Every decade in Dutch design and typography has its own specialties. In the Interbellum there was the photomontage, Isotype and typography by Zwart, Schuitema and Arntz. After WWII , the Stedelijk MUseum was a source of inspiration for its director Willem Sandberg who made beautiful catalogues for his exhibitions in the Stedelijk. In the late fifties and early sixties Benno Wissing and Wim Crouwel lead the way in design, followed by the Total Design agency who had a leading role in dutch design in the seventies and eighties, which brings us to the Nineties. Here it becomes interesting. The large museums in the Netherlands practically all had their contracts with dutch “house” designers. Walter Nikkels for the van Abbemuseum, Swip Stolk for the Groninger Museum and Gracia Lebbink for the Gemeentemuseum Den Haag were such designers. And then there is the Centraal Museum. They had a very consistent publication program in which design , specially sized/formatted books and bindings were very important. www.ftn-books.com has some excellent examples of these publications for sale . I knew of course of these publications, but when i rearranged some of my inventory, it struck me that these publications are and will become more important in the world of book design every year from now. These publications are still available at reasonable prices , but it will not be long before others will recognize the importance of these books too.
Centraal Museum Utrecht and book design Every decade in Dutch design and typography has its own specialties. In the Interbellum there was the photomontage, Isotype and typography by Zwart, Schuitema and Arntz.
