61. âWelcome back. Now fucking help me.â - from Zachâs POV
I donât know what I was expecting when I came back to TREE from vacation, but it wasnât for Silver to come barreling down the stairs and tackle me in a hug.
âWell hello there,â I say, catching her and trying not to stumble.
âYou are not going to believe what Iâve been dealing with,â she tells me, speaking the first half into my chest but standing up as she talks. âFirst that demon in the subway was asking for you, and I had to explain why you werenât there. Then Iâve been tracking a serial graffiti artist, they paint runes all over the place, but I canât find them.â
I know sheâs only been listing work stuff, but I think this is the most Iâve heard her talk to me without me starting the conversation. And that can mean only one thing:
âYouâve missed me.â I canât help but say it with a smile.Â
âWhat?â Her head tugs back as she looks up at me with confusion. âNo, I didnât.â
âCome on,â I say, aiming a nudge at her shoulder. âYou definitely missed me.â
She smacks my hand away, just like she always does. âI didnât. Iâve been too busy with work.â
âToo busy to welcome me back because you missed me?âÂ
This third time is too much for her. Making a disgusted noise in the back of her throat, Ash snaps, âWelcome back. Now fucking help me.âÂ
I hold my hands up in surrender. âNo need to be crude. You know Iâm going to help you.â
âThen letâs go,â she insists, and tugs me towards the elevator.
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hey so like........ polaris.... is Good......... thanks @paintsmcspectrum for letting me draw your dnd character because i Crabsolutely love her, the spiky bitch,
I CANT BELIEVE MY SHITTY DROW IS GONNA GET THAT,
at some point im sure iâll draw the final member of the trio, and then all u guys are done for,
(chanting) BRILL! BRILL! BRILL! BRILL!! u put in a lot so ill put in a readmore somewhere in this post idk
10.
Do you have an outline? Do you stick to it?
i rarely make outlines and if i do they fall out of use essentially immediately bc i just dont stick to them that good. brilliancy has a doc called âPlot Pointsâ and this is whatâs in it
so the answer is no. i keep it all on file in my head. mdfdbfhb
11. How do you structure your plot?Â
Brilliancy specifically is on a really specific structure, especially in the opening play!! It wonât be as pronounced later on, but Brilliancy uses this âtag-teamâ concept; because thereâs a shit ton of lore and weâre basically walking into the endgame of a tense political situation, iâve had to think carefully about how to introduce the setting and characters while not overwhelming peopleâŠso basically what it does is
thereâs 4 main narrators who need to be introduced (kaitlin, ast, flang, and erin). so, basically, how the plot is set up in the opening act, the narrator jumps from specific springboards (events or key phrases etc) and the next character picks that up like an echo and fills it out in more depth. they donât come in too quickly, they wait their turn in line and tag in when the flow is smooth!!
it sounds very simplistic when laid out like this but iâm really proud of how it works! itâs very smooth and i enjoy the like, baton passingâŠitâs really satisfying to read
even little things like directly paralleling a previous characterâs introduction with the wording itself, and then deviating to show in rough strokes how this personâs role is different, really pays off very quickly to keep all of them separate in the readerâs mind. WHILE ALSO tying together the people who used similar concepts/wordings (flang and kaitlin specifically share one, so do ast and erin)
anyway the rest of the plot is like whatever
12. What part is the hardest to write in your WIP?Â
for brilliancy, the hardest parts to write are probably the likeâŠwhen things have to actually move from place to placeâŠi have a really hard time figuring out how to get the plot to go places, physically speaking, while keeping it interesting. pacing is a really big problemâŠ.
i just wanna write dialogue and introspection forever
13. Are there scenes that you cut already?Â
ummmmm in brill3 specifically i donât think so yet! iâll do that later on when iâm doing more editing-type work and less draft-type work lol. usually if something isnât working but is important iâll stash it in a âfor laterâ doc and thereâll be some better place to put it or itâll just become side content in my stash
if ur talking brill as a concept ive cut like 200k+ of scenes*shot
i did 14 for brill already! iâll push one up and add 16 at the end
15. Post a line from a WIP that youâre working on.
Teeth bared, Flang sneeredâor maybe snarled, she wasnât sure. âIâm afraid I got that from you. My father taught me sacrifice and my mother taught me sutures. Your brother taught me discretion and I taught myself to survive with the gifts they gave me. You? You were nothing but a cautionary tale.â
Anireâs riposte was confident: âYou have never learned a thing that I didnât teach you, girlâthe rest is bravado.â
âYouâve never taught me a single valuable thing.â Flang was on her feet now, her blood scalding in her veins, her heart thundering in her chest. With every word she spoke a fissure widened in her heart, parting her like a carcass for butchery. âYou could never teach me anything.â
Anireâs eyes were flinty but she smiled an easy smile, all hands-in-her-pockets calm. âYou know I didnât come here to fight, sweetie.â
âDonât call me that like weâre family,â Flang said, but her voice cracked on the last word.
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đ List 3 tropes that you feature in your WIPs and explain why theyâre important to you as a person.
Man, I always have trouble naming tropes. Iâm too lazy to dive through TV Tropes and my brain just registers them as âthings that happen.â But for you, I try.
Found Family:Â The way my family works, Iâve grown up valuing not-blood relations almost more than blood ones. Iâm also an only child, so my friends are like my siblings. Found family is my family, so itâs important for me to show that in my writing. Because not everyone has white picket fence, 2.5 kids, family reunions, and 900 relatives who they actually like.
Down With the System:Â Iâm a raging feminist, what can I say? Nah, I kid, but I do believe that if the system isnât working, change the system. Whatâs the definition of insanity? đ
And, uhâŠ
Hereâs to the Little Guy:Â I made that name up, but it fits. The heroes of my stories are the other, the outcasts, the people who live on the fringes because thatâs where they feel they fit best. And theyâre stronger than anyone else. And as an other myself, I like seeing the Little Guy rising up and being awesome.
Iâm going to assume Summerâs Vale Unless specified!
15: I love talking about my OCs with anyone for anything, I have so many original concepts and characters both for fandoms and totally original work. Only thing Is I know people donât really want to talk about them with me, so unless they ask Iâm pretty hush hush. Summer Vale Iâm probably the most public about because it has hit some level of success.
17: OTPS? SNOW RIDER IS THE SHIT Itâs a canon ship, but man itâs fun. Itâs been nice kind of writing Summer and Vermilion flirt about and provide the view points and support they both need. The series itself has a few other cannon ships, some you might not expect involving a bumbleby and a trapper ;P But thats for later.
18: Crack ships hmmmmmmm. Thought I made the decision that there would be nothing romantic between Odyssia and Summer, the idea of it seems cute as fuck. I wanted a very strong female friendship be an element in the series, but omg my shipper brain has betrayed me.Â
And I do mean stumbles; he is clutching his bleeding abdomen and bangs off a wall and a bookshelf before Iâm able to get over there and catch him.Â
âZach? Zach!â Words are flying out of my mouth as I get him into a chair. âOh my god, what happened to you? Why didnât you go back to TREE, theyâve got medical supplies thereââ
âYou were closer,â he manages, breathing hard with his head tipped back.
I canât fault him for that, but the facts of the situation are piling up. Wounded. No bandages. Do we have pain pills strong enough? Probably not. How long? Blood loss?
âSilver,â he says, catching his breath. âHey. Ash.â
Hearing my real name gets me out of the spiraling analysis. When he sees my eyes come into focus, he asks, âWhatâs up?â
Taking a deep breath, I shake it out of my head and snap, âYouâre bleeding all over my carpet. Weâve got to get you somewhere else, ASAP.â