#recontextualisation

c!Wilbur blorbo haver pleaseee tag me in posts featuring him.

I do not post donation asks.

Check out #my meta tag. I talk about c!Wilbur. A lot.

Also, feel free to send me asks 👍, especially about Dream SMP meta.

Years-long interest in plants, ecology, linguistics, storytelling, anthropology, psychology, overlaps between these, and other things.

If you're just here for fandom block the tags #experiencing symptoms and #personal.

This blog is SFW but I have rb'd posts featuring, and have made references to, things such as drugs, alcohol, suicidality, etc. I generally tag for: #drug mention, #spiders, #insects, #blood, #injury, #gore (including written/described), #violence, #suicide mention, #abuse, and #suggestive. I might also use the tags #caps and #trauma. I might neglect to put filter tags on a post if it's about my personal misery, but generally I have tagged those, too.

Reviews ❤️ :

Let me know down below in the comments or in an ask if you'd like to be pinged for my meta posts or my fic.

Tag list: @keyriingz @sheepwilbur @blueyedgrass

A Child is Born

Malcom Mallow grinned at the dinner jackets and cocktail dresses packed inside the Royal Opera House, Covent Garden. Gazing through the camera lens, projecting his power, he reached out to all those in TV Land, to the millions of fans worshipping his image on their Zenith colour screens, sat on their modular settees in the comfort of their new-build semi-detached homes. He let the seconds run…

From the cut-and-paste post-punk world of 1982, comes this visual and verbal mash up of words and images, a mix of photocopy art, metafiction, reflection, edgy philosophy, cultural journalism and existential comedy rendered in an apocalyptic pre-postmodern style.

Zerox Dreamflesh was an anonymous collective of writers, graphic artists and musicians operating in Sydney in the early 1980s; Lockjaw —reissued here for the first time more than 30 years after the original—draws a jagged trace through the 20th century’s avant-gardes and gouges a line under the idea of the avant-garde itself.

My POINTLESS poster in the hands of Moses.

‘In Time’, 3mins, Documentation stills of Installation at H Block Gallery.