#richfotobooks

VLOG 045 Anton Corbijn | In Control #richfotoBOOKS - BUY: In Control by Anton Cobijn http://amzn.to/2hQoXQd ---------------------------------------------------------------- Control is a 2007 British biographical film about the life of Ian Curtis, singer of the late-1970s English post-punk band Joy Division. It is the first feature film directed by Anton Corbijn, who had worked with Joy Division as a photographer. The screenplay by Matt Greenhalgh was based on the biography Touching from a Distance by Curtis' widow Deborah, who served as a co-producer on the film. Tony Wilson, who released Joy Division's records through his Factory Records label, also served as a co-producer. Curtis' bandmates Bernard Sumner, Peter Hook, and Stephen Morris provided incidental music for the soundtrack via their post-Joy Division incarnation New Order. Control was filmed partly on location in Nottingham, Manchester, and Macclesfield, including areas where Curtis lived, and was shot in colour and then printed to black-and-white. Its title comes from the Joy Division song "She's Lost Control", and the fact that much of the plot deals with the notion that Curtis tried to remain so in control of his own life, and yet had no control over his epilepsy and pharmaceutical side effects.

Do you swim? ‪🏊🏻🏊🏻‍♀️ When it's snowing? ☃️ NO, ME NEITHER 😳 But some of the crazy East London 🇬🇧 people in this @hoxtonminipress photobook do! Check them out here 👉🏻 #richfotoBOOKS 🎥VLOG 046 Madeleine Waller | East London Swimmers 📺FULL VID over on YouTube 👉🏻 bit.ly/richfotobooksVLOGS 📺 (at London Fields Lido)

- VLOG 044 Annie Leibovitz | At Work #richfotoBOOKS - Starting in 1974, with her coverage of Nixon's resignation, and culminating with her controversial portraits of Queen Elizabeth II early in 2007, Leibovitz explains what professional photographers do and how they do it. The Rolling Stones' tour in 1975, the famous nude session with John Lennon and Yoko Ono hours before Lennon was killed, the American Express and Gap campaigns, Whoopi Goldberg in a bathtub of milk, Demi Moore pregnant and naked on the cover of Vanity Fair, and coverage of the couture collections in Paris with Puff Daddy and Kate Moss are among the subjects of this original and informative work. The photos and stories are arranged chronologically, moving from film to digital. Leibovitz's fans and lovers of great photography will find her stories of how one learns to see - and then how to photograph - inspiring

- VLOG 043 John Szarkowski | William Eggleston's Guide #richfotoBOOKS - William Eggleston's Guide was the first one-man show of colour photographs ever presented at The Museum of Modern Art, New York, and the Museum's first publication of colour photography. The reception was divided and passionate. The book and show unabashedly forced the art world to deal with colour photography, a medium scarcely taken seriously at the time, and with the vernacular content of a body of photographs that could have been but definitely weren't some average person's Instamatic pictures from the family album. These photographs heralded a new mastery of the use of colour as an integral element of photographic composition. Bound in a textured cover inset with a photograph of a tricycle and stamped with yearbook-style gold lettering, the Guide contained 48 images edited down from 375 shot between 1969 and 1971 and displayed a deceptively casual, actually superrefined look at the surrounding world. Here are people, landscapes and odd little moments in and around Eggleston's home town of Memphis - an anonymous woman in a loudly patterned dress and cat's eye glasses sitting, left leg slightly raised, on an equally loud outdoor sofa; a coal-fired barbecue shooting up in flames, framed by a shiny silver tricycle; the curves of a gleaming black car fender, and someone's torso; a tiny, grey-haired lady in a faded, flowered housecoat, standing expectant, and dwarfed in the huge dark doorway of a mint-green room whose only visible furniture is a shaded lamp on an end table. For this edition of William Eggleston's Guide, The Museum of Modern Art has made new colour separations from the original 35mm slides, producing a facsimile edition in which the colour will be freshly responsive to the photographer's intentions.