#novas notes

𝒎𝒖 𝒌𝒂𝒑𝒑𝒂 𝒔𝒊𝒈𝒎𝒂 | 𝒎𝒖 𝒂𝒍𝒑𝒉𝒂 𝒅𝒆𝒍𝒕𝒂 | 𝑴𝑨𝑫 (𝒄𝒐𝒏𝒕)

𝒄𝒉𝒂𝒑𝒕𝒆𝒓𝒔

𝒄𝒉𝒂𝒑𝒕𝒆𝒓 1: 𝒏𝒆𝒗𝒆𝒓 𝒔𝒆𝒆 𝒂𝒈𝒂𝒊𝒏

𝒄𝒉𝒂𝒑𝒕𝒆𝒓 2: 𝒊’𝒎 𝒐𝒗𝒆𝒓 𝒊𝒕, 𝒔𝒉𝒆’𝒔 𝒏𝒐𝒕

𝒄𝒉𝒂𝒑𝒕𝒆𝒓 3: 𝒉𝒐𝒏𝒌 𝒔𝒉𝒐𝒐 𝒎𝒊𝒎𝒊

𝒄𝒉𝒂𝒑𝒕𝒆𝒓 4: 𝒊𝒔 𝒉𝒆 𝒉𝒐𝒎𝒆𝒍𝒆𝒔𝒔?

𝒄𝒉𝒂𝒑𝒕𝒆𝒓 5: 𝒎𝒆𝒏 𝒔𝒉𝒐𝒖𝒍𝒅 𝒃𝒆 𝒑𝒖𝒕 𝒅𝒐𝒘𝒏

𝒄𝒉𝒂𝒑𝒕𝒆𝒓 6: 𝒉𝒆𝒚 𝒒𝒖𝒆𝒆𝒏 𝒚𝒐𝒖𝒓 𝒎𝒐𝒎𝒎𝒚 𝒊𝒔𝒔𝒖𝒆𝒔 𝒂𝒓𝒆 𝒔𝒉𝒐𝒘𝒊𝒏𝒈

𝒄𝒉𝒂𝒑𝒕𝒆𝒓 7: 𝒕𝒉𝒖𝒈 𝒊𝒕 𝒐𝒖𝒕

𝒄𝒉𝒂𝒑𝒕𝒆𝒓 8: 𝒏𝒐 𝒇𝒖𝒓𝒕𝒉𝒆𝒓 𝒒𝒖𝒆𝒔𝒕𝒊𝒐𝒏𝒔

𝒄𝒉𝒂𝒑𝒕𝒆𝒓 9: 𝒚𝒐𝒖’𝒓𝒆 𝒔𝒄𝒂𝒓𝒊𝒏𝒈 𝒎𝒆

𝒄𝒉𝒂𝒑𝒕𝒆𝒓 10: 𝒔𝒆𝒆 𝒕𝒉𝒆 𝒍𝒊𝒈𝒉𝒕

𝒄𝒉𝒂𝒑𝒕𝒆𝒓 11: 𝒏𝒐 𝒐𝒏𝒆 𝒎𝒐𝒗𝒆

𝒄𝒉𝒂𝒑𝒕𝒆𝒓 12: 𝒆𝒖𝒓𝒆𝒌𝒂 𝒎𝒐𝒎𝒆𝒏𝒕

𝒄𝒉𝒂𝒑𝒕𝒆𝒓 13: 𝒕𝒉𝒆 𝒗𝒐𝒊𝒄𝒆𝒔

𝒄𝒉𝒂𝒑𝒕𝒆𝒓 14: 𝒋𝒖𝒔𝒕 𝒔𝒕𝒓𝒊𝒌𝒆 𝒎𝒆 𝒅𝒐𝒘𝒏

𝒄𝒉𝒂𝒑𝒕𝒆𝒓 15: 𝒊’𝒎 𝒈𝒐𝒏𝒏𝒂 𝒋𝒖𝒎𝒑

𝒄𝒉𝒂𝒑𝒕𝒆𝒓 16: 𝒕𝒆𝒆𝒏𝒚 𝒕𝒊𝒏𝒚

𝒄𝒉𝒂𝒑𝒕𝒆𝒓 17: 𝒉𝒆 𝒄𝒂𝒓𝒆 𝒎𝒆

𝒄𝒉𝒂𝒑𝒕𝒆𝒓 18: 𝒔𝒕𝒂𝒚 𝒎𝒂𝒅, 𝒔𝒕𝒂𝒚 𝒃𝒊𝒕𝒄𝒉𝒍𝒆𝒔𝒔

𝒄𝒉𝒂𝒑𝒕𝒆𝒓 19: 𝒊 𝒃𝒆𝒈 𝒚𝒐𝒖𝒓 𝑭𝑰𝑵𝑬𝑺𝑻 𝒑𝒂𝒓𝒅𝒐𝒏.

𝒄𝒉𝒂𝒑𝒕𝒆𝒓 20: 𝒂𝒍𝒍𝒆𝒚 𝒓𝒐𝒔𝒆

𝒄𝒉𝒂𝒑𝒕𝒆𝒓 21: 𝒚𝒐𝒖 𝒋𝒊𝒏𝒋𝒂 𝒔𝒖𝒄𝒌

𝒕𝒐 𝒃𝒆 𝒄𝒐𝒏𝒕𝒊𝒏𝒖𝒆𝒅…

Also going back to the first sentence where he describes worrying he was getting too wordy, but now being glad he did…oof. I feel for him here. If my theory is correct that he was initially writing in a more detailed way for Mina so he could remember his travels for later…I’m sure it’s hitting him now that while it may be saving his life that he’s more detailed, it’s so twisted that something he did as a note of affection has soured. I wonder if he’s thinking about how he may never get out of this, or if that hasn’t fully hit him yet.

Moving on to everyone’s favorite mirror-yeet scene, think about how Jonathan reacts when he’s caught off guard by Dracula because he didn’t see his reflection. How would most protagonists react? Probably laugh nervously and brush it off. Attribute it to some mistake on his part, which is exactly what Jonathan does *at first*. But after, he looks at Dracula and then looks back at the mirror to confirm his suspicions are correct, which they are. It’s an interesting moment and not one I think we see often at the beginning of a horror story (I don’t consume much horror though, so correct me if I’m wrong!). Usually, a character won’t get to this level of observation until towards the middle/end, when more supernatural elements have occurred. Jonathan may have second guessed his instincts, but checking them again is what makes him more likely to survive Castle Dracula.

Plus, when Dracula makes a move to attack him, his first instinct is to dodge the attack, showing that he’s not just going to freeze up at the first sign of trouble (which I want to emphasize isn’t a problem normally, but he is dealing with a thousands-of-years-old vampire…so, he has to be quick on his feet to survive).

Afterwards, he says he is annoyed at losing his mirror rather than disturbed, but I saw another post saying he’s repressing his panic as annoying (I’ll link it if I find it again) and I definitely think that’s true!! I can totally see that as his coping mechanism. Plus, compared to the rest of what happens for him today, it really is more of an annoyance than anything else. Would you rather your host throw away your mirror or lock you in a castle?

So after that horrific scene of terror, Jonathan is proactive in searching the castle. After finding a beautiful — but slightly horrifying landscape (you know it’s bad when he doesn’t stop to describe the view) — he decides to explore further, which leads him to figure out almost every other door is locked, including the front one to find, yep you guessed it…he’s a prisoner in the castle.

As I imagine most people would, at first he reacts by frantically running around trying to open locked doors like “a rat does in a trap.” The fact that he admits this in his diary (and, by extension to Mina/us) is admirable because it already shows he’s not afraid to be open about his emotions, even if it makes him look weak (which — unfortunately, he would, considering the time period). Most heroes of this period were expected to accept their fates with stoic determination, but that’s not human and that’s not how Jonathan is, either. We’ve already seen that he’s more open-minded than most English men by accepting the crucifix even if he doesn’t understand it and of course the way he shows his love for Mina is atypical for Victorian men as well. Most men wouldn’t go to the trouble of writing down descriptive notes just to recount it for the benefit of his fiancée later. It’s sad, but true.

Once he’s able to regulate himself a bit, it’s time for thinking and strategy, determining that he needs all of his wits to get through this! Once he sees that the Count does the cooking AND the cleaning, though, is when my love for Jonathan reaches an all-time high. He comes to a series of conclusions most protagonists don’t figure out until the end of a novel after way more obvious clues have been laid out for him and it’s only his 3rd day of being in the castle!! They go as follows:

A) Dracula = servants

B) Dracula = driver

C) Dracula = control wolves

D) Villager’s concern/gifts = this is worse than I thought

E) Crucifix = actual help?

F) Get Dracula to talk about himself (not hard) = find more information, but not in an obvious way

I also love that he questions his own biases about the crucifix he was given!!!! When else do you see an Englishman do that in the 1890s of his own volition (aka without someone snarkily telling him to - see BBC’s Dracula if you want an example). I certainly haven’t!

He also noticed that Drac talked about his “ancestors” as if he had been present for their battles (hmm wonder why that is). Hasn’t quite figured it out yet, but there’s evidence that he doesn’t write something down as a fact until he knows it is a fact, so perhaps we’ll see him write more on this later.

Final thought - his reference to Arabian Nights and Hamlet is significant and tragic, but also relatable. I too like to relate my life to my favorite blorbos, Jonathan!

All in all, we learned that Jonathan is very good in a crisis. He’s not stoic like most protagonists of his time period, but he is instead strategic and observant, willing to play the part of oblivious to keep himself alive another day and keep Dracula’s trust. This is likely what’s keeping him alive right now, as an aggressive approach would get him killed. Dracula is all about playing with his prey and keeping the illusion of benevolent host and willing guest — it’s a game of control for him. Breaking this game would mean it’s no fun and no fun would mean Jonathan is no longer needed….

“You have not told me anything for a long time.” This line makes me want to laugh for some reason and I’m not quite sure why? Maybe it’s because I can hear a slightly scolding tone when she says it, or maybe because I can totally see me telling one of my friends this, especially to goad them into telling me the tea. Either way, it’s great.

“I hear rumours, and especially of a tall, handsome, curly-haired man???”

I’m convinced Stoker read my texts or something because LOL that’s literally how I type! The idea of her writing “???” is adorable and I love it so much. Also by “rumors” does she mean Lucy’s mom? I’m pretty sure she means Lucy’s mom. I think it’s funny the first really descriptive thing we really hear of Arthur is his curly hair!

We can get a good glimpse of Mina’s personality just by this letter. We can already tell she’s genuinely excited to be married to Jonathan and help with his work. She is also very methodical, as she is thinking of several different ways she can practice her stenography and shorthand to help assist him. Like Jonathan, she does her research by reading up on how women in similar fields conduct their craft. She is obviously hopeful and in love with him, as she dreams of seeing new places with him after they are married.

However, she does not neglect Lucy in her missive! While her letter is mostly about Jonathan (which I assume is likely due to to Lucy asking after him and most engaged people do tend to talk about their fiancé — just look at Jonathan), she does take time at the beginning and ending of the letter to a) assure Lucy she misses her and b) tell her the latest news ASAP!! This shows that she deeply cares about her friend, even with her impending nuptials.

Lucy’s Letter - “I must say you tax me very unfairly with being a bad correspondent. I wrote to you twice since we parted, and your last letter was only your second.”

Yep, sure enough, Lucy gets on Mina for not writing to both of her letters (I do wonder if Mina answered everything that was in both letters…). Of course, it’s in a good-natured way and it gives me the same vibes as Rarity from MLP:FIM fainting into a couch or something and I am HERE FOR IT (for those who don’t watch the show, I genuinely mean this as a compliment. I love Rarity -- also I could probably make a whole post about Dracula characters as MLP characters, hmm…).

“Besides, I have nothing to tell you. There is really nothing to interest you.”

*Proceeds to list the hottest gossip* I love this girl so much. She has my whole heart.

“Some one has evidently been telling tales.”

Yep, definitely Lucy’s mom! I would love to see the letters between Mina and Lucy’s mom tbh.

Also when talking about Arthur, it’s so adorable because you can tell at first she only tries to sprinkle in a little bit about him, like “oh he’s just someone I met” and then it quickly morphs into “we met this guy who would be great for you” (Seward mention!!!! Can’t wait to meet everyone’s favorite pathetic wet cat /pos) to “I’m already picking up his slang and using his first name and did I mention IM IN LOVE WITH HIM????”

You can already learn so much about Lucy from this first letter. She’s sweet and caring to the people around her, lively about everything and a bit unsure about love (since she doesn’t quite know if Arthur loves her back). I looked up her age (idk if that counts as spoilers but I’ll tag this as such just in case) and she’s 19!!! This is exactly the kind of letter I would expect a 19-year-old to write to her best friend. I just love how excited she sounds, as she should!!! She’s a young girl in love, perhaps for the first time, and wants her best friend to know. I do love how she tells Mina “write back to me IMMEDIATELY with your thoughts.” Same, Lucy, same.

Back to Seward. It’s so funny to me that he wants to make a psychological study of her while staring straight into her soul and she seems to be chill with it!! Like she still loves Arthur, but she’s also not put off by Jack, either. He’s just got that neurodivergent urge to study her under a microscope and honestly, who can blame him? I can also see why Lucy would ship Seward and Mina together; obviously, I’m a diehard Jonmina shipper (and I’m pretty sure Lucy is too, she just likes chaos), but I feel like Mina and Seward would totally bond over train schedules and other nerd stuff.

I believe Margaret sees her for what she is — as spoiled and a bit of a child (which we’ll get to later) — but she’s still her cousin and can only see her as more dear. I love that Gaskell writes about this feeling of idealizing a person more when you know they’re about to leave (moving, marriage, etc.) because, as someone’s who been through this, I can very much relate and I appreciate her writing about this. Even if you’re not on the best of terms, you find yourself missing their annoying mannerisms too (unless they’re like, super bad or something lol)!

Moving on, Margaret overhears her aunt — Mrs. Shaw — talking to her friends about Edith’s marriage and her own marriage. What’s interesting here is that her main concern was making sure a) Edith married someone within her age range (unlike her own marriage) and b) love is of the utmost importance. Obviously, this is something pretty common in today’s society — in fact, it’s encouraged — but I do wonder how this was taken when it was first published. Was the aunt seen as frivolous and privileged, or revolutionary and modern? I did some research and it turns out by the time this was published (1854), this was already a well-established belief. So I guess she was simply echoing what most of society was already thinking!

What does stand out to me is that the aunt does talk about the age difference in her own marriage being a “drawback”. I don’t think I need to discuss how our society views age-gap relationships today (let’s just say it’s a hot topic), but I do find it interesting how very relevant this conversation from Mrs. Shaw still resonates with me so many years later.

However, Gaskell doesn’t seem to hold Mrs. Shaw in the highest regard, either. She describes her as “considering herself a victim to an uncongenial marriage” and now that her husband is dead, tries to find something else to be anxious about. Furthermore, she only does things because someone else wants to (and complains about it) while “all the time she was in reality doing just what she liked”. While these aren’t the worst things ever, I wouldn’t call this a glowing character review either. I would almost compare this to Mr. Woodhouse from Jane Austen’s Emma, who bemoans every little illness and thing that befalls him when he is actually pretty healthy.

Not that she’s seen to be a horrible aunt or mother to Margaret or Edith — it’s pretty evident that she cares for both of them by the way she dotes on Edith and how she took Margaret in as a child (I’m not entirely sure why — I think it was to teach her how to be a lady?). I like that Gaskell is already showing a lot of different sides to these characters!

Margaret is asked to model Edith’s wedding shawls, since she is currently down for a nap. She goes up to the nursery and reflects on when she first came to this house as a child. She was considered a wild thing — playing in the forest and all that. On the first night there, her new nurse already seemed intimidating and the nursery itself more akin to a prison. Poor little Margaret began to cry, but the nurse demands her to stop so as to not “disturb Miss Edith”. Then, she was all the quieter when her father and aunt went to check on her later, since she felt bad for being upset. I can well imagine a child of nine fostering a bit of resentment for her cousin after an introduction like that — not a big one, because I don’t think she’s that kind of character, but just a little one. How would you feel if you were thrust into an unwelcoming environment and told your emotions were a problem? It’s not Edith’s fault, but it’s not Margaret’s either. The upside is their relationship remarkably improved after that and she can look upon the nursery with fondness.

Honestly it gives me the same vibes as Charlotte Brontë’s Villete, which was published almost around the same time (though the roles are reversed in this case). At the beginning of the book, the protagonist, Lucy Snowe, is visiting her godmother but they have a new visitor: Polly. Tensions clash when they both have to stay in the nursery and Lucy sees Polly as a spoiled brat, while Polly sees Lucy as unfeeling and unkind to her. Obviously, not the same situation, but I think it’s a little peek into what this kind of dynamic is like!

Moving on, Margaret models the wedding shawls and they actually seem to fit her better than Edith (she has the height for it). The key point here is that “no one thought about it” though: they don’t seem to notice or appreciate Margaret’s beauty. While Gaskell remarks that Edith is known for her prettiness, the same attention does not seem to be applied to Margaret. I wonder if this will be a running theme? What I do appreciate is that when Margaret looks at herself in the mirror, she smiles and poses — she seems to know her own beauty and be somewhat self-confident, even if others don’t tell her. Or at least, she’s having fun dressing up like a princess, which is super cute and I love that for her!!! Why shouldn’t she have fun with this?

Enter Henry Lennox, Edith’s fiancé’s brother — a mouthful. He, understandably, causes a stir amongst everyone and even Edith wakes up from her nap as if she feels the vibes that her future in-law has arrived (to paraphrase the author, lol). While they ask him questions, a very interesting line pops up about Edith’s soon-to-be sister-in-law that I wanted to share and had to do some research on to figure out the meaning of:

“[Edith] had a multitude of questions to ask about dear Janet, the future, unseen sister-in-law, for whom she professed so much affection, that if Margaret had not been very proud she might have almost felt jealous of the mushroom rival…”

After googling what a mushroom rival was (because, what????), the consensus I found was that it means “an unimportant rival”. It was also a way to jab at the “nouveau riche” who found themselves in upper-class circles, but came from lower-class origins. I think ultimately what Gaskell is saying here is that Margaret sees her cousin’s sister-in-law as someone that may try to “steal” her cousin’s affections, but in the end there’s not much to worry about, since Margaret has established affection with Edith (almost like people with generational wealth) and Janet doesn’t have much to compete with because she is too new to Edith’s acquaintance (thus making her like the nouveau riche). Just my interpretation, though, please feel free to sound off in the comments!

Henry goes to sit next to Margaret after Edith’s questioning and Margaret seems very happy to seem him. Not shy at all! Their conversation is interesting. First he starts off with (kind of) mocking her and the ladies “playing with shawls” and how it’s “very different” compared to his “real true law business”. So yeah, not winning any points with me right off the bat, but let’s see where it goes, I guess? I mean, it could be just a joke, right?

He comments on how he’s noticed her doing all the hard work for the wedding and how he hopes she gets a break from that soon. She tries to deflect and mention Edith as also working hard, but he sticks by his assertion that she has been the one doing all the planning work for his brother and Edith’s wedding, which she can’t really deny. Even if she has not done all the work (I imagine Mrs. Shaw has taken up some of the heavy-lifting), it seems that the emotional toil of all the planning is what has made an impact on Margaret.

She wonders if a wedding must always be this way and even suggests that she would like her wedding to be more calm without all of the extra fluff Edith’s has (a bit of a controversial topic in those days I think — in my research I found that Victorian marriages were modeled after Queen Victoria’s ceremony, which included many traditions we still see today). That leads to this passage:

“‘The idea of stately simplicity accords well with your character.’

Margaret did not quite like this speech; she winced away from it more, from remembering former occasions on which he had tried to lead her into a discussion (in which [Henry] took the complimentary part) about her own character and ways of going on. She cut the speech short…”

I find this interesting — that Henry being complimentary is inherently distasteful to her and she immediately turns him away from it. I’m not sure if it’s because a) his compliments suck (who calls someone’s character simplistic — I don’t think that’s the compliment you think it is buddy) b) that’s her future relative-in-law and she thinks it’s weird for him to compliment her or c) she’s just not good at taking compliments in general. I’m actually not sure which it is — I need to see more of her character — but I do know the conversation does not improve from here on out.

She makes a rebuttal to his compliment by saying she is only thinking of her home in Helstone and it’s not a character trait. He tries to get her to talk more about it, but she will not be drawn in. At least not completely. She converses, but also gets quickly annoyed with him. You kind of have to read along to get what I mean, but their conversation is like two steps forward and one back.

Finally, he says, “You are rather severe to-night, Margaret.” And she seems kind of surprised by this because she didn’t realize she was being “severe”: she genuinely could not describe her home as he wants her to. Her justification is basically you can only understand it if you’ve been there, which she did kind of say before this point.

Don’t get me wrong: I love a good banter session, but this one just feels different in a negative way. I also feel like this back-and-forth banter is a set-up. This is how Margaret interacts with the people around her now, because they don’t seem to quite understand her. They think she’s being “uncooperative” or difficult — I don’t think she is. Or perhaps she is, but it’s also Henry’s fault for not changing the subject when she made it clear that she didn’t want to talk about her home and couldn’t describe it!!! I believe her change of scene will help her find people who do get her and maybe she will have a similar form of banter, but this time it will be different and she will be understood. That’s just my speculation, though!

He continues to talk to her, but they hit a roadblock yet again because he asks her “what she does to occupy herself in the country” and when she doesn’t have a good answer, goes to the point of saying:

“I see, you won’t tell me anything. You will only tell me that you are not going to do this and that. Before the vacation ends, I think I shall pay you a call, and see what you really do employ yourself in.”

Idk if someone told me this, even jokingly, I would not like it. This would be my response:

Like why does he need to know her every move?!?!?! I just feel like he’s not asking the right questions and he definitely seems to be making light of her “quaint” living (which I think she’s playing into just so he’ll leave her be). The problem is, he’s just filling in the blanks for her by describing what she does in her current home and then asks “oh so what will you do at Helstone? Archery, parties? Oh, you’re too poor for that? I see you won’t tell me anything.” He sounds exhausting to talk to!!!! Just be a good listener!!!!! Maybe that’s just me and I’m reading too much into it though. I don’t know how much we’ll see of him since he probably won’t be living where Margaret is going, but I honestly hope it’s not much. Or maybe I do — I want to know why he is this way, I’m nosey. 😂😂😂😂

Honestly, it kind of feels like when a neurotypical person and neurodivergent person have a conversation and it just…doesn’t go that well because both people have a different way of communicating and its frustrating for both sides. I know I’m being hard on Henry and whether he deserves that or not is up for debate (I’ll wait for final judgement), but it could just be a case of that. I’m also not saying people of different neurotypes can’t have a satisfying conversation — they definitely can — but it takes understanding from both sides and I do feel like both sides here are not trying to understand the other’s perspective. Just like I could be misunderstanding this whole conversation, I really don’t know!

Also, I’m pretty sure Henry is romantically interested in Margaret, but I don’t know if she returns the feeling. While she was initially was happy to seem him, she seems more annoyed by his conversation than happy (never a good sign). If he is flirting, I think it needs some workshopping because…uh…that ain’t it, pal.

I also notice that when Henry takes his leave, he remarks that “besides, Aunt Shaw won’t like us to talk.” Ok…what does THAT mean???? That nugget of lore is fascinating, but hard to glean much from. Is it because their conversations are always like this and Mrs. Shaw is just tired of hearing the back-and-forth? *Or* is part of the reason they have back-and-forth like this BECAUSE of Mrs. Shaw? Hopefully I’ll find out!

Enter Edith’s fiancé and that’s when the real stir begins! Edith is so excited she runs out of the room just to walk in with him (we love a dramatic entrance lol). We get the chance to observe both brothers while they observe Edith and Margaret in turn. Compared to the captain (and the whole family) it seems that Henry is the “plain one”, but on the whole seems “intelligent” and “keen”. But his interest in watching both women seems to be “slightly sarcastic” — which, what does mean?????? Henry, you’re so confusing!!!!!

Edith decides to show off how good she is at being a soldier’s wife by doing everything herself! Can you guess how well that goes? Yeah, she immediately can’t carry the tea-kettle because it’s too heavy for her and it gets all over her dress. She shows this to her fiancé “like a hurt child” and her fiancé either hugs her or does a relatable “kiss it better” thing — lol (shoutout to a special user in the comments section for helping me figure out what “the remedy was the same in both cases” meant :D). The chapter mostly ends with discussing how they made the tea and then “all was bustle until the wedding was over.”

I think it’s interesting that we don’t get a clear picture of the aforementioned fiancé — now husband. The only thing I can really mention is that he’s obviously affectionate with Edith and seems to humor her childish moods.

As for Margaret, I avoided talking too much about her character, specifically because I think we get it through the way she interacts with others. This is already long so I’ll make a quick list of what I think we can glean from her character so far, in no particular order:

Reflective

Understanding — for the most part (not with Henry)

Playful (to herself)

Doesn’t like too much attention

Determined

Not afraid of conflict

Speaks her mind

Loves her home

Loves her family, but knows their faults

Values tranquility

Helpful

Observant

Self-confident