#raphael adolini

First is Itsee, one of the Comanche hunters.  I didn’t catch this until my second viewing, but there are hints that he is actually the closest of them all to matching Naru in his observation skills.  Many small moments where he notices something before the others, or recognizes the significance of something new that he is adapting to on the fly.

For example, when they are tracking the lion he is the one who first notices that they are being tracked in turn, and he manages to peg Naru’s location.  When the predator attacked the other three while he was away he recognized that something was going on and managed to deduce that the light of the predator’s targeting laser gave away the predator’s position (Even if he didn’t realize that it meant the predator was targeting him at that moment).

These aren’t BIG moments, but they show that he’s closer to Naru than the others in being able to figure out what’s going on.

So, what I would do after Naru pushes him out of the way of the predator’s arrow attack and they flee across the field is have him make it across to the trees with Naru.  Still show the overhead shot of the predator running through the grass (Great shot), but just make them reach the trees before it catches them.  Have Naru get caught in the trap just like in the film, and after realizing that they can’t free her before the predator gets there have him decide to try to ambush the predator with Naru as bait.

Unfortunately, since they still don’t know all of the predator’s tricks or its hunting style, they are unprepared when it isn’t distracted by Naru and he is killed when he tries to launch his sneak attack.

It only extends Itsee’s screentime by a few minutes, but it pays off his prior skills by showing him trying to set up his own traps.  It also puts a few more steps on-screen for Naru to figure out the thought process and and capabilities of the predator.  By showing the predator actively choose to target somebody else instead of somebody held captive it’s a link in the chain that helps her figure out its MO of targeting those that can fight back.  And that helps her figure out that she needs to bait her trap with something that looks like a threat (Big Beard) instead of just helpless prey.

The other person I would have survive for one more scene is Raphael Adolini after Naru finishes treating his leg.  I don’t have a specific buildup for him like I do with Itsee, it just feels like the storybeat for him could have stretched a little longer.  Have the predator not step on him when it walks by, so he escapes while it is busy fighting Taabe and Naru.

I honestly feel like I'm the wrong person to ask this...BUT luckily for you I can do a basic Google searching.

So, since 1715 is inscribed into the side of Adolini's pistol, we can possibly guess that his was made a few years or decades prior to inscribing it, since there is wear on the weapon. After a lot of reading and digging, I found that flintlock pistols didn't go under many severe changes from the late 1600's to the mid 1700's. It seems that the pistol barrel was the only thing that really changed, the largest barrels reducing from the average size of 20 inches (51 cm) to about 16 inches (41 cm). Adolini's seems to have been the average size, so I'm taking a guess that his was manufactured in the 1690's.

Again, I'm no expert, I'm just a guy that did some basic digging on Google.

It seems the average flintlock pistol would be about 10 inches (25cm), so we can conclude as such. Down below is my reference image I used as well as the following sources: x | x | x | x

The image below is credited to here and is circa 1670-1690, my point of reference.

Now, if any experts who come across this and see that I have made an error, please do correct me.