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pinterest wants to know if i'd be interested in pin boards about 14th century italian poet and scholar francesco petrarca

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Francesco Petrarca "Petrarch"
Laura tears off Francesco Petrarca's heart, from the cycle of frescoes in the main hall of Petrarca's House in ArquĂ , by an unknown mid-16th century painter.
Petrarch’s Canzone 129, translated by Robert M. Durling

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In this vile world, she is the paradise I’ve desired.
— FRANCESCO PETRARCA ⚜️ Sonnets and Shorter Poems, transl. by David R. Slavitt, (2012)
“Love has set me up like a target for arrows, like snow in the sun, like wax in the fire, like a cloud in the wind;”
— Petrarch, from “133,” Petrarch’s Lyric Poems: The Rime Sparse and Other Lyrics, trans. & ed. Robert M. Durling (Harvard University Press, 2001)
Heuristic imitation fails to escape fully a certain incompleteness of exchange. We meet it most visibly in the letters Petrarch addressed to his favorite ancient authors, letters that transcend whatever element of exhibitionism lay behind them and that are drenched in quixotic futility. The deep yearning of a transaction, a yearning that was by definition unquenchable, is best symbolized by the letter to Homer purporting to reply to a letter from that poet actually composed by a friend whom Petrarch had put up to it. The ancients whom he loved as friends maintained a marble or a bronze repose that could break hearts.Â
from thomas m. greene, the light in troy: imitation and discovery in renaissance poetry (1982)