Aug 17, 2025
Working on a thing...not really sure what the thing is yet
~Lina 🐝
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Working on a thing...not really sure what the thing is yet
~Lina 🐝
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Interior design with color field art by C.Millichamp
Untitled ink on paper. 2023
John Cave
wall sigils
Most recent art project, finished it just now! Did it in just pencil crayons XP It was a non-representational art project, supposed to be based off an idea of some sort (such as an emotion) XP
I decided to base mine off natural disasters! What do you think everything looks like? :v
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Richard Forster
Kandinsky’s [and others] unconventional theories about the purpose of art...
Wassily Kandinsky (1866-1944) Russia, France
1 cover of Kandinsky’s Concerning the Spiritual in Art, published 1911.
2 Deepened Impulse (1928) oil on canvas, 100x76cm
3 Points (1920) 110.3×91.8cm
4 In the Black Square (1926) oil on canvas, 97.5x93.3cm
5 Kazimir Malevich (1879-1935) Russia/ USSR Suprematism (1916)
6 Piet Mondrian (1872-1944) Holland/ USA Victory Booglie Woogie (1942-44)
7 Hilma af Klint (1862-1944) Sweden The Ten Largest, Number 3, Youth. (1907)
8 František Kupka (1871-1957) Czechoslovakia/ France Fugue in Two Colours (1912) oil on canvas 210×200cm
9 Emma Kunz (1892-1963) Switzerland. title, date unknown, pencil on graph paper.
A www.modernamuseet.se Kandinsky moved away from Expressionism and gradually left visible reality behind. He had a great interest in the occult and published ‘On the Spiritual in Art’ in 1911.
Malevich arrived via Cubism and Futurism at his suprematist, abstract and exceedingly spiritual images.
Mondrian successively turned his back on figurative portrayals of that which the eye can see, reducing his compositions to a play of vertical and horizontal lines, and to the primary colours red, yellow and blue, with white and black. As a theosophist, he was striving for a purely spiritual expression of the eternal ideas beyond the visible world.
Spiritual searching was thus an essential element to many of the modernists who moved towards an abstract imagery. Unlike Hilma af Klint, Kandinsky, Malevich and Mondrian did not claim to be acting as mediums in their creative process. This was an experience, however, that she had in common with artists such as the artists František Kupka (1871–1957), Emma Kunz (1892–1963) and the writer Victor Hugo (1802–1885).
A color mixing practice with oils, trying to get the exact color to recreate one of the collages I posted earlier (gradients were simplified to one color)