#shalimar

Anna Rose Stabler, Easter Card 2026, Micron pen and Copic markers on paper, digital, 4 x 6", 2026

Shalimar Garden in Srinagar ( Kashmir / India )

Eid Mubarak everyoneee and happy first day of Spring!!🌷 Hope you all had a lovely Ramadan! So sorry I haven’t been posting in the last two weeks but that’s because I’ve been busy designing a range of products for my upcoming Etsy launch (expected late March/ Early-mid April). I have so many ideas and themes that I just can’t wait to share with you all.

For this year’s Eid illustration, I took direct inspiration from Shalimar Gardens in Pakistan and transformed it like it did with Lahore Fort for my 2021 Eid illustration, Cresent Fort. I wanted the garden to feel like spring and be colourful, bright and enchanting. I was originally going for a night scene but then I thought I’d do a daylight one instead since most of my recents are set at night anyway but that didn’t stop me from creating a night version of this because I just love lighting the decoration and bringing the glow to the magic ✨💫.

US Vogue April 1, 1953

Evelyn Tripp wears an elegantly cut dress with piqué trim and a jeweled taffeta panel. By Mollie Parnis, by M. W. Thomas, in gray cotton tweed. White organza cloche, by Chanda. Chalk white and rhinestone earrings, by Marvella. Gloves, by Shalimar.

Evelyn Tripp porte une robe à la coupe élégante, bordée de piqué, dont le pan en taffetas est orné de bijoux. Par Mollie Parnis, de M. W. Thomas, en tweed de coton gris. Cloche en organdi blanc, Chanda. Boucles d'oreilles blanc craie et strass Marvella. Gants, de Shalimar.