Ficus dammaropsis
seen from China
seen from China
seen from T1
seen from Macao SAR China
seen from Bosnia & Herzegovina
seen from China
seen from T1
seen from United Kingdom
seen from France
seen from China
seen from Germany
seen from France

seen from Netherlands

seen from United States
seen from China
seen from Norway
seen from Germany

seen from United States
seen from China
seen from United Kingdom
Ficus dammaropsis

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ⢠No registration required ⢠HD streaming
In latino, per esempio, la pupilla, da cui deriviamo il nostro termine per quella parte dellāocchio, indicava la piccola immagine di me che trovo riflessa nel tuo occhio quando ti guardo, e questo modo di intendere lo sguardo era anche un modo di farne esperienza.
(...)
Quando oggi pensiamo a uno specchio, lo concepiamo come un congegno che riflette raggi da una fonte di luce. Ma più o meno fino allāanno 1000 lo specchio era considerato un congegno molto misterioso e pericoloso, che spezzava il raggio oculare di chi lo guardava. Questo raggio oculare era considerato essere la proiezione attiva di colui che guardava, il modo in cui la sua vista afferrava le cose del mondo. Quando i grandi ottici dellāantichitĆ osservavano il modo in cui un bastone infilato nellāacqua appariva rotto dalla superficie del liquido, capivano che il raggio visivo emanante dagli occhi era stato spezzato dalla superficie dellāacqua, non che era stata spezzata la luce che arrivava ai miei occhi. Parlando del tipo di linea che io vedo quando un uccello, volando, mi passa accanto - diciamo una rondine che passi molto vicina - intendevano alludere alla distrazione del mio raggio visuale.
Lāopsis (dal greco vista) concerneva ciò che facciamo con i nostri raggi visivi.
(...) la vista fra i Greci non era affatto concepita secondo i criteri moderni ma era invece esplicitamente descritta come unāerezione della pupilla, amorosa come lo sono altre erezioni.
Quando ti guardo, io ti accarezzo con gli occhi. Se guardo il tuo viso, diciamo, il mio raggio procede verso la sua superficie dove il sole fa emergere il tuo colore. Il mio raggio e il tuo colore sono quindi mescolati e restituiti a me dal mio ritrarre il raggio entro la parte interna, liquida, vitrea, dellāocchio, dove lāimmagine viene compresa.
Ivan Illich, Il Vangelo e lo sguardo
Post Colonization / AU Tuesday
Philes, it feels like itās been forever since weāve recād a post col fic on Tuesday. We have been allowing all of the AU goodness that runs rampant through our fandom to take the lead, so today we figured we would switch it up.
Todayās rec isnāt like the usual post col story, itās rather tame. There isnāt an entire world falling apart at the seams outside, no hidden bunkers in the outskirts of town, no Resistance to fight with. Instead, itās just a quick story about a man and a woman, trying their hardest to not lose their shit when the going gets a little rough and appreciate what they do have: each other.Ā
Title: Ā Opsis
Author: Ā Punk ManeuverabilityĀ
Rating: Ā PG-13
Length: 23K / word count: 12,000
Synopsis: Ā Apocalypse doesn't always mean the end of the world.Ā
Spoilers: Ā None really
Possible Triggers: None
Opsis II, III, IX, X, Hans BrederĀ (1935ā2017)
In his recent āOpsisā series, Mr. Breder worked with a neuro-ophthalmologist and a scientific imaging specialist to translate information received by the eyeās photoreceptor cone cells into brilliantly colored abstract forms, which he transferred to canvas.
Haworthiopsis attenuata āEnonā

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ⢠No registration required ⢠HD streaming
Opsis in Herodotusā Histories
āWays of Seeing: A Study of į½ĻĪ¹Ļ in Herodotusā Histories
Isabel Rose Milena PaintinĀ
Submitted for the Degree of Doctor of Philosophy
Ā Birkbeck, University of London
AbstractĀ
The thesis provides an in-depth study of į½ĻĪ¹Ļ (opsis) (āseeingā or āsightā) in Herodotusā Histories. It explores both the use of opsis by Herodotus as a key source for his į¼±ĻĻĪæĻĪÆĪ· (enquiry) and the rich and complex layers of stories involving opsis in the narrative of the text.Ā
A close analysis of autopsy statements (direct and indirect) in Herodotusā metanarrative demonstrates that these are far more numerous than scholars have hitherto realised and that he was developing a new language of autopsy to signify the use of opsis as an investigative tool. When compared with other methods of enquiry such as į¼ĪŗĪæį½“ (hearsay) and γνĻμη (opinion / judgement / reasoning), opsis clearly emerges as the most reliable of ā and a check on the other ā sources of evidence.Ā
Herodotusā narrative allows him to communicate a more nuanced portrayal of opsis. While some characters successfully use opsis to learn about the world or manage to manipulate it for their own ends, many misinterpret visual evidence or are deceived by what they see. Yet stories about opsis also closely parallel some of the key themes of the Histories: the rise and fall of great powers, the risks inherent in breaching boundaries and the dangers of į¼ĻĻĻ (desire).Ā
Herodotus uses the narrative together with the metanarrative to educate his audience on how to conduct an investigation based on opsis and shows that a certain skill and intelligence (ĻĻνεĻιĻ) is required to succeed. This in turn forms a core part of the strongly didactic nature of the text.Ā
In his use of opsis, Herodotus was at least in part responding to contemporary debates on the value of empirical evidence for enquiry, as seen in the work of the Hippocratics and the Presocratic philosophers. However, Herodotusā innovation was to apply investigative methods based on opsis to historical material and an enquiry into past events.ā
The entire text of the thesis ofĀ Isabel Rose Milena Paintin on opsis in Herodotusā Histories can be found onĀ https://eprints.bbk.ac.uk/id/eprint/40405/1/Isabel%20Paintin%20PhD%20Thesis%20corrected%20version%203%20March%202019.pdf
More from my list of the #Top10 best perfumes of #2022: @diptyque #Opsis, composed by #FabricePellegrin. Pepper, iris and musks evoke the warmth and intimacy of the secret territory behind the curtains of Londonās theatre scene. . #NotAnAd #fumepic #perfumepic https://www.instagram.com/p/CnE4d9fIuz_/?igshid=NGJjMDIxMWI=
Now on the blog and on YouTube: my thoughts on #Opsis, the new @harrods exclusive from @diptyque, composed by #FabricePellegrin. Inspired by Londonās theatre scene - apparently its name means āspectacleā in Greek - it marks the first time the brand has created an exclusive perfume for any retailer in the world. . Wishing you all a spectacular week ahead. . #NotAnAd #fumepic #perfumepic https://www.instagram.com/p/CgsJCnpDgLF/?igshid=NGJjMDIxMWI=