Kenma: *looking at Kuroo's phone over his shoulder* Damn, that's proggers.
Kuroo: That's what?
Kenma: ...You are uncultured swine.
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Kenma: *looking at Kuroo's phone over his shoulder* Damn, that's proggers.
Kuroo: That's what?
Kenma: ...You are uncultured swine.

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carrie bradshaw w/ yes t-shirt (in the round, '79 us tour)
Daypixprogger (noun)
Pronunciation: /ˈdeɪˌpɪksˌprɑɡər/
Definition:
A whimsical, imaginary creature known for its industriousness during daylight hours, often associated with folklore and myth. Daypixproggers are believed to combine the diligent work ethic of dayworkers with the playful and magical qualities of pixies. These entities are said to bring productivity and enchantment to those they favor.
In contemporary fantastical literature, a character or entity that epitomizes the harmonious blend of practical work and magical influence, often depicted as assisting humans with their daily tasks while adding a touch of whimsy and enchantment.
Etymology: A portmanteau of "dayworker," referring to those who work during the daytime; "pixie," a mythical creature known for its mischievous and magical nature; and "progger," a term denoting progress or proactive effort.
Example Sentence: The garden flourished under the care of the daypixprogger, who ensured both the flowers and spirits of the gardeners remained high.
He: I don't like prog.
Me: You don't like art?!
He: *looks weird at me*
Me: Bye!

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Progger | Big Trouble
Progger - Scattering - RIYL Snarky Puppy (and SP’s Nate Werth and Justin Stanton play on 4 tracks)
Progger lays beautiful, sophisticated melody and harmony over visceral grooves and beats from funk, soul, world, and electronicdance music. Combining the experience of five in-demand touring and session musicians from the vibrant Texas music scene, Progger quickly built a reputation as one of the most skilled, tight, and captivating live bands in Austin.
Scattering represents a number of exciting departures for Progger, including the incorporation of new personnel, production techniques, and a recording process that involved two cities 1,700 miles apart, Austin and Brooklyn. The band's regular personnel were joined by some of New York’s finest young musicians, including Nate Werth (percussion) and Justin Stanton (keyboards) of Snarky Puppy, to explore larger textures and a hugely diverse sound palette for the new music.creditsreleased April 22, 2016 All music written and arranged by Brian Donohoe/Donomation Music (SESAC). Produced by Brian Donohoe and Matt Meli. Mastered by Sam Minaie. Personnel on “Transit,” “Exquisite,” and “Big Trouble:” Matthew Muehling (guitar), Carter Arrington (guitar), Paul Deemer (trombone), Sean Giddings (keyboards), Nicholas Clark (bass and synthesizer), Daniel Watson (drums), Brian Donohoe (saxophone and keyboards). Engineered by Matt Meli at Orb Studios in Austin, TX on December 30, 2014. Mixed by Matt Meli. Personnel on “Scattering,” “Traveler,” “Endorphin,” and “Werewolf:” Dan Muniz (guitar), Aki Ishiguro (guitar), Justin Stanton (keyboards), Bryan Ladd (bass), Nicholas Clark (bass synthesizer), Devin Collins (drums), Nate Werth (percussion), Brian Donohoe (saxophone and keyboards). Engineered by John Davis at the Bunker Studios in Brooklyn, NY on August 20, 2015. Mixed by Matt Meli.
Let’s grab a cute progger and let’s go slow-dancing on Midnight Blue by ELO