Scythians at the tomb of Ovid (c. 1640) by Johann Heinrich Schönfeld. Museum of Fine Arts, Budapest.
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Scythians at the tomb of Ovid (c. 1640) by Johann Heinrich Schönfeld. Museum of Fine Arts, Budapest.

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E non saremo domani quelli che fummo né quelli che siamo.
Ovidio
Notte
Manuel Orazi, Illustrations for Ovide, Lettres d'Amoureuses, Les Héroïdes, 1919
Entonces fue cuando te vi, entonces comencé a darme cuenta de quién eras. Aquél fue el principio de perder yo la cabeza. Tan pronto como te vi, me perdí. Y ardí con fuegos desconocidos, como arde una tea de pino en presencia de los grandes dioses. Tú eras hermoso y mis destinos a ti me arrastraban. Tus ojos me habían robado los míos. ¡Y te diste cuenta de ello, traidor! ¿Pues quién es capaz de ocultar su amor? La llama se deja ver, traicionada por sus indicios.
Ovidio, Cartas de las heroínas
Non si desidera
ciò che è facile
ottenere
Ovidio√

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From: Publius Ovidius Naso, (43 B.C.-17 or 18 A.D.), Metamorphosĕon libri XV, [manuscript written in a Bari variant of the Beneventan script], 1000-1200 [Biblioteca Nazionale di Napoli, Napoli. Library of Congress, Washington, D.C.]
In Heroides VII, verses 29-30, you can read: "non tamen Aenean, quamvis male cogitat, odi,/sed queror infidum questaque peius amo."
which most books will translate as "yet I don’t hate Aeneas, though he might think badly of me, though I complain of his treachery, still I love him more".
But, in the latin text, Dido isn't saying "I love him more". She is saying "I love him worse".