
seen from Spain
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More older art dump below the cut
I havent really gotten to drawing lately since ive been busier so take my older stuff Check alt texts
Riders parade keeps being the most useless thing ever, for riders and fans both.
look. i've always gone into the men's loo when there's a queue in the women's because i refuse to wait behind 5 lassies who wanna take half an hour to fucking piss but like. listen. i will simply be using the men's loo on purpose just to be a contrary bastard and any company who wants to have a policy about it can try and prove i wasn't AMAB without breaking any actual laws*
now. that said. i'm going to need the cis men with a contrary bastard streak to use the ladies for the same reason. ask them to prove you're not a passing trans man. disrupt the government by literally taking a shit.
*they have no way of doing that
I love it when works of art that I adore reference each other in subtle ways.
I’ve been re-reading Susannah Clarke’s Piranesi again (as I do whenever I want to Feel Things). One of the characters, Arne-Sayles, is an academic with a theory that Ancient Man was once so in tune with the natural world that Man and nature could interact, influence one another and wield one another’s powers. But when Man became too concerned with progress and his own abilities, he lost his access to these natural powers, which then departed the world entirely and left humanity to a less inspired, more profane, weaker existence.
That already sounds kinda Tolkienian, right? Elves and the other powerful “faerie” elements of Middle Earth faded or retreated to Valinor and left behind a world in the hands of Men to become increasingly more modern but also less (for lack of a better word) magical? Well, Clarke gives us the names and full (fictional obviously) bibliographic citations for several of Arne-Sayles’ books and articles about this very Tolkienian concept, and I’ve just noticed today that the listed publisher of several of his works is Allen & Unwin — the real life British publishing house that most famously put out The Hobbit and Lord of the Rings.
I’m certain that’s no coincidence. It’s just all too entirely fitting, and I love this little sign that the author of one of my very favorite books is also a fan of another of my very favorite books. There’s already a lot of potential dialogue between Piranesi and LOTR in terms of ideas about response to trauma, whether/how healing is possible, and the way that the small and powerless can triumph over seemingly unassailable forces, and it’s so lovely that Clarke not only pulled from some of those bigger themes but also hid this tiny little Tolkien Easter egg in the text itself in a most unlikely place!

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every time i see this scene idk if i want to be amybeth or maya more
This was what it was to be powerless. Not just outmatched in strength, but crushed under it. Nothing I said, nothing I did, would change this.
Kate Stevens, from Bride of Brutal Hearts