Autumn atmosphere, Young coast of the Gulf of Finland, Saint Petersburg.
59,86516° С, 30,14901° В
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Autumn atmosphere, Young coast of the Gulf of Finland, Saint Petersburg.
59,86516° С, 30,14901° В

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Absolutely loved Her Private Hell and cannot stop thinking about it. HAD to do a homage to one of my favorite giallo posters for this 💖
(What Have You Done to Solange? 1972)
The Sigma/Incel culture killed the essence of Drive.
While American Psycho, Taxi Drive and Fight Club do have troublesome men these people look up to — even thought they're full criticisms —, Drive doesn't.
The Driver doesn't hate or have trouble with women or people considered on the margins of society.
He respects and love Irene, a mother living by her own while her husband is in jail. She would be considered terrible things by an Incel, but The Driver doesn't Care. He loves her, he cares about her son
They're the only things that humanize him while he's sorrounded by violance and greed.
He's violent when his working, with anyone: Men, Women. Because he knows they're like him, dirty people. He doesn't consider himself worth of Irene's love, he knows he's dangerous and a bad influence to be around with.
Drive is a beautiful movie, it's a beautiful story and the main things about loneliness has nothing to do with what the woman did to him, it's what he let happen to himself.
The Sodor Retirement Home
All the characters in my AU who were on or near Sodor pre-NWR era.
Featuring (from left to right starting from the top):
The three (later just Niel) Sodor and Mainland box tanks, the first steam engines on Sodor. Numbers 1 and 3 were eventually scrapped, but Neil survived and now resides at the Ulfstead Preservation Estate
The Tidmouth, Knapford, Elsbridge Light Railway Coffeepots: Ethel, the 4 vertical boiler engines and Five. Ethel was the first, then replaced by the 4 vertical boilers after she gave out, Five joined later, all were designed by Sir Topham Hatt and are now restored
Great Waterton Tramway No. 1, a vertical boiler tram commissioned from Sir Topham Hatt
Ada of the Wellsworth and Suddery Railway, a spare engine thrown together in the early days and later abandoned, now restored
Jill of the Misty Island Logging Railway, the smallest and fastest of the Logging Locos
(Former, now scrapped) Great Waterton Tramway No. 3, destroyed in the Great Waterton Bombing of WWII, then scrapped
Wellsworth and Suddery Railway No. 1, 2, and 4
Great Waterton Tramway No. 2, a heavily modified tramway version of a Terrier A1x, with his front axle replaced with an unpowered axle to shorten wheelbase and increase fuel economy
Bash, Dash, Ferdinand, and Jacob of the Misty Island Logging Railway, all very slow logging engines
Louis of the Tidmouth Harbor Company, an American import who still works the harbor now
Mildred of the Tidmouth Wellsworth and Suddery Railway, an underpowered prototype "Fishbelly" Class
Ptah of the Rail Operating Division, later the War Department, left Sodor in 1931 and was either destroyed or scrapped during WWII
Aubrey of the Furness Railway, later the North Western Railway, primarily stationed in Barrow but later moved to Vicarstown
Joeseph of the Tidmouth Wellsworth and Suddery Railway, originally Wellsworth and Suddery No. 3, converted into a tender engine
Chester and Millicent of the Reed-Hogtram Tramway, working as public transit in Vicarstown city and station
Ethel's old tramway coach, later converted into a shed housing for a pumping engine
Edward of the Furness Railway, later the North Western Railway, now runs the Brendham Branch
Cromsley of the Ulfstead Mining Company, which was abandoned in 1901, and he now resides at the Ulfstead Preservation Estate
Old Slow Coach, a Great Western clerestory brake coach, one of the first big coaches on Sodor and now the Express brake coach
Gary of the Tidmouth Wellsworth and Suddery Railway, originally an Addams Radial tank engine, converted into a tender engine
Ethel's old bogie coach, now converted into a normal branchline coach
Finally posting my art feels really good! looking forward to posting more
Nic Refn, please never ever change.

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I made this back in April because we were doing character design in my least favorite class with my least favorite medium: digital art. Using Adobe Illustrator which is my arch nemesis, while also using vectors. It made me wanna throw both my iPad and laptop out the window.
I may do another rendition of this character who I ended up naming Noche. She’s a Victorian Railways R Class locomotive.
i loved her private hell. the neo-noir visuals were striking and deeply moving. the performances were stylized so that every movement and word was delivered with equal importance which highlighted the surreal nature of the film for the audience from the jump.
this movie isn't about the text, but about the subtext. it's a subliminal movie for the subconscious mind and it all comes together beautifully at the end.
it's about a movie star who wants to have a relationship with her shitty father. it's about a soldier who wants to have a relationship with his dead daughter. it's a movie about the psychosexual complexities of patriarchy that could only be made by a man who never questioned the world viewing women as sexual objects until he had a daughter he loved watching riverdale with. 10/10, no notes.