Reading Reflection #7
Scott McCloudâs Understanding Comics begins with the author establishes his definition of a comic. After several attempts he finally decides on âsequential artâ but often uses âjuxtaposed, pictorial, and other images in deliberate sequenceâ when critiquing other evidence of hieroglyphics as forms of early comics. Â Essentially, sequential art is art that is intended to be viewed side-by-side or âjuxtaposedâ as McCloud describes the two piecesâ relationship. McCloud argues sequential art has been around for centuries and cites the pre-Colombian Picture Manuscript âdiscoveredâ by CortĂŠs in 1519. Max Ernstâs Collage Novel was called âA Masterpiece of 20th Century Art,â but McCloud claims that sequence still plays a central role in the work even without the lack of a conventional story. McCloud also makes an interesting distinction between the relationship between cartoons versus comics. Comic book/ comic strip artists approach to picture making through the style of comics and cartoons are a tool of the medium which it often employs. They are not the same thing. McCloud then discusses in chapter 2 his definition of an icon: âAny imaged used to represent a person, place, thing or idea.â Within the category of icons, there are symbols, languages, science, communication, and pictures. Symbols represent concepts, ideas, and philosophies whereas pictures resemble their subjects. Â The language, science, and communication trio represented by the letter âAâ or the number â1â. McCloud argues that in ânon-pictorial iconsâ definition or meanings are âfixed and absolute.â His example is the letter âmâ written in several different fonts, but they all ultimately represent the same thing.Â










