Oct 8, 2024
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"Robe du Soir" de Molyneux à sequins (1926-27) et "Robe du Soir" de Norell en crêpe de laine (circa 1965) présentées à l'exposition virtuelle "The Roaring Twenties et The Swinging Sixties" du Museum at Fashion Institute of Technology (FIT) de New-York, mars 2021.
1968 Harper's Bazaar, Norell
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UNLABELED NORELL DAY DRESS with REMOVEABLE TRIM, 1950's.Â
Finely tailored navy silk with short sleeve bodice having jewel neck and princess seams, four oversized mother of pearl buttons, set-in waist with a near circle eight panel skirt, button-on white linen pilgrim collar and two pair cuffs all with navy embroidered scallop and dot border, narrow self belt, side zipper.
Tom Ford and models, Spring Summer Collection 2011, Photo by Steven Meisel, Vogue, December, 2010.
To celebrate Tom Ford’s return to womenswear design after his six year absence, Vogue offered its readers a preview of the designer’s Spring 2011 collection photographed by Steven Meisel. Meisel’s image features Mr. Ford positioned amongst his designs in a fashion similar to Milton Greene’s portrait in 1960.
In homage to designer Norman Norell proudly standing amongst his muses: models dressed in his signature sequined sheath gowns along with the Marchesa Luisa Casati, portrayed in Kees van Dongen’s 1921 painting, The Quai, Venice. Photo by Milton Greene, Life Magazine, September, 1960.
Behind Norell’s Elixir with CR Fashion Book and photographer Michael Avedon