why my volutaar look so mad son πβππ₯
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why my volutaar look so mad son πβππ₯

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Stories from Cain's Wandering (The Weight of the Hourglass)
Time is a river I was thrown into, forbidden to drown. Centuries smooth the edges of a man, leaving only stone.
When I first met Elias, he was all fire and fragile glass. He was a young alchemist with hands stained by silver nitrate and eyes burning with the hubris of youth. He had studied my movements, noted my unaging face, and deduced my nature.
"Immortality," he whispered, staring at me as if I were the philosopher's stone incarnate. "Tell me how. I must have it."
"It is a cage without bars," I told him, my voice carrying the exhaustion of a thousand lifetimes. "Do not chase the horizon, boy. A fire burns fiercely only because it consumes its fuel. Live, love, wither, and rest. The beauty of the human experience is that it is fleeting."
Elias scoffed, turning back to his bubbling crucibles. "You speak like a man who has squandered his gift. If you will not teach me, I will find the way myself. I will conquer death."
I did not argue. Words are wasted on those intoxicated by the promise of tomorrow. I turned away, feeling the soft, unseen brush of fur against my ankle. Eloa, my little cherub hare, flicked her luminous, feathered ears. Elias couldn't see herβmortals blinded by their own ambition rarely perceive the quiet grace of the divine. With Eloa at my side, I walked out into the sun and resumed my wandering.
Sixty years is a mere breath to a wanderer.
When my path finally circled back to his cobblestone street, the world had moved on. The alchemist's house, however, had not. It was a rotting carcass of wood and stone, the windows boarded tight with heavy planks to block out the sky.
I pushed open the heavy oak door. The laboratory reeked of ozone, decay, and stagnant blood. In the far corner, a brittle husk of a man cowered beneath a heavy velvet cloak. As a sliver of daylight slipped past my boots, he shriekedβa frail, wretched sound, scrambling desperately away from the sun's golden reach. He had found a way to cheat the grave, it seemed, but only by making a tomb of his own home.
"You..." he rasped, his eyes milky and sunken, his body too frail to even stand. "You are still the same."
"I am," I said, my voice heavy with pity. Eloa hopped onto a dusty, rotting tome, her warm golden aura entirely invisible to the miserable creature before us. "And you are still here. But at what cost?"
"I survived," he wheezed, clutching his cloak. "I beat time."
I knelt, ensuring he could hear the absolute truth in my words. "You sought to freeze the sands of the hourglass, Elias, and instead, you buried yourself beneath them. You did not conquer death; you merely surrendered life."
He trembled, but I continued, my voice echoing in the stifling dark.
"Life draws its meaning entirely from its brevity. A symphony is beautiful because it has a final chord. A flower is cherished because tomorrow it will wilt. You traded the warmth of the sun, the bitter wind of winter, and the touch of a lover for a few more desperate, hollow breaths in the dark. You hoarded your time so fiercely that you forgot to spend it."
A single, dusty tear rolled down his pallid cheek. He had no argument left.
I stood up, pulling my cloak around my shoulders. "Rest, Elias," I whispered to the shadows. "If you still remember how."
Eloa fluttered her small wings and settled onto my shoulder. I turned my back on the 'immortal' alchemist, leaving the door slightly ajar so the fleeting, beautiful daylight could pour into the room.
The new chapter of "Sins of the Firstborn" is coming soon.
scp 7376 c art ^_^
i love qayin you're so awesome yayayayayayay
O Sigilo Chave em torno do Portal dos Mortos
O βSigilo Chave em torno do Portal dos Mortosβ Γ© compreendido como um dos selos fundamentais que permitem a abertura controlada das passagens entre o mundo dos vivos e o domΓnio dos mortos. Ele nΓ£o Γ© apenas um desenho simbΓ³lico: Γ© uma arquitetura espiritual, um mecanismo oculto gravado no plano astral e plasmado atravΓ©s do rito. Seu traΓ§ado contΓ©m vetores de atraΓ§Γ£o e repulsΓ£o, mantendo a ordem entre forΓ§as cadavΓ©ricas, espΓritos famintos e os Mortos Sombrios. O Sigilo Chave em torno do Portal dos Mortos tem como propΓ³sito manter o portal aberto e manter o poder do ponto limiar no centro do sigilo, que age como um caminho aberto entre os vivos e os Mortos AbenΓ§oados. Esse sigilo atua como tranca e chave ao mesmo tempo: sela o que deve permanecer no reino sepulcral e libera apenas aquilo que, por mandato ritual e pela vontade do operador, pode atravessar. Γ cercado de elementos ossΓferos e inscriΓ§Γ΅es de sangue, pois une as duas correntes maiores β a Linha Negra (dos Ossos) e a Linha Vermelha (do Sangue). O sangue serve de oferenda que desperta e alimenta, enquanto os ossos sΓ£o o elo fixo, a Γ’ncora que liga o morto ao espaΓ§o sagrado. No contexto falxiferiano, o sigilo nΓ£o Γ© apenas um instrumento de necromancia, mas um selo de pacto: ao ser inscrito no chΓ£o do cemitΓ©rio ou sobre o ataΓΊde, o Portal dos Mortos se abre nΓ£o de forma aleatΓ³ria, mas segundo a ordem do Templo e da corrente 182. Ele Γ© descrito como um cΓrculo de poder que circunscreve o espaΓ§o do rito, tornando o necromante um guardiΓ£o da passagem e nΓ£o vΓtima da voracidade dos espΓritos. O Sigilo Chave simboliza, portanto, o poder do Adepto em trazer a morte Γ fala, dar-lhe tarefas, ouvir-lhe os segredos, e depois dispersar os mortos de volta ao seu silΓͺncio.
O sigilo do Portal dos Mortos Γ© pintado em uma folha de papel, pergaminho ou outra superfΓcie compatΓvel, limpa, com tinta preta na qual tenha sido misturada cinzas de mirra e losna queimada. Ou entΓ£o, o sigilo pode ser pintado ou marcado de outras maneiras em uma roda, uma plaqueta de argila ou madeira em forma de disco. Esta placa de argila ou madeira deve ser consagrada pela fumaΓ§a de incenso de mirra e losna, e o sigilo deve ser traΓ§ado com a tinta supracitada. Em alguns casos, quando um altar em madeira for usado, o sigilo todo pode ser entalhado ou pirografado no centro da mesa, que Γ© consagrada pela aspersΓ£o de uma tintura forte de mirra e losna.
No meio do sigilo, sobre o sΓmbolo central da cruz, Γ© colocada uma garrafa grande de conhaque. Um pedaΓ§o de quartzo transparente Γ© posto dentro desta garrafa, que entΓ£o Γ© cheia atΓ© a borda com a Γgua dos Mortos. TambΓ©m sΓ£o colocados em torno no sigilo central do altar um copo de cafΓ©, um pequeno prato para doces, uma tigela para oferendas de comida, uma garrafa especial para libaΓ§Γ΅es alcoΓ³licas, um braseiro para queimar incenso, uma caixa de fΓ³sforos, um cinzeiro, e um maΓ§o de cigarros ou cigarrilhas. Se forem usados sobre o altar sΓmbolos ou pinturas representando os mortos que o indivΓduo trabalha, geralmente sΓ£o colocados em um dos lados das trΓͺs velas. O trabalhos com o Altar dos Mortos Γ© realizado Γ‘s segundas-feiras, geralmente entre as 21 horas e a meia noite. Na primeira vez que o altar for usado, o trabalho deve ser iniciado com a fumigaΓ§Γ£o de todo o altar e de todos os objetos sobre ele. O incenso deve consistir de 3 partes de losna, 3 partes de mirra e 3 partes de sΓ’ndalo. Em contato com o primeiro convite e invocaΓ§Γ£o aos Mortos Poderosos, deve-se servir uma oferenda de comida, licor, Γ‘gua, cafΓ© preto, doces, pΓ£es, incenso e tabaco. Γ muito importante lembrar que os mortos odeiam sal, entΓ£o tenha certeza que todas as comidas servidas no altar estejam sem sal. Γ por esta mesma razΓ£o que se deve evitar de guardar sal perto do Altar dos Mortos. Antes das trΓͺs velas serem acesas, a garrafa que foi colocada sobre o sigilo do Portal dos Mortos deve ser enchida com Γ‘gua, na qual trΓͺs gotas de tintura de losna devem ser adicionadas a fim de fortalecer a porta aberta ao reino das sombras. Todos os rituais que tΓͺm como objetivo conjurar os mortos ou os espΓritos ctΓ΄nicos devem comeΓ§ar com trΓͺs batidas com a mΓ£o esquerda na superfΓcie do altar. Pode-se tambΓ©m bater com o pΓ© esquerdo no chΓ£o trΓͺs vezes, ou com a ponta de uma varinha mantida na mΓ£o esquerda trΓͺs vezes no tampo do altar. A varinha usada nos trabalhos no Altar dos Mortos nΓ£o Γ© a mesma varinha da Vara Bellicum de Qayin, que tem o poder de conjurar e obrigar os mortos Γ sua ordem. A varinha para o chamado dos Mortos AbenΓ§oados tem cerca de 50 cm de comprimento e Γ© tirada de um galho de tramazeira. Ao contrΓ‘rio dos poderes agressivos do abrunheiro para controle dos vivos e dos mortos, a tramazeira possui atributos muito benignos e suas batidas no altar soa como um convite e boas vindas Γ‘s sombras ancestrais dos Mortos Poderosos.
a character design for a gaboon viper mage, her name is qayin yeho'addan ! she's so gorgeous... and very venomous... she sleepwalks through dreamworlds. i love to design characters that will be a nightmare to ever draw again <3

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β¦β’βΰΉβ β― β―β ΰΉββ’β¦β¦β’βΰΉβ β― β―β ΰΉββ’β¦β¦β’βΰΉβ β― β―β ΰΉββ’β¦β¦β’βΰΉβ β― β―β ΰΉββ’β¦ My mother, I barely remember her.Β
But, she was so beautifulβ¦
The room is dim, lit only by the faint pulse of a bedside lantern, its glow casting long shadows that ripple like whispers across the stone walls.
Melisande lies beside her daughter, her head propped on one hand, humming a soft melody to ease the restless child.Β
Talia clutches her motherβs free hand, her fingers small and insistent as they glide over the smooth skin of her arm, tracing the pale lines of veins beneath. βUmmi,β she whispers, her voice a tiny thread of sound, fragile in the quiet night. βDo theββ
She doesnβt need to finish. Melisande smiles, her lips curving with a tenderness that feels infinite. βYes, my tigress,β she murmurs, her voice like a lullaby. Her trimmed nails trace invisible lines of comfort along Taliaβs arm, soothing the child into a near-dreamlike calm. Talia closes her eyes, her breathing slowing, and finally, she is at rest.
Outside, the world shifts. The air seems to change, the warmth inside the room disrupted by the sharpness of something foreign. Melisandeβs eyes snap to the window, her body tensing like a drawn bow.
A shadow darts past the open windowβa flash of movement, fleeting yet undeniable. She sits up swiftly. A motherβs instinct overtakes everything else.
βStay here, child,β she commands; her voice is firm, but kind, and Talia nods reluctantly β but as soon as her mother leaves, the pull of curiosity is too strong. Quietly, the girl slips out of bed, her bare feet padding softly against the cold floor as she follows.
From the shadows, Talia watches, peeking from the corner as Melisande follows the shadow into a room Raβs al Ghul had long forbidden.
Her mother moves with the grace of someone who has known danger before. The heavy oak door creaks shut behind her, leaving Talia alone in the silent corridor.
She creeps further.
The air crackles with raised voices. The sound of a struggle followsβa crash, a clatter of something heavy hitting the floor. Melisandeβs voice is met with the strangerβs growling retort.
Taliaβs small heart pounds in her chest, each beat echoing in her ears. Her tiny hands press against the door left slightly ajar.
Her mother screams.
The door flies open with a sudden, violent force, and the stranger bursts out, his figure a dark blur against the dimly lit hall. His wild eyes meet Taliaβs for a brief, chilling moment. Then heβs gone, disappearing into the night as swiftly as he came.
Inside, the room is empty. Talia steps in, her breath caught in her throat. She hears it thenβthe distant splash. Her mother.
Her mother is in the pit.
Her scream pierces the stillness, shrill and shattering. It carries down the halls like a sirenβs wail, reaching her father. But, when Raβs al Ghul arrives, it is already too late.
Melisande is in the pit, her body swallowed by the waters.
βBeloved?β His voice wavers.
She is gone.
Raβs kneels by his daughter, his hands trembling as he cups her tear-streaked face.Β
Taliaβs grief is wild, unrestrained. She pounds her small fists against his chest, her cries rising like a storm. βYouβre not Ummi!β she wails, her voice cracking under her sorrow. βI donβt want youβI want her!β
He doesnβt flinch. Raβs wipes her tears with the sleeve of his robe. His the look in his eyes, usually so sharp and unyielding, is haunted now, darker than ever. What can he say? What words could ever mend the gaping wound left in both their hearts? How does he explain a loss that has hollowed him to his core?
Melisande is dead. She leaves nothing behind. Her love, her laughter, her warmth is gone.Β Her spirit lingers only in their memory β a trace of her existence.
Her scent taunts the rotting stench deep within his heart. Her silken fabrics hang untouched, unfit for the jagged thorns of the life she left behind.
It twists the knife of grief into his chest.
To the world, Raβs al Ghul is the Demonβs Head. The Leagueβs Master. A warrior forged in flame and fire, etched in legend.
His servants fear for Talia; they do not know what will become of her.
But tonight, he is only Baba.
That night, when sleep eludes her, when the silence of her room becomes suffocating, and the shadows seem alive with whispers, Talia slips out of bed.
She runs.
Barefoot and clutching the blanket her mother once stitched, across the darkened halls, she runs, her small feet ringing in the vast emptiness, until she reaches the door to her fatherβs chamber.
She bangs on it with all the strength her little hands can muster.
Raβs opens the door. His gaze softens at the sight of her β trembling, her eyes red-rimmed. She looks up at him.
βSheβs not coming back, is she? Ummi,β Talia asks β her voice is steady, but each word is a plea for the truth she already knows.
He kneels, brushing a stray lock of hair from her face. For a long moment, he hesitates β the truth is too much for even him to bear. The words are caught somewhere between his heart and his throat.
βYouβre all I have left,βΒ
She doesnβt reply.
And though grief looms over them like a cloud that refuses to lift, he gathers her in his arms.Β
For tonight, at least, they face the void together.
She remains so, in our hearts, daughter.
Never forget that.
β¦β’βΰΉβ β― β―β ΰΉββ’β¦β¦β’βΰΉβ β― β―β ΰΉββ’β¦β¦β’βΰΉβ β― β―β ΰΉββ’β¦β¦β’βΰΉβ β― β―β ΰΉββ’β¦
i don't know how to feel about this but i was absolutely just itching to write about ra's and talia!!!! well, there it is. this kept me up literally all night. the first thing i did when i woke up today was re-read son of the demon so i could write this (>_<) my brain is so fried (this is a cry for help)
Gavin W. Semple.Β The Devil's Noctuary: Being The First Song of Qayin. Atramentous Press, 2020. Hardcover. 46 pages. Limited to 333 copies.
www.arcaneofferings.com
Shop link in bio.
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