#peter su

Read on to find out how it felt to sacrifice his magic musician ju-ju, where this accomplishment falls in his journey and his growing perspective on marginalized voices.

"Santa Barbara" is your first official music video. Is there a particular reason you chose this track to represent and kick off your album, visually? Two reasons.  1: The beachy folk sound and bittersweet vibe of the recording really summarizes the sound I've gotten to with Lions on the Beach.  2: Personally, it's my favorite track off the album.  Song-wise, the melody is one of the most beautiful melodies I've written (imo hehe) and lyrically it's a Pet Sounds kind of coming-of-age lyric with that saudade I can't get enough of! 

The video looks great, and... you shaved! We got to see the face behind the signature scruff. How did it feel seeing that face again, and how long did it take to grow the beard back? Haha I felt naked, and cold.  Not alone though.  After the last take on the beach at Del Playa, I busted out this rusty razor I hadn't used in years and went at it with the whole crew watching and pouring water out of bottles for me.  I used the camera as my mirror.  Turns out shaving medium-length facial hair on a beach without running water is really hard. Being shaved was not cool.  The scruff is like my magic musician-juju!  I actually acted in Ryan Fung's short film the next week and he required all the male escorts to be shaved.  After that, I waited about 2 weeks to regain my juju again.

It seems like since the release of your EP and the last time I got to talk to you, you've not only continued to develop as an artist but have grown even more into the community. How involved were you in the process and creation of the music video, and how did it feel working with friends from #weownthe8th to create this music video? Any special anecdotes from the music-video-making process in general you're up for sharing? Our Mic and #weownthe8th were the best thing that happened to me last year (if you're a creative in LA, you really should do yourself a favor and check it out).  That's how I met the whole cast and crew.  Stanley Wong and Travis Ash were Directors, and I was sort of a third co-director as the artist.  They were really good at asking questions to get to the essence of the song.  From that, we wrote the visual story together to bring it out.  Directing-wise, it was pretty impressive to see them go from Hand Fart (an absurdist comedy) to a more sentimental romantic music video.  Super creative and structured at the same time.  They've got something special, those two. Vivian Ngo, she is such a talented actor.  She's one of few people I've met whose emotional range is both so limitless and so in control.  Watching her slip into a moment – of dejection, hope, joy, etc.– was like watching a year's worth of acting masterclasses. Nate Elegino (DP).  Man, that guy seriously is a beast behind the camera.  Every shot I saw on playback looked like a postcard – on the PCH, in Isla Vista, even looking out of the office high rise in downtown LA.  Plus, he's really good at working with actors.  I still remember how it felt when he told me to stick my hand out the window, and reach for the sun, and how it felt filling me up.  Work it, baby! Jes Vu (Producer).  So organized and top of things, with boundless energy.  Her breakdown on the script, she turned over in like a day and kept looking to see how we could run everything smoother. Oscar Ho (BTS).  Hardcore, the man behind the cam.  He shot the BTS footage while we were in Isla Vista.  He's got a great eye and was always down to help out wherever he could on set. Lianne Lin (Hair).  It was just fun to chat with a friend about the live music scene, hair thinning techniques, and good restaurants in the SGV.  And oh yeah, getting the best haircut I've gotten in 3 years was pretty confidence-boosting too.

I noticed in the middle of "Santa Barbara," there's a shot with a growing stack of books. Are these books you actually read? If so, what, in any of them, especially impacted you? I love books!  These were important books to me that I've read, minus some of the business books are in my queue.  The first book in the stack is Letters to a Young Poet by Rainer Maria Rilke.  It was one of the first books I read for inspiration after I decided to leave my job to pursue a creative path.  Connie Lim actually recommended it to me when I asked her for advice when I was first starting out.  One takeaway was that you have to love writing so much, that you'll still do it even if nothing external ever comes from it.  The Alchemist by Paulo Coelho, my old VC Partner gave that to me and I still turn to it whenever I feel stuck.  It's a metaphorical story about a kid in search of his personal treasure and all the lessons he learns along the way.  It's always cool to check-in and see what part of the journey I'm at, especially when my will gets weak to keep exploring.

So far, a lot of inspiration in your music has been taken from your journey and experience of "going off the safe path" and forging into the unknown, unpredictable lands of being a musician and artist. Your first EP is done, you're putting out your first official music video -- where do you see yourself in that journey now and how does it feel to be in this place? Yup!  I finished the tour out to Nashville, released this music video.  I'm close to wrapping up the album cycle and I'd say I'm in transition now.  It's kind of scary but exciting too.  I'll be headed to India next week to study yoga and travel solo for 2 months - definitely a lot of reflection and contemplation about what's next. The tour in November out to SF, Austin, New Orleans, Nashville, Denver; playing at Sappho in Taipei; and now studying yoga in India - I've been filling the inspiration well, that's for sure.  Can't wait to get back into creating mode!

Just wondering -- in the very first interview you did with us, we talked a little bit about being an artist in conjunction with Asian American identity. In your recent article with the Huffington Post premiering your music video, you had something to say about that, and it seemed more definitive and of a stronger opinion than before. Have your thoughts on this changed or gone down any certain pathways? It's still weird to me when people label you as an Asian American musician vs. just a musician.  But I now know the only thing to do is to just tell my story.  The more I've been a part of the Asian American creative community in L.A., the more I want to support other marginalized voices in telling their stories.  "The Godfather" is a good model of marginalized voices producing work so good that mainstream media had to take notice.  Our Mic, #weownthe8th, TNC, Sunday Jump, Kollaboration, the whole API creative community in LA, we're telling our stories in increasing numbers, at higher and higher levels of quality.  I'm very encouraged by the movement and hope that my kids will have a generation of creative role models to look up to.

Final question. In our last conversation, you left us with this lesson learned: "Instead of asking what the world can do to fulfill you, ask what you can give to the world." How has that perspective and value been shaping what you've been up to? And do tell what's next for you and anything else you want to share with your listeners. I've learned I'm pretty good at bringing people together for a cause bigger than ourselves, and with collaborating.  So my next step, will probably be less going solo and more collaborative, and more audience-first.  I'm sure India will give me some good inspiration, and I feel a lot of new songs coming on.  I've already got a few creative buns in the oven, with Dion Leon and Jenyi Lee - so stay tuned!  The best way to follow along on my journey will be to follow my instagram stories (@petersumusic) while I'm in India or signup for my newsletter!