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Oscar Pine as Remnant's Amazing Spider-Man!!!
Artwork by @oddnub-eye

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Got any cursed Cheetah facts? They're one of my favorite animals.
if a female cheetah is stressed, she may spontaneously abort any cubs sheâs carrying! which is terrible actually, because cheetahs are nervous animals and it doesnât take a whole lot to seriously stress them out.
Is there any reason certain names end up being used so repeatedly in the Ulster Cycle? Like, I remember reading some translations of The Wooing of Emer+CĂș Chulainn's Training with Scathach, and the name Cett/Cat appears 3 times; once as one of Emer's brothers, once as one of Scathach's sons, and once as a soldier fighting with Aoife. Is it just a translation thing or is it not actually deep and it was just a common name? Sorry if this question seems a little stupid. Thank you for your time.
Interesting question! I've been thinking a lot about names recently, particularly those that repeat, so this coincides well.
A lot of the time, I think it's simply that they're common names. There are a zillion guys called Ailill (sometimes within the same text), every other random maiden seems to be called Ătain, and I lose track of how many Eochaids there are. Whenever you get an index of names, as you sometimes do for longer texts where a lot of characters appear, you find yourself scrolling through half a page of the same name. If you're lucky, they'll be distinguished by epithets or patronymics. If you're not, good luck figuring out which Lugaid you're supposed to be looking up...
There are some names that only come up once, like CĂș Chulainn, but for the most part, I'd hazard that it's more common for there to be multiple characters with a name than for it to be wholly unique.
Now, sometimes this is a plot point. Recently, I've been working on a tiny fragment from TCD H.3.17, concerning the seven Maines. The seven Maines, if you haven't come across them, are the seven sons of Medb and Ailill, all of whom have the same name (but different epithets to distinguish them). In this case, there's a reason for it: Medb renamed all of them because when she asked a druid which of her sons would kill Conchobar, he prophesied that it would be Maine. Realising she didn't have a son called Maine yet, Medb took action to fix that. But! She wasn't precise enough in her question. Maine Andoe does kill a Conchobar... but it's a different one.
So here we have a story that not only involves seven people called Maine, but also two people called Conchobar, and that overlap is central to the plot. But this fragment seems to be an excerpt from the longer text Cath Boinde... where there are two guys called Eochaid and that's not a plot point whatsoever. Eochaid Feidleach and Eochaid Dala just happen to have the same first name. Even within the same story, repeated names both do and don't have meaning.
The Maines aren't too unusual, even if they're one of the only groups I know of where there's an explanation for their names: there are a lot of lists of people with the same name. In the TĂĄin the largest groups of same-named warriors are ten people, I think ("Ten Fiacs, ten Fiachas, ten Feidlimids"), although three is a pretty common number there and in Togail Bruidne Da Derga. But in some of the later (early modern) texts, we get groups of up to three hundred: "Ferdia son of Daman with three hundred Ferdias in his train; Fraoch son of Fidhach with three hundred Fraochs [etc.]" (TĂĄin BĂł Flidais II). It makes you wonder whether they made them all change their name, or whether they just had a highly selective job interview process with only one question...
It's clear that names recur a lot even within the same texts, but what about across different texts? Well, looking at the example you asked about, it's worth noting that The Training of CĂș Chulainn is a later text that derives from The Wooing of Emer, so that may also result in some overlap or borrowing of names -- even if it's for different characters. But often the reason a name is common is to do with the meaning of it. You get a lot of names with the CĂș or Con element at the beginning because 'hound' was evidently a comparison made for particularly fierce fighters. You also get a lot of names with the 'Fer' prefix -- Fer Diad, Fer Baeth, Fer Logain, etc, and 'fer' just means 'man'. So names that mean things are bound to recur.
What do these names mean? Well, I'm away from my books and library access at the moment, which makes it a little tricky to verify which spellings are used in the original Irish of those texts -- Cat and Cett would be distinct names, but I'm also aware of at least one spelling of Scåthach's son's name as Caid, which would be different again. (Caid means 'pure, holy, noble', which would maybe place him in opposition to her other son Cuar, meaning 'crooked, bent', although it usually means in the physical rather than moral sense -- and I'm not sure where the Caid spelling comes from as I've only come across it in translation.)* It looks like it's usually spelled Cet in Tochmarc Emire (but one of the manuscripts also says 'Scathqu' at one point, so I Don't Trust It). The most famous Cet is Cet mac Mågach, but 'cét' has a bunch of meanings -- it can mean 'first', it can mean 'a hundred'... it's a solid name for a firstborn son, so maybe that's why it shows up so much. One of the MSs of Training uses Cat, which is harder to pin down -- it could just mean 'cat', although that seems unlikely, or maybe it relates to 'cath' ('battle'), or maybe it's an early modern scribe getting confused about his vowels, I'm not sure.
This is... getting very long, and not saying much, so, the short version is: Sometimes Names Just Show Up A Lot. And the scribes and authors are evidently aware of the potential for confusion and plot points with regard to this, as the story of the seven Maines proves, but at other times, they throw repetition at you and leave you to figure it out. But a lot of the names that show up very frequently do so because they have a meaning, one that may relate to the characters' physical traits (so many fair-haired Fionns!) or their skills or even just their birth order.
I hope this was... useful? Sorry, I feel like I just threw a lot of words at you when you were probably looking for a quick answer. You happened to catch me at a time when I'm immersed in thinking about names in medieval Irish lit, so the infodumping was inevitable!
* Note that manuscript spellings are often wildly inconsistent, so the same name might show up as Cet, Cat, Caut -- without translating fully and getting context, it's hard to figure out whether they're all the same person, and right now I'm just scrolling quickly through editions, so I apologise if I've missed anything in that regard.
If you don't mind me asking, what got you into medivial lit/the ulster cycle?
honestly? i got into medieval irish lit via children's fantasy books about fairies. like, eoin colfer etc (i had a big artemis fowl phase), kate thompson -- basically if it came out in the 00s and contained fairies, there's a high chance i read it. then as i got into my teens it was the more paranormal YA side of things -- holly black, maggie stiefvater etc. (i LOVED the 'books of faerie') also some retellings and more "historical" novels too. i read a lot of really bad books about fairies as well, and some adult fantasy that was just... Not Great, but there were also a lot of books i really loved. it's hard now because i know too much and i can't enjoy a lot of them sdfkljsdf
anyway because i was into fairies i got into folklore and some of the early modern stories like "oisĂn in tĂr na nĂłg", and i also got interested in a few bits of the early history... i wanted to write my own novels about some of it so i just went looking for sources but a lot of what i found online wasn't great and i was working from like, victorian and edwardian materials which were pretty misleading. but, the process of trying to find that info kind of piqued my interest and i wanted to learn more
anyway because i was into folklore and also trad music and dance and stuff, i was originally more of a finn cycle kind of person. still have a soft spot for it. the otherworld in finn cycle texts is much closer to the folkloric otherworld i think, like, it's a bit wispy and insubstantial and the people of the sĂd are underground and there's music that sends people to sleep or makes them fight and so on (related: there's a reason dancing on dangerous ground is my favourite irish dance show. it's based on toruigheacht diarmuid agus grainne (i DEF spelled that wrong) and it's great, i LOVE how their grainne is portrayed and someone should compare it to lady gregory's grania one day)
how i got into the ulster cycle... i don't know. it was a gradual process. i read the tĂĄin in my late teens and... well not to go into too much detail but being 17 fucking sucked for me and i was so full of rage all the time and basically just wanted to peel off my skin in frustration, so i guess i read about cĂș chulainn and went "oh, fucking mood" sdfkljd. plus i'm always in it for anything with homoerotic potential so i was into TBC but i didn't really focus on it until my final year of uni? before that i'd been a bit more focused on the otherworld in various forms
i think i sorta switched to ulster cycle for the same reason i read a lot more romance novels than i did as a teenager... i'm much more interested in *people* now than i used to be. it's not that i'm not interested in magic and stuff but like. i'm *more* interested in having a shitton of feelings about something, and i find there are some surprisingly poignant and human moments in the ulster cycle because there's a... certain consistency of characters? like cĂș chulainn is not the same in every text and lĂĄeg is not the same in every texts but at the same time they're similar enough that you're like "oh that's the same guy" and then you can see the emotions developing in different stories, i guess??
the fianaigecht material has that too to some extent and is also emo as fuck, but some of the most emotional material there is the early modern stuff not the medieval stuff, and/or it's poetry (and i'm not very good at translating poetry so if i'm gonna work with an original text i'd prefer it to be prose)
but also i won't lie i kinda started blogging about ulster cycle stuff because it was... less frustrating as a blogging experience than focusing on the more mythological/otherworld type of stuff where i constantly found myself having to work around online polytheists and like, not step on any toes, and after i got a few angry anons just for posting about medieval lit i was like "okay i just won't talk about the tuatha de danann anymore" and switched to something that seemed "safer". and in the process of shitposting about the ulster cycle i realised how much i loved it -- i knew i *liked* it before that but memes unlocked a new level. (then Fate happened to my notifications and i briefly considered exclusively blogging about, like, minor king-tale figures or something, but by then i was invested)
anyway yeah idk that was kind of a long answer for what should have been a simple question lol. basically: children's and YA fantasy novels is what set me on this path and then i just sort of wandered around until i wound up at ulster cycle material
Levithan and Belphagor wouldn't wear masks. Not because they don't care about the pandemic, but because they don't need them. They haven't been outside in so long they didn't realize they were in a pandemic. This has been an Obey Me shitpost brought to you by oddnub.
They are hermits and will forever remain indoors unless dragged away by an outside force
You know that Levi would have custom-made masks for whenever he has to go outside (because Lucifer forced him to), probably with emblems from his favorite animes and games. If he's going out, he's going out in style.
Belphie's is gonna look like it belongs over his eyes because it's made to look like a sleep mask. He's only gonna wear one if Beel gives it to him (if you do, it's 50/50. At least he considers it if you give him one. He just flat-out tells his brothers "no" (save for Beel) whenever they try to force him to wear one).
Edit: I reread the ask again and immediately thought of this
Leviathan, squinting as he steps foot outside: What manner of world is this? I haven't been here in a while.
Mammon: "A whi-" Levi, it's been four months
.
Satan, peeking under Belphie's bed: Belphie, do you want to come outside today?
Belphegor: *Demonic screeching*
Satan:
Satan: Understandable, have a nice day

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You've mentioned you tend to not like Euripides (hope I spelled that right), be it his characterizations or otherwise. Is there any reason for this, if you don't mind me asking?
i made a little video a couple years back about this :^) pretty much sums it up more than anything I could lengthily write out
Wait what's the Velvet drama going on now?
preview chapter came out, apparently some people donât like that
she got her inspiration for her weapon & fighting style from her dad whoâs an engineer in atlas
that her dad inspires her
that her backstory is âboring, too het, been done a billion times beforeâ
the parents names (meg & will) are too boring, ignoring that theyâre a reference to the author & illustrator of the book velvetâs allusion is from
it seems like some people but a lot of stock into velvetâs backstory / inflated her importance in the story when really, it makes sense she has a pretty chill backstory. not everyone will have a wild, completely out there backstory & itâs nice that velvet is actually pretty normal. her family has realistic problems, she takes more after her dad & they donât have wild out there names. theyâre just ,,, Normal. but it doesnât agree with some peopleâs headcanons so they have to frame it as being too het & boring instead of just taking the l. sad.
Hello! I'm new to the Fate Franchise and not very familiar with the behind the scenes. So I'm just curious, who is Minase? An earlier ask seems to imply that you don't hold him in much of any respect. Any reason for this (aside from what I assume is a connection to Blackbeard)?
hazuki minase is one of the writers for the prisma illya anime as well as lead writer for agartha, the prillya collab, suspected of being involved in lostbelt 2, and now all but confirmed to have written (most of) valentines 2020. as you might guess from that lineup minase is viciously sexist, racist, transphobic, and a shameless pedophile. prillya is adapted from a manga written by someone else so between all the pedobait it has a plot Sometimes but agartha is the story of a ragtag group of poor oppressed men fighting back against the matriarchy while also being stuffed to the brim with femdom torture porn material and reducing every character in it to basically a fetish + a catchphrase. it was so immensely poorly received that on a user survey from i think last year, out of a userbase of millions there was ONE person who voted that chapter as their favourite, and the constant soft porn in it sparked a twitter scandal pointing out that fgo is officially an all-ages game and a lot of the players are in fact kids age 12-16.Â
after that he appeared to be gone for a while but then lb2 had âeveryone is forced to have kids at age 16 and are fed to the giants at age 18â as part of its setting which raised some pretty big red flags (i believe the Rumorsâą are that its co-written between hikaru sakurai and hazuki minase which is why its just the weakest lb to date instead of a trash fire p much) and now we have valentines 2020, which is literally the same plot as agartha except a liiiittle more sfw but still with the same âwah wah men are oppressed by those mean women who wonât fuck themâ attitude.
this guy is universally hated by every part of the playerbase except the pedophiles so the fact that heâs still around and allowed to write things is infuriating