and Dick Matthews (© Sam Leach).

Joan McEvoy (right next to George in these photos) is sometimes misidentified as Iris Caldwell (for comparison, here's a post about Iris.)

“Later in the evening, Joan had a headache and said she was going upstairs for a lie down. I went to fetch a couple of aspirins from the kitchen and said I’d follow her. Bob Wooler then made a typical cheap remark about pre-marital sex. Before I had a chance to sort him out, Paul and George grabbed him and made him personally apologize to Joan.
 George always fancied Joan and when I began dating her, he asked her to let him know when she finished seeing me. ‘But don’t tell Sam,’ he added. ‘He’d batter me!’ Today she probably feels like battering me for spoiling her chances.” - Sam Leach, The Rocking City: The Explosive Birth Of The Beatles (1999) (x)

Photo 3's backstory, per The Source: The Savage Young Beatles:

Sam Leach (Australian, b. 1973)

Boucher x Fragonard x ESA, 2020