Heard the cats meowing and said to my mum 'I don't think they want to stay in the kitchen any more', and then before she could say anything in response I cut back in with 'men when women got the vote'.

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Heard the cats meowing and said to my mum 'I don't think they want to stay in the kitchen any more', and then before she could say anything in response I cut back in with 'men when women got the vote'.

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Next Book?
A university that was once whole split in two long ago: the Montague and Capulet universities. If another brawl breaks out between them, everyone involved will get expelled. Poor lovesick Romeo Montague attends a party with his friends Marco and Bernard at the Capulet campus, but before he can meet the girl of his dreams, he’s snatched away by Tybalt Capulet in a falcon mask. Tybalt refuses to see his beloved cousin, Jocelyn, reduced to a fated tragedy, and will do everything in his power to stop it. However, what will happen when poor Romeo ends up falling for the hot headed Tybalt instead? Can they avoid the tragedy, end the family feud, and end up happy together, or is their fate already hanging in the stars? “These violent delights have violent ends, and whatnot.”
A Child is Born
A Child is Born
Malcom Mallow grinned at the dinner jackets and cocktail dresses packed inside the Royal Opera House, Covent Garden. Gazing through the camera lens, projecting his power, he reached out to all those in TV Land, to the millions of fans worshipping his image on their Zenith colour screens, sat on their modular settees in the comfort of their new-build semi-detached homes. He let the seconds run…
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Introduction — sourced from Lockjaw (reissue)
From the cut-and-paste post-punk world of 1982, comes this visual and verbal mash up of words and images, a mix of photocopy art, metafiction, reflection, edgy philosophy, cultural journalism and existential comedy rendered in an apocalyptic pre-postmodern style.
Zerox Dreamflesh was an anonymous collective of writers, graphic artists and musicians operating in Sydney in the early 1980s; Lockjaw —reissued here for the first time more than 30 years after the original—draws a jagged trace through the 20th century’s avant-gardes and gouges a line under the idea of the avant-garde itself.
The metamessage is: ‘it all stops here’.

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Studio exercise
My POINTLESS poster in the hands of Moses.
‘In Time’, 3mins, Documentation stills of Installation at H Block Gallery.
(With ‘The Truth Is Out There’ installed beneath)
recontextualisation: kendrick lamar's bitch don't kill my vibe ft. emeli sandé as someone who has left the romantic love narrative trying to navigate Love
I don't know you, I can tell your energy is dangerous
you don't know how long it took to finally come alive