slant of sunlight
on hay-flecked hair
doves flutter too
— Yūgure, 13 June 2026
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@bluewillowmoon
slant of sunlight
on hay-flecked hair
doves flutter too
— Yūgure, 13 June 2026

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“And in the evening when loss seems too great to fill that black empty space between few stars, I wish to disappear into the night’s thin vanishing, try to forget the moon’s gentle need to hold old shadows.”
— Greg Sellers, from “Elegy with a Wedge in Wood,” from an untitled manuscript-in-progress (via memoryslandscape)
silences44, untitled, 2017
“It was love, that vague sensation,
in the darkness of a porch
that suddenly
would surround us,
enrapture us, in the burning flurry of
breaths, and heartbeats,
and stolen smiles.”
— Forugh Farrokhzad, from “Those Days,” Another Birth and Other Poems, transl. Hasan Javadi and Susan Sallée (Mage Publishers, 2010)
“What ends goes on ending, he thought, waking into his grief.”
— Peter Everwine, from “The Room Was Dark,” Listening Long and Late: Poems (University of Pittsburgh Press, 2013)

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“All my existence is a dark verse.”
— Forugh Farrokhzad, from “Another Birth,” Another Birth and Other Poems, transl. Hasan Javadi and Susan Sallée (Mage Publishers, 2010)
Poetry's another word
For losing everything
Except purity of heart.
Paul Durcan
We are unaware of all the temporal gaps we experience in our visual perception in the span of even one second. And It’s exhilarating. To think how untouched the world is. And to remember that i can reach my hand into some sort of poetic moment and keep it submerged purely for the ecstasy of it.
“Perhaps it was that she was too much for me, that love itself and all it demanded of me was too heavy a burden, so that even as I writhed rapturously in her embrace I longed in my secret heart for the old complacencies, the old and easy ordinariness of things before they had suffered her transforming touch. I suspect that in my heart I wanted to be a boy again, and not whatever it was my desire for her had made of me. What a thing of contradictions I was,”
— John Banville, from Ancient Light (Alfred A. Knopf, 2012)

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“Sometimes, after making love, when
we lie in the lavender silence
and feel the blood slip
through our arteries and veins,
sliding through the capillaries, thin as
root hairs, bringing bliss to the most
remote outposts of our bodies, delivering
oxygen and proteins, minerals, all the rich
chemicals our cells crave and devour
as we have devoured each other, I
lie there as sound reasserts itself,
and listen to the soft ticking of the clock
and a foghorn, faint from the lighthouse,
a car door slams across the street,
and I want to say something to you,
but it’s like trying to tell a dream,
when the words come out flat as
handkerchiefs under the iron and the listener
smiles pleasantly like a person who doesn’t speak
the language and nods at everything.
It should be enough that we have
lived these hours, breathing
each other’s breath, catching it like
wind in the sails of our bodies.
It should be enough. And yet
I carry the need for speech, strung
on the filaments of my DNA like black pearls,
from the earliest times when
our ancestors must have lain still,
like us, in amazement
and groped for the first words.”
— Ellen Bass, “Sometimes After Making Love,” Intimate Kisses: The Poetry of Sexual Pleasure, ed. Wendy Maltz (New World Library, 2001)
misty fields
“I am writing to reach you—even if each word I put down is one word further from where you are. I am writing to go back to the time, […]”
— Ocean Vuong, from On Earth We’re Briefly Gorgeous (Penguin Press, 2019)
“I keep turning you over in my mind. I keep turning you over in my heart.”
— Li-Young Lee, from “Sandalwood,” The Undressing: Poems (W. W. Norton Company, 2018)
So my life drifts slowly through time and will wane before long and still reach the placeless space where the tides of desire rejoin the timeless ocean.
Hermann Hesse, “Like a Wave” from The Seasons of the Soul

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“I mainly ask so that any of our pasts / may temporarily be more than people and things taking / the scenic, permanent trip into mist, and so that we, / who meet inexplicably in the world of ink and paper, / may assume the shared posture of slanted grass.”
— Marcus Jackson, from “Tenderness We May Later Exchange,” Orion: Nature and Culture (6 April 2026)
Jumy-M Yuragi / ゆらぎ #12