#plot outline ideas

Dan Harmon, a producer and writer, came up with this formula for writing a hero’s story. This post will take a good look at it, and break down into easier pieces to digest. 

To better explain this style of writing, I’m going to use Spider Man’s backstory, because he’s the perfect example of a hero! I’ll explain what the step involves, then compare it to Peter Parker’s origin story. There are eight steps to Harmon’s circle, so let’s get started!

1: You

The first step is very easy! Establish your character, and the world’s status quo. You can introduce what relationships they have, what job they have, etc. In Peter Parker’s case, he is a high school student in NYC who loves everything science and math. Very simple, but very important! Get all important character or world building pieces out now.

2: Need

When you see need, most authors will think of the things that drives their main character to do whatever it is they need to do. However, in this style of storytelling, the need doesn’t have to be big so long as it paves the way for a bigger problem or need. 

In Peter’s story, once he got his powers, he wanted to test them out in a fighting ring. Not a big need, but it creates something bigger...

3: GO!

In this step, your hero will set out to fulfill their need! Outline what the hero must do, and why it is important that they do it. 

In his origin story, Peter goes and fights in the ring, testing his amazing abilities. I want to point out that your step three will look different than Peter’s step three, because his is just an origin story. There’s not a whole lot of detail, but if your whole book is about the hero’s journey, yours will probably end up longer. (which is expected!)

4: Search

Here’s the part where you show the reader that the path isn’t as straightforward as it seems. Create some roadblocks or problems, anything that prevents your hero from getting what they need. 

In Peter’s case, this is where he is asked to stop a thief, which he does not. This creates the horrible event of his uncle dying. This is the big problem, the one that will change the hero permanently. 

5: Find

Now, the hero will find what they were looking for in step two, but not how they wanted to. This is where your main problem breaks down into a ton of different ones, all stopping the hero from getting what they need. 

In Peter’s story, this is when he realizes what his powers could actually do. That’s what he was intending to find out in step two, but not like this. This problem should be devastating to the hero. It can be introduced as early as step four, established in step five, and even carry on to step six if you want. So long as it forever changes the hero. It must be big!

6: Take

Now your hero has what they originally wanted, and they need to take it. But, it won’t come without a price. The hero will realize what they need to do to fix the problem introduced in step five, and it will require sacrifice. Peter realized that there were millions of people who had loved ones die to murderers as well, and knew he wanted to avenge all of them. In doing so, he could possibly be sacrificing his life. The stakes are higher and the problem is bigger, so the reward for the hero (and reader) will be sweeter. Be sure to show just how difficult solving this problem will be!

7: Return

Now, the hero is beginning to return to the start. The calm before the storm, if you will. They have been changed fundamentally by the events of step five and six, and so they have a new need/problem that needs to be solved. For Peter, this step was realizing his new need of protecting NYC. This is a very important step in setting up a good ending, or paving the way for a series. 

Your hero needs to be a changed person, with their new goal engraved in their mind. The new goal they have should be fueled by the devastating event that happened to them. The reader should understand why the hero needs to do this, and want them to get a happy ending.

8: Change 

This step is also known as the final showdown. In this step, the hero uses everything they learned to solve the problem/fulfill the need. Peter fights the criminals who killed his uncle, and promises to protect people from this happening to them. 

The ending is sweet and makes the reader proud, because they could see how difficult it was for the hero to get there. That’s how stories that use this format should end: The reader should feel happy for the hero, because they deserved it! They went through hell, and made it out better and stronger. (This is where the circle would start again, especially if you plan to make a series out of the story.)

Whew, that was long! This plot outline really revolves around pain motivating the hero. Maybe not so good for a happy-go-lucky character, but perfect for your dark and brooding heroes. If you have any questions about Dan Harmon’s Story Circle that I didn’t address here, don’t be afraid to ask! My dms are always open. Happy writing!