Seventy years after the appearance of Playboy, urban music maintains that aspirational triptych (girls, cars, and houses) with an aesthetic patina that draws from pornography. Something that seems transgressive but only confirms existing power structures. The use of sexuality to maintain inequality was something that had begun decades earlier.
The apparent transgression of the graphically sensual…
La aparente transgresión de lo sensual gráfico…
Setenta años después de la aparición de Playboy, la música urbana mantiene ese tríptico aspiracional (chicas, coches y casas) con una pátina estética que bebe del porno. Algo que parece transgresor pero solo confirma las estructuras de poder existentes. La sexualidad usada para mantener la desigualdad era algo que se había iniciado décadas antes.
Kate Millett explains in Sexual Politics that it was no longer possible to depict asymmetrical dynamics in terms of intellectual or moral inferiority, and other tools had to be used. Henry Miller's novels, for example, do so through erotic scenes. Women are passive and always compliant beings, and the descriptions of relationships are usually full of aggression and contempt. They are not revolutionary; but, since this content is censored by institutions, it was labeled transgressive.
Kate Millett explica en Política sexual que ya no era posible mostrar las dinámicas asimétricas en términos de inferioridad intelectual o moral y había que usar otras herramientas. Las novelas de Henry Miller, por ejemplo, lo hacen a través de las escenas eróticas. Las mujeres son seres pasivos y siempre complacientes, y las descripciones de las relaciones suelen estar llenas de agresividad y desprecio. No tienen nada revolucionario; pero, al ser un contenido que es censurado por las instituciones, se le daba la etiqueta de transgresor.
[…] Playboy disguised itself as transgression to reinforce the power structure. One of its first promotional photos shows Hefner in a bathrobe sitting in his armchair surrounded by women in black corsets, bow ties, and bunny ears. The bunny suit was the first patented professional uniform for women. Behind them, a Black waiter, also in a professional uniform, holds a tray of drinks. The white gentlemen's club ceased to be boring, while still remaining a club and a white gentlemen's club. The gender-based welfare state was maintained, as was the race-based one. All in order. The same old world, but fun for those who could enjoy it. The work ethic was replaced by the aesthetics of fun. There was no longer any need to pretend.
[…] Playboy se disfrazó de transgresión para reforzar la estructura de poder. Una de sus primeras fotos promocionales muestra a Hefner en batín sentado en su sillón rodeado de chicas con corpiño negro, pajarita y unas orejas de conejo. El traje de conejita fue el primer uniforme profesional para mujeres patentado. Detrás, un camarero negro, también vestido con uniforme profesional, tiene una bandeja con bebidas. El club de caballeros blancos deja de ser aburrido, sin dejar de ser un club y de caballeros blancos. El estado del bienestar basado en el género se mantiene, lo mismo que el basado en la raza. Todo en orden. El mundo de siempre, pero divertido para los que pueden disfrutar de él. La ética del trabajo se sustituye por la estética de la diversión. Ya no era necesario disimular.
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ive seen some discussion of this in the notes already, but i'd like to second the people saying that they don't fit into either full pornotopia or pornotopia lite.
i'm asexual. a world where every adult "should" want sex with most other adults, and is assumed to want sex with most adults as a baseline, isn't gonna work for me. but pornotopia lite, as it's described in your post, is already too anti-sex to me. nearly everything past the first sentence feels objectionable. "people should be picky about partners; sex or porn addiction is a real thing worth worrying about; forming a family should be your priority; sex is private and talking about it in public should be frowned upon" these are all things i heavily disagree with. i'd find pornotopia-lite way too restrictive.
i guess similar what you said about how even though you're not a woman, you feel unsafe in places where women don't feel safe to be topless. i don't want sex, but i don't feel safe in a place where people wanting sex aren't allowed to be open and casual about it.
I'm going to address that. Soon. Or at least Soon™ (as such things go) and in pieces, because this next point ardently resists being condensed and generalized.
I'm still on my bullshit. Block the #pornotopia tag if you want to keep reading my other stuff but are done with this topic. And, importantly, before I go on ...
This post comes with a Content Warning for discussions of weight loss and disordered eating, below the cut. If you're struggling and at risk of relapse if you think about that too hard, skip this post.
I have to start this one by being personally vulnerable in a way that I'm afraid is going to hurt me, but if this goes to 10,000, fine, I can at least hope it does somebody some good.
Okay? Let's go, let me expand on something I tried to condense and ended up over-condensing in my "Searching for Pornotopia" kick-off post.
The "Unfuckable" are Easy Prey for Villains
It's early 1978. I'm 17 years old, and months away from graduating from the Union of Christian Schools (and John Birch Society covert front group) high school that my parents forced me into to escape murderous bullying for my mental health in the local public schools.
The senior class is having an unsupervised "open study hall" in one of the larger classrooms, some few of us working on homework, most of us just socializing. I'm as happy as a pig in congress because I'm hanging out with both of my ongoing (if fruitless) crushes. Let's borrow some names from cryptography, call the taller, skinnier, bespectacled, earnest girl Alice and call the shorter, cheerier, heavier, sexier one Carol. And of course I'm Brad (sorry Bob), the compassionate famine-thin autistic liberal nerd. I've been friends with both since at least sophomore year.
Alice and Carol get to talking about their respective most-recent dating disasters, and they turn to me and ask for my my most recent dating disaster. Mortified but brave, I admit to them that I've never been on a date in my life. Do I want to date Alice asks, hell yes. Nobody's ever said yes. (Left unsaid: including both of you, not that you apparently remember.) So Carol turns to Alice and says, "[Alice], you've known him forever, why haven't you gone out on a date with him?"
And Alice's laugh is sudden and brief, shocked and horrified. She's a good person, she knows that her surprise has made her do something unforgivably wrong, so she chokes it back fast. But then she makes it worse, right to my face. "I can't imagine dating Brad. (pause) I can't imagine anyone ever dating Brad."
I wrote this in the first-person because it is 2025, I'm 64 years old, and I am still there. That mental, emotional , and social injury has never even scabbed over, let alone healed. It has haunted me my whole life.
And it didn't occur to me at the time, but it may not be a coincidence that within about a year, I read Atlas Shrugged for the first time.
I've lived a long life, and not all of it awful or alone. I've been ferociously political since I was 13, and a journalism addict since I was four. So feel the impact of those facts when I say that I cannot think of any more effective way to permanently cripple a human being than to tell them that nobody will ever feel an ounce of attraction for them, that they will never feel an affectionate touch. And we have whole industries dedicated to doing just that. What diet-culture capitalism and Alt-Right violent radicalization have in common is that they prey on the unloved.
A Perfect Cinderella Story
It's an intense competition to ask me "Brad, what's the most radicalizing thing you've ever read?" but with this on my mind, the slam dunk has to be chapter 5, called "A Specimen American Myth," in Philip Wylie's 1942 (and thus public-domain!) mental-health jeremiad Generation of Vipers.
He points out in the older, continental, mythical stories of the Little Cinder Girl, the prince is a cipher, barely a character, just a reward, a McGuffin in modern terms. The Fairy Godmother intervenes because he's in danger of marrying one of two lazy, slovenly, greedy (but lovely, not ugly!) girls, but also, more importantly, because Ella of the Cinders is everything the Faerie realm admires: generous to a fault, considerate to a fault, and tidy to a fault. Cinder Ella's introduction to, and ultimate marriage to Prince Charming is a reward for her virtue.
Not, unlike in the children's book versions that began to circulate in the Anglosphere in the early 20th century, a reward for her beauty. And it is those versions that make the stepsisters Ugly. Wylie argued that one of the reasons that the whole world was going insane was that:
Boys are taught that the only things women care about are wealth and power, and that they should judge their own success by the youth and beauty of the women who want to fuck them. And, the obvious converse:
Girls are taught that the only things that men care about are youth and beauty, and that they should judge their own sexiness by how wealthy and powerful the men who want to fuck them are.
And, he argued, this drives all of us insane because most moms are disgusted with themselves for having to settle for the husbands they got, and most dads are disgusted with themselves for being married to someone who got old and fat. And dads (and other men) teach young boys that that's why they have to be ever more successful providers so they don't end up with an ugly woman like their mom, and moms (and other women) teach little girls that they have to stay young and thin, and at least dress to look like they have big boobs, or else they'll end up with a loser like their dad.
The Return of Fascism and the Black Pill
This is the straight line that leads to pickup artistry, to Game, to incelry, to the black pill. This why two consecutive generations of right-wing violence hucksters have flogged the same story: liberals and feminists have stolen the good jobs that were supposed to fund your success, they left you behind, you won't have a home of your own or any other success to be proud of until you're 40 or more, by which time all the young, pretty girls will be married, out of your reach, and you'll be lucky if you have the option to be grudgingly accepted by women who are total losers, irreparably damaged themselves by that point. No young, beautiful woman will ever express any attraction to you. You will never feel an affectionate touch.
So vote for Trump, they said. Burn it all down.
The Horror of Diet-Culture Capitalism
A strong candidate for the most radicalizing documentary I've ever seen was Catharine Gilday's 1990 movie, The Famine Within. She interviewed many girls and women of all ages about their experience of a then-recent research finding. I'm quoting from long-ago memory here, so I may have a detail or two off by a little bit, but it was something like this:
The average woman goes on her first calorie-restriction diet at the age of 11. Nearly always because of an unkind remark from an older female relative. She will go on another diet every 8 years. Each of these diets will fail within 18 months and result in a net gain of at least 10 pounds.
Let me also send you to nutritionists Matt Priven and Jen Baum's hour-long podcast episode about the history of diet drugs. If I may summarize their summary, we've had multiple generations of diet drugs, starting with "thyroid extract" in 1888 up to GLP-1 inhibitors of today. They all have the same ultimate mechanism of action: they make anorexia nervosa less painful. Not less deadly, just less painful. And just like every other form of extreme calorie restriction, none of them could be taken for very long and, just like every form of extreme calorie restriction, they on average result in an overall net gain, not loss, of weight, they make the women who take them fatter.
So after 137 years of failure, why do diets and diet drugs still sell, especially to women? Because successful men, the ones women want, are looking for youthful appearance, big boobs, and narrow waists. And there will never be a shortage of scientists and companies, deep in the throes of confirmation bias, willing to take their money, "cashing in on body issues, selling skin and bones and big boobs" (as Jax put it in her hit song "I Know Victoria's Secret").
Because this time just might be different, maybe for you. Because otherwise, no successful man will ever express any attraction for you. You will never know affectionate touch.
Stop eating, they say. Take the drugs.
And it's spreading to men, too, thanks to cultural pressures and intense marketing of anorexia in a bottle, Wegovy and Mounjaro, and equally intense marketing of orthorexia nervosa, aka "clean eating." If I may risk being vulnerable again?
It's gotten to me. I started going to extreme lengths to starve myself rather than eat "unclean" foods, after years of nagging since my primary-care physician got herself certified as a dietitian. By the time I got her to stop, she'd infected me with orthorexia nervosa, and getting her to stop (which took years, and intense courage) hasn't done me a lick of good. In her horror, as my health markers have declined, she's tried to refer me to an eating disorder clinic, but there are none that are affordable, accessible, and who treat men. I'm having to tough it out myself.
But you know what makes it harder? I lost almost 60 pounds in four months, and for the first time in decades, more people were happy to see me, and for the first time in decades, my female friends started telling me that I finally looked attractive. They're still doing it. They're still telling me that, as a relative failure on the wealth and power scale, that if I don't keep making myself dangerously ill, I'll never hear anyone call me attractive, never again feel an affectionate touch. They don't mean to. But they're not immune to the culture we live in.
What Does That Have to Do with #Pornotopia?
I do not believe we can defeat the return of fascism or the health ravages of diet-culture capitalism without providing all people with an attainable, achievable path to feeling attractive, to feeling loved. I think we must find a way to build a not merely sex-positive but actively sexual culture, no matter who it makes uncomfortable, because the alternative is horror for us all. I think those made uncomfortable by the idea of living in a pornotopia will not find its absence any more comforting. I don't think it's enough by itself, but I do think it's essential.
Why do I think that, and how could we get there? Man, give me a brief break. Those are good questions, but writing this and then condensing it down even this far has drained me. Let this go out there and (as if) get read while I build back the strength to continue.
Previously: "Searching for Pornotopia" (poll still open!) and ...
"Topless Women are an Indicator Species."
And this piece: "The 'Unfuckable' are Easy Prey for Villains." Next, tentatively:
"Looking for Reasons to Say Yes?" Can and should everybody feel attractive? and hopefully finally, but probably not ..
"Nobody Wants to See That" We can't fix any of this while preserving shame culture.
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Artwork und Foto für "PORNOTOPIA" die neue Produktion von Morgan Nardi! Im Oktober @ FFT Düsseldorf! Wir sind super gespannt!! Mit Annika B. Lewis, Mirko Feliziani, Lin Verleger, Miriam Michel #dasmechanischeauge #fftdüsseldorf #pornotopia #theater #performance #fotograf #videograf #düsseldorf #pempelfort (hier: Das mechanische Auge)