#ronmort

I have drawn Ron a grand total of 1 times and here I am putting him in situations. Ron would be the only one of the golden trio to see through Tom’s BS.

that each of the trio destroys the horcrux which most connects to something fundamental about themselves is a detail which obsesses me.

the diary

harry - an orphan, desperate to meet someone else who can understand the strangeness and isolation of his experience; searching for the truth about himself, and what in his life is inherited, but unable to ever fully uncover it - destroys the diary, not only the sole horcrux which is an explicit link to lord voldemort's upbringing as an orphan in the muggle world, but also a metaphor for the state of orphanhood itself.

the diary is a quasi-palimpsest - an object which has to be written in; an object in which a layer of text is written and then overwritten by another; an object in which these layers of text can be stripped back until only the original layer remains only with extraordinary difficulty - just like the orphan's search for meaning, trying to decipher the layers of themselves which were inherited from their parents, but only ever being able to see these partially, with the text missing or corrupted.

voldemort's creation of the diary-horcrux is explicitly connected in canon to him coming to learn about himself, his parents, and his heritage - and, connected to this, to him refusing to sit with the grief of orphanhood, refusing to understand his parents as whole, complex people, and refusing to embrace his "real" identity [which, as the text understands it, is that of a half-blood named tom marvolo riddle] by creating a fake one [that of lord voldemort].

harry destroys it after rejecting voldemort's self-constructed view of his own exceptionality - "the greatest wizard in the world is albus dumbledore" - his refusal to acknowledge the complexities of lineage and orphanhood, and his refusal to embrace his muggle heritage - "my mother died to save me. my common, muggleborn mother". he does this using a tool directly connected to voldemort's rejection of all but his slytherin heritage - the basilisk's fang - in a location similarly connected to voldemort's rejection of his muggle blood - the chamber of secrets.

the cup

hermione - an outsider, whose place in the wizarding world is unstable - destroys the cup, one of the horcruxes to which voldemort has the least personal connection, but which he selected to hide his soul because of its historical significance, anchoring him to a millennium of wizarding history and culture he was otherwise brought up disconnected from.

voldemort's creation of the cup-horcrux comes at the end of a period of his life in which he is disadvantaged in wizarding society purely on the basis of his name and background. he rejects the ministry jobs which would have made him dependent for the rest of his life on slughorn's patronage - and, therefore, pressured him to do what slughorn wanted - and ends up, as he himself puts it, as "a poor shop assistant". hepzibah smith is a pureblood, who is also descended from one of hogwarts' founders - yet she doesn't make use of this superiority ["all sorts of powers it's supposed to possess too... i just keep it nice and safe in here..."], and she doesn't realise [and he can't prove to her and hope to keep his job] that voldemort is someone she should think of as her equal [or even superior]. she - as harry observes - essentially treats voldemort as doll she can play with, posing him with her treasures and pretending his glacial politeness is really repressed affection, she speaks to him like he's an idiot, and she evidently considers him to be her social inferior.

hermione destroys the cup after seven books in which the discrimination she faces on account of being muggleborn is explicit. obviously, she's the victim of violent bigotry - she's petrified, she's called a mudblood, she's the only one of the trio who also has to worry about the muggleborn registration commission - but she's also the victim of seemingly benign, genial bigotry too - the muggle world is treated as a quaint side-show, even by characters like the weasleys; she's praised for her intelligence by slughorn, but this intelligence is still considered in some way unusual for someone with muggle heritage. she gets spoken to by many wizards in ways which aren't far removed from the way hepzibah speaks to voldemort.

as a result, she - like voldemort - spends a lot of time trying to acquire enough knowledge of the wizarding world that she appears to be native to it [this is why she's so obsessed with hogwarts: a history]. but - unlike voldemort - she then embraces her heritage and refuses to hide it - "mudblood and proud of it!".

and - shortly after this - she destroys the cup, in a place - the chamber - and using a tool - the basilisk's fang - which are both directly connected to the bigotry she experienced, since they're part of slytherin's belief that people like her should be driven out of hogwarts and out of the magical world more broadly, and therefore send a big "fuck you" to voldemort's blood-supremacy.

the locket

and ron... whose greatest desire is to be recognised for his individual achievements, who has a complex and uneasy relationship with his place in his family [simultaneously longing to be something other than "one of the weasleys" and fiercely loyal to his parents and siblings], who is the only pureblood of the trio, whose childhood we hear the most about in canon, and whose childhood appears to have been happy...

destroys the locket, which is voldemort's only link to his mother, and the only horcrux for which he constructs an elaborate defence in a place meaningful to him from childhood.

we don't actually know who voldemort kills to create the locket-horcrux [jkr has said in interviews that it was a muggle tramp, although this contradicts dumbledore's statement in half-blood prince that voldemort created his horcruxes from murders which were significant to him], which is a neat metaphor for how little he knows about merope - since he doesn't know morfin's name, for example, we can assume he doesn't know hers; everything he ever tells harry about her is something he's invented [especially his belief that his parents' marriage was consensual, and that tom riddle sr. abandoned her because she was a witch].

the horcrux attempts to torture ron with his insecurities about being a mammy's boy who's always been afraid that he's a bit of a flop at the task - especially when compared to siblings like ginny, bill, and percy. and ron is so susceptible to it because voldemort is also an inherent mammy's boy [ronmort nation, rise up] who never got a chance to have a mam, and who responded to the grief this caused him by suppressing it, pretending it never existed, and convincing himself that the only viable thing to be is unique.

I may not have an exact match, but I do have two tasty fic recs for you.

Checkmate (by the way) by Antique_Mango

Fluff so fluffy it made my tummy ache.

Ghouls in the attic by speechwriter

"I have seen your heart, and it is mine" - powerful prose and bi-disaster Ron. This is canon to me.

thank you very much for the ask @thesilverstarling! my king's birthday seemed like the perfect time to drop this...

six ron-centric fic recs

[for the best sixth son in literature]

envy by @floreatcastellumposts

harry potter & ron weasley teen | 8.6k words

why i recommend it:

ron's capacity for jealousy is something which generates a lot of fandom discourse - especially the role it plays in his relationship with hermione. this fic is a look at one of the canon moments which foreground this trait - ron's falling out with harry when his best pal's name comes out of the goblet of fire - and it does a wonderful job of exploring ron's less pleasant characteristics without bashing him.

like a brother would by @wolfpants

harry potter/ron weasley explicit | 5.2k words

why i recommend it:

i have a real weakness for ronarry - largely because i love how ron would give anything in the world to get to take care of his bestie. this fic takes that urge to its natural conclusion...

the english opening by lordrowantree

fleur delacour/ron weasley teen | 55k words

why i recommend it:

because it respects ron’s canonical rizz and asks the very important question: what would happen if fleur said yes when he asked her to the yule ball?

and, in doing so, it also respects all the rest of ron’s canonical traits - his intelligence, his kindness, his big-picture thinking, his sense of daring - and uses them to offer an exploration of fleur’s character which is considerably kinder and more nuanced than the one she receives in canon.

plus, it’ll teach you something about chess, which is a bonus.

ghouls in the attic by speechwriter

tom riddle/ron weasley general | 8.9k

why i recommend it:

because - as the author correctly notes - i have seen your heart and it is mine is an outrageously romantic thing for the horcrux to say to ron [especially because it happens just before voldemort canonically suggests that hermione is mid].

collateral damage by @danpuff-ao3

draco malfoy/ron weasley explicit | 16k words

why i recommend it:

i also have a weakness for dron - above all because the two of them are narrative mirrors, defined by their relationships to their families and their relationships to harry, brought into conflict by their polar differences [draco's wealth versus ron's lack of it, etc.], and possessed of similar personality traits [a desire to be recognised as important and be the centre of attention; a capacity for jealousy]. this fics plays with those similarities - and also with ron and draco's more positive shared traits - in a really striking way. i ship these two losers. i hope they're happy.

some i love who are dead by brightened

hermione granger/ron weasley teen | 2.2k words

why i recommend it:

because it's a lovely, bittersweet look at ron's character from the perspective of hermione's old age - thinking about the man he became and the husband and father he was.