satoru making sure to ask you to be his valentine the moment it hits midnight before you have the chance to bc one year you dared to try and ask him first and he gave you a look of such shocked disgust and horror bc that’s his job

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satoru making sure to ask you to be his valentine the moment it hits midnight before you have the chance to bc one year you dared to try and ask him first and he gave you a look of such shocked disgust and horror bc that’s his job

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Unexpected Visitor
Why in my humble opinion MHA's ending regarding Midoriya Izuku is good and fitting and completes his storyline beautifully 🧵
Or: On what it means to be a hero.
I'm having a slight déjà-vu... oh well. There are lots of opinions on MHA and its ending, now that it is here, so after seeing some I felt compelled to shove my own to the board.
While it's impossible to disregard all other aspects of the ending as MHA is a rich story with many factors and subplots additionally to the main story, I will do my best to focus on my main point, which is: Midoriya Izuku's story is a good one and has been brought to a beautiful and very fitting ending that I like a lot. Here's why:
not enough blacklisting in the world can save me from having to see that goddamn vampire on my dash or TL. at least tumblr tags things but man. i cannot escape having to see bg3. hell on earth
"Allegory, then, is something disenchanted moderns need to know better, but it is not, Lewis intimates, quite as revelatory as symbol or myth. 'There is nothing "mystical" or mysterious about medieval allegory; the poets know quite clearly what they are about and are well aware that the figures which they present to us are fictions. Symbolism is a mode of thought, but allegory is a mode of expression.' Allegory is a lower form in that 'the allegorist leaves the given--his own passions--to talk of that which is confessedly less real, which is a fiction. The symbolist leaves the given to find that which is more real.' The distinction, reminiscent of Coleridge, was rather forced, however; in a 1940 letter, Lewis said it was one of the parts of The Allegory of Love with which he felt dissatisfied. While Tolkien would insist to his last breath on the strict separation of the allegorical from the mythopoeic imagination, Lewis was wiling to accept that these genres can be difficult to define with precision and often come mixed."
-The Fellowship: The Literary Lives of the Inklings: J.R.R. Tolkien, C.S. Lewis, Owen Barfield, Charles Williams, Philip Zaleski & Carol Zaleski
I appreciate this passage for a number of reasons. First and foremost, I feel it sheds light on the endless (and often tedious) debate over whether or not the Narnia books are allegories. I've always held that they are not--they are symbolic rather than strict allegories--but that final line indicates that by the time Lewis was writing them he saw the lines between symbol and allegory as more blurred, and so perhaps the truth is that they are both symbolic and allegorical, and at the same time more than either, rather than having to choose one or the other.
I also appreciate it for how it shows Lewis's ability to see things as they are, rather than as they ought to be, (cough, Tolkien, cough), and his willingness to change his mind and admit to having done such.

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i love alfred nyssen, he's batshit crazy and i love him but he's also absolutely terrible and i hate him at the same time, do you get me?
I feel bad for already admitting this but
...
This man
Is really hot
...
The question is
Will I be able to Romance with him?
...
Because
I already really want to.
~GIF is not mine~
You: Omg, tomorrow is Friday the 13th on October
Me, an intellectual: *wheezes* Tomorrow is the premiere of Buzzfeed Unsolved Supernatural Season 3