âBut We Love Martha Jones!â - The Doctor Who Fandomâs Selective Memory of Racism
Be aware that this article contains explicit examples of anti-black racism and misogynoir.
Chapter 2 - Utopia-ish
The constant nitpicking of Martha Jones for reasons white female companions could get away with was blatant anti-black racism. Letâs get that bit clear first and foremost. As a Black person in fandom, watching Black characters get torn apart while never being given the grace of their non-Black castmates is an experience thatâs too common. Microaggressions are more subtle so the easiest way to shut down any mentions of racism is to accuse Black fans of making things up or telling us âWell itâs not like REAL racismâ. Luckily Doctor Who Tumblr birthed the Martha Jones affirmative action and Aunt Jemima âmemesâ so I can cross both covert and overt racism off the list. As mentioned in extensive detail in the previous chapter, plus the various Martha Jones articles written before me, the treatment Martha experienced was racist. I donât care if you personally didnât like her. I donât care that you missed Rose. I donât care that Ten is your smol bean. Marthaâs treatment was racist. Freema Agyemanâs treatment was racist. It might not have been everyone. It might not have been you personally. But it was there. The fandom can never be a safe space for POC, specifically Black people if this elephant in the room canât be addressed over a decade after it arrived.
On paper, youâd assume Marthaâs rep was good because âat least she wasnât a Black stereotypeâ. Some fans praised her for having a present father, not speaking MLE and not being from the ends. This goes into respectability politics but the fandomâs weirdness about Black Brits and class is not the point of this article. The point is the revisionist history of how Martha was really treated and to do that it helps to know what Black tropes are. The Mammy trope is a Black woman whose main purpose is to serve her white counterparts and during slavery, she mainly cared for the slave owners' children. She is usually fat, dark skin and asexual, not as a representation of those things but as a statement of how if she isnât used for sexual exploitation like the Jezebel (the promiscuous, reckless, sexualised Black woman), she has no sexual value at all. Her value is serving the needs of others only. Martha doesnât fit this trope in theory but in practice, she fulfils the sub-categories of this trope both in show and fandom: the disposable Black (girl)friend trope. She is used as Tenâs emotional punching bag before heâs ready for Donna and then Rose again. She had to endure edgy moody S3 Ten so no one else had to. Sheâs the excuse people use to deflect any critical analysis of how race was handled in RTD1. Sheâs the fandomâs excuse to deflect from their own racial biases. Racism? No way! Everybody loves Martha Jones! What do you mean?
Some parts of the fandom have tried to mend things by suggesting Martha be paired with other doctors or romantically shipping her with other characters a bit better than Mickey Smith. But does this hold up? As much as Iâm a big fan NineMartha as a concept and as someone who honestly saw one-off characters like Riley Vashtee from 42 or Tallulah from Daleks in Manhattan having way more romantic chemistry with Martha than Mickey ever did, simply re-shipping Martha isnât enough. Doctor Whoâs racism isn't exclusive to one doctor, one series or one era and new Martha pairings suggest the issue was âright person, wrong doctorâ instead of what the issue actually was: racism. Moffat and Chibnallâs eras werenât full of golden Black representation either so I doubt the Martha issue wouldâve magically disappeared under those two. From Nineâs hostility to Mickey, to Twelveâs hostility to Danny Pink to Thirteen handing a South Asian Spymaster to the Nazis and Eleven only travelling with POC in comics most fans havenât heard of and being besties with Churchill, simply putting Martha with another Doctor isnât the serve fans think it is. Even RoseMartha seems like putting a bandaid on a bullet hole. If it's not enough for Martha to be compared to Rose, put down in favour of Rose, told she isnât Rose and told she's worse than Rose in fandom and in show over and over and over, she has to be shipped with Rose too. Marthaâs a great character⌠as long as you can tie her to Rose⌠again. Even in my own article I have to talk about Rose because Rose is centred in what was supposed to be Marthaâs story. A doctor-to-be Black girl from London with a hectic family meets a Time Lord and gets abducted by space rhino police at work in one day. Her main conflict isnât balancing work and time traveller life, or fighting to get her family back together, or seeing whatâs out there in the universe - it's that she isnât âRoseâ enough. The Mammy and her sonsâ main thing in common is simple; how well they serve and centre the white characters. In attempts to mend Marthaâs treatment she is still only valued in relation to white characters. She shouldâve been with Eleven because he wouldâve fucked a Black woman. Or maybe Dilfy Twelve. Or a sapphic romance with another female companion who she saw twice or doesnât actually know. Or maybe Ten in an alternate universe where he supports #nubianqueens. None of this is done to explore sexuality or romance with Black women and is definitely not to centre Black lesbianism and bisexuality. Itâs Mammy with a dash of Jezebel. It's adding romantic and sexual value on top of physical and emotional value like a crappy meal deal.
Iâm tired of Black women being treated as extensions of white women both in media and in real life. Iâm tired of our value being determined by how well we serve white people emotionally, physically, platonically and sexually. And I'm even more tired of white feminism especially in this fandom. It would be so easy to label this article as anti-Rose, anti-Ten or anti-Tenrose to invalidate my whole racial analysis because it's the easy way out. Iâll admit I like both characters individually but not the ship but this isnât something I decided on since birth - it's my conclusion as a Black fan in a predominantly white fandom, watching a predominantly white show, watching the first companion of my race be told she isnât good enough compared to the white characters, and that the hatred of her is justified for the greater good of its popular white ship. Black fans can never have this conversation without being told weâre âpitting women against each otherâ and that Martha and Rose hugged once in S4 so everything's hunky dory. Marthaâs happy that Ten found Rose again so whatâs the problem? It sends a clear message that Black womenâs pain will never matter a much as white womenâs feelings. âRose is amazing! Marthaâs amazing! Stop pitting women against women!â but who was pit against who in the first place? These faux girl power posts fail to acknowledge the overlap of race and gender which separates the treatment of Black and white women. It fails to acknowledge Marthaâs hate was rooted in anti-black racism. It fails to acknowledge the anti-Rose pushback was in response to how the show and fandom convinced us Rose was the untouchable bar this Black woman failed to meet. It fails to acknowledge Freema Agyeman the actress was targeted not just her character. It fails because the female empowerment rhetoric that leaves the Black ones at the bottom of the pile only âempowersâ women of a certain demographic.
The harassment Martha experienced was swept under the rug of âstan warsâ but it was so much deeper than that. Iâm not saying Martha stans are angels but there was no âGreat Stan Warâ because the sides were never even. At the end of the day no amount of âMarthaâs better than Roseâ tweets will ever compare to the fact that Martha hate was rooted in misogynoir. Rose was and still is considered the greatest companion of nuwho, whilst Martha is constantly erased and undervalued. Roseâs video views and hashtags have always been bigger than Marthaâs. Amy and Clara came after Martha but still surpassed her in popularity and got plenty of fan edits of âThe Girl Who Waitedâ and âThe Impossible Girlâ whilst Martha was conveniently skipped in the companion lineup. The fandomâs bias still shines clearly in favour of Rose over Martha. Roseâs jealousy towards other women is justifiable and just the ups and downs of a 19-year-old whilst Marthaâs is entitled bitterness. Roseâs flaws are compelling character moments and depth, Marthaâs are âholding her back from being a good companionâ. Hell, even Donna calling out Tenâs BS was entertaining accountability whilst Martha was just the angry Black woman. Fans will weaponise Roseâs working-class roots to imply a pro-Martha bias, failing to acknowledge the working-class to poor background of the average Black Brit, the anti-blackness middle-class Black people are not spared from, the many working-class Black characters of the show like Mickey, Bill, Rigsy and Ryan or how most fans donât consider Martha middle class because she doesnât fit the white British cultural stereotypes. You can't be the most loved and hated at the same time. The hard truth is Billie Piper wasnât racially abused by Martha stans but Freema was absolutely racially abused by Roseâs and the effects of this are still around. Go into Martha Jones tags today and youâll see snarky posts of how Ten could never love another companion like Rose. Even when Freema bravely shared her experiences of literal racism, fans were quick to yell âBut I wanted Ten and Rose thoughâ as a justification for years of misogynoir. Again, we need to address the elephant in the room instead of covering our eyes and ears to act like itâs not there. A Black character and actress was collateral damage in order for a popular white ship to rise and whilst Iâm not an anti, I as a Black Doctor Who fan, Iâll never be a supporter. At the end of the day, only one of these actresses is still carrying the burden of misogynoir over 10 years since RTD1 ended. A lonely walk across the Earth yet again.
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