Nov 20, 2022
From ‘Pleasures and Terrors of Domestic Comfort’ by Peter Galassi, 1991
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From ‘Pleasures and Terrors of Domestic Comfort’ by Peter Galassi, 1991
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The vernacular tradition was inventive because a panoply of practical challenges spawned a multiplicity of unpredictable solutions; the artistic tradition was inventive because the imperative of modern art was to invent.
Peter Galassi, “Two Stories”, in American Photography 1890–1965
“In her new color series, “Real Life Dramas,” [Mary] Frey captioned her pictures with bouquets of pop psychology, which read like (and occasionally actually are) passages from pulp romances. Frey’s captions abruptly pull the rug of realism out from under the pictures and simultaneously charge them with narrative implication.”
Peter Galassi, from his introduction to the accompanying photobook of The Museum of Modern Art’s exhibition Pleasures and Terrors of Domestic Comfort.
A subversão do documento | Primeira Aula (18/05/2015)
Primeira Aula
Olá pessoal do mini curso A subversão do documento e a fotografia-expressão,
Acho que podemos usar esse blog como espaço para socializar referências. Nesse post, eu vou disponibilizar a ementa do curso, os slides da primeira apresentação e também algumas referências que usei, textos que mencionei em aula, e que tenho em pdf. Basta clicar em baixar.
• Ementa do mini curso “A subversão do documento…
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The workspaces of famous artists provide a double insight: on the one hand, a view of the creative process; on the other, a view of the creative life.
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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NOW—CHARLIE ROSE: John Elderfield and Peter Galassi
April 14, 2015 On April 6, Charlie Rose sat down with curators John Elderfield and Peter Galassi to discuss their major exhibitions "In the Studio: Paintings" and "In the Studio: Photographs," currently on view at Gagosian New York. The curators address the development of the studio as a subject since the sixteenth century, citing a diverse range of works by Chardin, Picasso, Robert Rauschenberg, Henri Cartier-Bresson and others, as well as the origins of the present exhibitions more than twenty years ago.Watch the interview on NOW...
This week: Art curators John Elderfield and Peter Galassi talking about “In the Studio.” Charlie Rose the Week. Check Local Listings to see when it's airing on your local PBS station.
For sensitive viewers of art, and for those curious about the relationship between what and how images are bred in artists studios, this two-part exhibit at Gagosian Gallery, In the Studio: Photographs,curated by Peter Galassi (980 Madison Avenue) and In the Studio: Paintings, curated by John Elderfield (522 West 21st Street), both of which are on view until April 18, 2015, is a visual feast.