i've only recently started the x files (within the past month), and i'm already addicted. i managed to season 7 in this small amount of time by the grace of God and avoiding my assignments until the very last minute.
however, theres something that has always bugged me: scully's dad. i've always seen his character has a missed opportunity. they introduced him (and immediately killed him off) in a way that bred conspiracy theories. maybe it's because i watched twin peaks before this and im used to the mysterious major briggs with his project bluebook connections, but i really have been waiting for something to come up connecting scully's dad to the mytharc.
i mean, come on. you give me this character who shows up to scully as a ghost, and then you don't elaborate on scully seeing ghosts or her father showing up as a ghost? what are we doing here!! hes a navy captain (connected to the military, which we have been led to believe cannot be trusted), hes cut off emotionally, and he appears to be extremely mysterious. plus the one breath scene??? and, yet, he was never really elaborated on, not as seriously as mulder's father was, at the very least.
it would make more sense of why her father didn't want her to go into the FBI, other than standard "women shouldn't do that blah blah blah. it's too dangerous for my daughter." maybe he knew the dangers that she would see working there, extraterrestrial and all, and didn't want his daughter to face that.
this is a stretch, but in piper maru, scully visits one of her father's old friends to gather information about the airplane containing the black substance. you know the rest of the story, but there is something to be said about scully's father being directly related to a man with information about that plane. perhaps, scully's father knew more about what was hiding under the waves than anyone ever knew.
i'm feeling ever frustrated by chris carter's need to kill off scully or mulder's family when he's running out of ideas (can you tell what episode i'm on), and it really did make me realize that he did not milk the deaths of the few he already killed enough. well. maybe not samantha, but i digress.
throwing this into your asks box like a bottle out to sea... perhaps you would like to give your input
Anon, I admit I haven't felt the urge to fit William Scully, Sr. into the mytharc story, but I can understand that impulse. You didn't mention being interested in fanfic, but I do know that some fics have done this before. There is a great list of recs here (and the question being asked is similar to yours.)
I appreciate about Beyond the Sea that Scully's father's death IS actually normal. Banal. Just a death that happens. I feel like that makes her desperation to want to speak to him again--the vulnerability that opens her up to Boggs--completely relatable and universal. Scully at her most human. I'd argue Scully's struggles lose that fundamental, baseline relatability as the show progresses because (like Mulder) her trauma becomes so much more extreme and out there. Of course we still relate to the characters, but the situations they're in are beyond what most of us, I hope, have lived through.
Of course, you're right --even in Beyond the Sea her experience is not entirely normal. She does see her dad as a ghost. And I would actually call that one of the show's most Twin Peaks-ian moments, right? It plays so eerily, because he's not smiling beatifically and saying platitudes like when he's standing over her in One Breath in season 2.
He's shot straight on, murmuring cryptically-- giving her a message we feel must be important ... but we never do really find out. I think the episode implies what he's saying has something to do with him being proud of her, but in the moment, it doesn't really seem like that's what he's saying. And I can see how you might take it to be something more plot related, too.
If you've been reading about the show, you probably know that there was no show bible, and there tended to be no real long term plan for plot. For one, it just wasn't the norm back then to plan seasons-long arcs like it is in the streaming era, and also, I don't think it's how Chris Carter likes to roll. So it was unlikely there would have been a long term plan to reveal that Scully's family was implicated in the mytharc. I admit that would have been a cool twist. I think it could also explain why she was picked to rein in Mulder to begin with.
I also think it would have helped with the later-season problem--and if you're in season 7, you've already run into it--where Mulder becomes this Chosen One / Christ Figure with a Special Destiny. This happens largely due to the connection with his family, and it can have the effect of sidelining Scully. You see it in Amor Fati with Mulder's whole "last temptation of Mulder" dream sequence, a sequence I have a love-hate relationship with and have written about before. Mulder is the special fated one in that episode, the messianic figure, and Scully ends up being the helpful touchstone. It feels less partners-ish and more savior/helpmate. Which I don't mind if it only happens for one episode ... but, well, the more the religious imagery comes in, the more that kind of thing tends to happen. If Scully's family also had a story that led up to her fated role in the saga, that would give her more of a sense of destiny, and less of that "just being assigned" or "just helping Mulder" feeling.
Anyway, interesting and thought provoking. Thank you for sharing! Obviously I had things to say.
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I kind of hate even asking this question but Iâm going to ask it anyway.
Why do you think CC decided to totally retcon the mythology in the revival? Do you think he was bored of it? Did he think it didnât fit in with âmodern timesâ?
I know the mythology was kind of a mess at the end but I donât think it was so bad that it was beyond saving.
Itâs just, when you watch the struggles and accept the retcon it makes the Orginal Series feel like a waste of time. Iâve also heard theories that the Struggle episodes are told by an âunreliable narratorâ for example CSM is an unreliable narrator in MSIII, Jackson is unreliable in MSIV. That just sounds like a cop out. It all just gives me a headache honestly. đ
tl;dr: CC is interested in new ideas; and will always be willing to cast off old ones in pursuit of fresher perspectives. His passion for the latter mythology was born from Dr. Simon's and Dr. Fearon's last-minute theory; but when it got fan backlash, he pivoted the focus from his revitalized mythology to the abandoned William arc. However: because he was chasing tantalizing ideas rather than a focused conclusion, Carter completely fumbled in his attempts to close up old threads in order to start afresh.
A couple reasons:
CC and Spotnitz wrapped up the original mythology in Season 6 (One Son), deciding that it had both blossomed out of control and somehow come together. Mythology wrapped up, they then finished off the Samantha arc in Season 7 and began a new mytharc in Season 8. Season 8's Existence, according to Spotnitz, functioned as the end of the original X-Files as a whole--
Spotnitz: "And the series will be different, whoever comes back for it [Season 9]-if there is another year. Weâre still working out what that final story is, but there are a couple of elements that we know are going to be in there. And those two elements close the chapter.â
and,
Spotnitz: Whatever I said, what I mean to say is that 8 years of the series will come to a close this May, regardless of whether there is an X-Files next season. I actually believe most of the important questions about the mythology have already been answered, believe it or not, and you will see some new ones asked in upcoming shows.
--leaving room for Season 9 to begin a new chapter for the show (one no longer centered on Mulder and Scully's evolving story, since it had been concluded.)
That... didn't work. So, IWTB's focus, years later, was on a MOTW instead, with the hope that it would succeed and become a stepping stone to a movie-mythology franchise series.
That didn't work, either. But CC never gave up hope for a 3rd movie.
Then 2015 rolled around and FOX approached him for a revival.
Carter: I had one question thrown out to me at a meeting. [Fox Television CEO] Dana Walden asked, âIf there were another series, when do you think you could begin work on it?â It wasnât an overture, more of a practical issue. That was before the show ever aired and they knew what the ratings would be. Thereâs been no conversation about doing more of these. With the ratings news, itâs hard to imagine that they wouldnât come back to us.
I would love to do another movie. Especially coming off that second movie, which had such a heavy weight upon it: A summer-release, low-budget movie, with no promotion, in a crowded field of tentpole fare. I was asked to do so much with so little. And I tried! If we were to do another movie, it would need to be akin to the first movie, which I thought was a story worthy of the big screen. That said, I canât imagine they wonât want to somehow figure out how to do this on TV.
CC didn't know where to take the show, and only signed on after being told the season would be short (and might give him a movie, which is what he really wanted.) It was Dr. Anne Simon that actually got him excited about the mytharc again: as she tells it,
"What was the Conspiracy? This [Struggle I and II] is the conspiracy. Now, did Chris know that this was the conspiracy [since the original show]? Obviously not-- because I told him what the conspiracy was. But he knew that there was a Conspiracy-- he just didnât know what it was. But when I told him, when I gave him this idea [plot for MSI/II], he was just, âThis is amazingâ-- I mean, he was so happy. âI want more, I want more, I want more!â And every time I sent him these pages, typed pages, he was just, he was extremely happy. I could tell how happy he was.â
(Dr. Anne Simon's an interesting rabbit hole to go down, btw. Gonna do a post on her contributions in the future.)
He redid the focus of the show in Season 10; and his writers and collaborators and even his actors-- David Duchovny and Gillian Anderson, both-- thought it was a well-written season (I know....) But the fans did not.
So, CC made a statement after FOX confirmed S11: shippers had been heard-- there would be more MSR and William. So much so, he brought William back purposefully to give his arc a resolution.
And when that didn't work out-- when CC's 'perfect' ending was hated by fans (and famously, Gillian) for feeling more like a cop out than an address-and-move-forward conclusion, he felt slighted and misunderstood.
In short, Carter wasn't invested in his series anymore-- and, to be fair, neither were David and Gillian: all three (and Spotnitz) wanted to do movies instead. FOX said no; so, they took on Season 8 and 9. When the middling traction from S8 flopped in S9, CC deviated from the mytharc and did IWTB. That flubbed; and he let the matter rest for a few years (still hoping for more movies.) When FOX only agreed to do another series, he didn't know what to do with the mytharc. Then Dr. Anne Simon and Margaret Fearon gave him a direction-- and, yes, both worked on (and cosigned) the mytharc episodes-- and got him excited to do something new; and more of it. And we all saw what happened thereafter.
(Dr. Anne Simon also worked on the OG mytharc episodes, and has nothing but good things to say about them and the Revival. Again, a future rabbit hole.)
In conclusion: once CC's interest is engaged, he loses track of all else and devotes his aspirations to that one thing-- to the detriment of not only the whole picture (i.e. mythology) but also other equally important moving parts (i.e. Gillian's desire to move on.)
my favorite thing about the x-files is that i never really know what is happening. even when we see meetings of all the old-ass white men and they explain exactly what is happening, I don't know.
the characters say stuff all the time and sometimes things happen, then no complete conclusion is every truly reached.
the whole show is an unreliable narrator. and it is such a unique flavor. so tasty.
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look I love the mytharc episodes but what the fuck is going on ever đ I fear I'm way too stupid to keep up with the lore. especially because all of the lore is sandwiched in between motw episodes. (which, of course, I also love)
preface: what you can expect from this series of mine.
iâm likely going to talk about each mytharc episode in full (at least nearly). the point of this isnât to focus on mulder and scully, but there will still be a lot about them. we mostly see the mytharc through their eyes, and their partnership & experiences are a major part of that (and i think at this point, itâs clear i never shut up about them!). so for those that donât really care about the mytharc, you might still find things to enjoy. at the end of each post, iâll do a little summary of episode connections. iâm doing this as i rewatch so i will not have watched the future episodes yet â so please forgive any mistakes in details! iâm also pairing this with reading myth x: one fanâs interpretation of the the x files mytharc, and iâll include some pieces that helped me unravel certain things, or that iâm simply keeping in mind as i rewatch! but mostly, this is just me enjoying the show. itâs what i think about when i watch. if itâs not your cup of tea, i completely understand. i do welcome discussion, but i make no promises to engage. iâm just sharing my little thoughts on this show that i really, really love.
something i get caught up in every time i watch the pilot is what csm & the syndicate were thinking (specifically in regards to assigning scully to the x files with mulder â i will probably talk about this over & over).
in the pilot we donât even know about the syndicate. we meet section chief blevins, and other men with no names. including csm, who doesnât even speak. he stands there looking stressed and smoking, observing scully and listening intently to the whole exchange. at the beginning, itâs hard to imagine how deep this goes, how widespread the government conspiracy is and itâs what makes it so fun for me to go back. we have so much more information later on, and we can take it back when we rewatch. there are so many connections to be made and although a lot of it doesnât line up perfectly, i think itâs way more in line than people say. for me, there are several reasons that fit in with the world of the x files. first, there are so many unreliable narrators, people dealing in lies and coverups, only letting mulder & scully and whomever see what they want them to see. they purposely feed certain beliefs, and stifle them at other times. csmâs goals are muddled: he wants mulder on his side, heâs trying to save the human race/shape it into his own creation. he pretends to be a chess master, but as he says in sixth extinction/amor fati: he is one man.
the pilot starts with a cold open, a young woman running through the woods in her pajamas. we see a male figure and a bright white light. next thing, the young woman is lying dead on the forest floor as a team documents the scene and tries to identify her. detective miles identifies here as karen swanson and walks away, as the other investigator shouts âitâs happening again, isnât it?â
next we follow special agent dana scully into the hoover building and to blevins office. he peppers her with questions about her fbi experience, if sheâs heard of fox mulder and the x files. sheâs young and open and maybe a little too honest. every time i try to write about the pilot something i always end up writing: scully understood what these men wanted her to. i donât think itâs what csm wanted, but it might be what the syndicate wanted. scully was expected to debunk the x files, and if she did, they would probably reward her with whatever promotion or job she wanted within the fbi (or better, recruit her to the syndicate?). but as will consistently happen, they underestimated her. iâm not sure any of these men could have predicted what her & mulder would come to mean to each other. i don't think they could grasp her honesty or goodness, her ethics & morals, her complex beliefs & sense of justice. they live in a world where everyone is selfish & cruel, where they do what is ânecessaryâ or what they're ordered to, where people will always choose themselves above others, but that is not scully. and it isnât mulder.
(aside that maybe isnât necessarily relevant but the thought always pops into my mind: itâs very interesting to me that they have this meeting with her and just send her down to mulderâs office. thereâs no meeting with mulder, scully and their superiors together. all of it strikes me as a punishment for mulder, and a test for scully. i really think thereâs something of interest to them in scullyâs background. scientist, medical doctor, navy captainâs daughter, semi practicing/lapsed catholic. in theory, she could have been a perfect fit for the syndicate. but i really think most of them lack an understanding of people, of humanity. they deal in the worst of humanity â and mulder & scully are the best of humanity.)
initially when i started this (my little notebook) i was going to focus on just csm. but lately, the mytharc has gripped me. i donât typically rewatch those episodes, unless iâm watching the entire series or a season in full. or a specific arc (like the cancer arc of course). but iâve been slowly watching the mytharc episodes and they all connect, intricately, weaving a complicated web of truths & untruths & half truths. itâs so detailed and convoluted and maybe confusing. and so i wanted to go piece by piece. as iâve said before, i donât think everything lines up perfectly, and it isnât supposed to. this is a global conspiracy, we learn things as mulder & scully do. they are largely on the outside of it, trying to break in to expose the truth & hopefully dismantle it. they are continuously misled, misdirected, stonewalled. there are many different projects with experimental science developing different defenses/giruses/andmtidotes, with different goals. evidence destroyed or stolen, tampered with. they are manipulated and used and discarded and returned and nearly killed as the syndicate sees fit at the current time. but so many things connect back to the pilot. the writers may not have had a show bible, but they most certainly looked back to pick up different threads and carry them through.
after scullyâs meeting, we follow her down into mulderâs basement office. scully knocks on the door, opens it when he responds and takes in the whole atmosphere. he jumps right into it, letting scully know heâs aware of what her assignment is, that he looked into her background, and starting in on the case. in mulderâs way, he starts testing scully too, and i think she passes every single one. even if sheâs saying things he doesnât really want to hear. at the least, she takes him seriously (enough) to give rebuttals and show she cares. iâm not sure mulder has ever distrusted a single soul, but at least scully earns it.
the few things we learn about the case, what makes it an x file: the marks on the girlâs back, the compound in the surrounding tissue, no clear cause of death. and the fact that thereâs a string of these killings in bellefleur, oregon with similarities to other cases in shamrock, texas and sturgis, south dakota.
mulder poses two questions, the first:
maybe what you can explain to me is why itâs bureau policy to label these cases âunexplained phenomenonâ and ignore them.
scully has no answer, but i do think this starts her mind rolling. right here sheâs put on the path of radicalization, in her scully way. the second:
when convention and science offer us no answer, might we not finally turn to the fantastic as a plausibility?
and i think this moment sets up their roles. scully responds with âthe girl obviously died of something. if it was natural causes, itâs plausible that there was something missed in the post-mortem. if she was murdered, itâs plausible there was a sloppy investigation. what i find fantastic is any notion that there are answers beyond the realm of science. the answers are there. you just have to know where to look.â mulder, the believer, turning to the fantastic. scully, the skeptic, turning to science. this is my favorite thing about them, it builds the way they communicate and is a huge part of building trust between them. itâs also a major part in how they get to know each other. itâs always been one of my favorite things about them. itâs built on listening, not just pushing their beliefs or agenda. they always incorporate what the other says â as in, scully tends to shape the science & investigation around his theories. it gives her a place to start and build from. and scullyâs science refines mulderâs theories and gets them closer to the truth.
it very quickly becomes one of the ways they depend on each other, setting up expectations they donât yet understand the implications of and will take them years to rewrite (still built on the trust blooming from this first scene).
as soon as theyâre in oregon, even still on the plane, the weirdness starts. unexpected turbulence, radio interference, inhuman like corpse unburied, the metal implant in the nasal cavity. mulder isnât surprised by the turbulence or radio static, he marks the spot with an x. scully is just confused and baffled by his behavior (i love it). during the autopsy, theyâre a little combative. my favorite moment is when mulder tells her:
iâm not crazy, scully. i have the same doubts you do.
this is an important moment for scully. he cares what she thinks, and she does take him seriously. i think itâs easy to think that she doesnât, she does dismiss his ideas initially. but sheâs still following him, peppering him with questions. they talk it through every time, and thatâs special. it only gets stronger.
when mulder lifts peggy oâdellâs shirt to find the marks on her back, scully is so angry (sheâs afraid) and she storms out of the building â mulder immediately follows her. she doesnât believe these are alien abductions, she doesnât know yet what the marks are, what the experience is. she has questions and she wants answers, she wants the truth. scully doesnât believe his theory of alien abductions, and he asks her âdo you have a better explanation?â and this is the first time he directly asks what she thinks. to me, this is the scene that really determines their dynamic. what mulder takes from this conversation is scully really does want the truth, she cares. and thatâs important. and scully asks: âwhat were they doing in the forest?â cut to mulder and scully in the forest, scully pocketing dirt, detective miles coming upon them. (he listened to her, and the next step in their investigation becomes trying to answer that question!)
in the car, she shows mulder the dirt. he asks if itâs a campfire (it does look a lot like ash). but scully tells him it was all over the ground. right after, the car loses power and they lose nine minutes. scully doesnât witness the time change but mulder is ecstatic.
this all leads to the motel room scene. scully has marks on her back and she canât see them and the marks on peggy oâdell scared her. you could see it in her face, even through her anger & annoyance with mulder. the fact that she goes running to mulder, clearly afraid and vulnerableâŚit showed something else to mulder. this moment lets him see beyond âscullyâs a spyâ and her disbelief/skepticism. mulder cares about people, and he cares about scully despite himself. so when she turns into his chest, he puts his arm on her shoulder. shocked at her vulnerability, the way she seeks comfort from him. mulder lets her stay in his room, gives her a blanket to curl up on his bed as he sits below her and tells her about samantha.
usually this scene is discussed because of the intimacy between mulder & scully, but we learn a lot about the mytharc here too. samantha âdisappeared from her bed one nightâ and there was no evidence, no contact, and no one would talk about it. he went to oxford, got recruited by the bureau. (while theyâre having this conversation, someone is lurking outside the motel room.) he finds the x files and he was allowed to indulge because of his success and connections. mulder tells scully:
iâm telling you this, scully, because you need to know, because of what youâve seen. in my research, iâve worked very closely with a man named dr. heitz werber and heâs taken me through deep regression hypnosis. iâve been able to go into my own repressed memories to the night my sister disappeared. i can recall a bright light outside and a presence in the room. i was paralyzed, unable to respond to my sisterâs calls for helpâŚlisten to me, scully, this thing existsâŚthe government knows about it, and i gotta know what theyâre protecting. nothing else matters to me, and this is as close as iâve ever gotten to it.
he covers samâs abduction, how he found the x files, why heâs allowed to work on them, and the first inkling (for the audience) of a government conspiracy.
this is when mulder gets the call about peggy oâdell. (scullyâs jump at the phone ringing is striking. she was so focused on mulder and what he was telling her, everything else faded away.) they go to the scene and mulder is shocked to hear peggy was running â âon foot?â just really cracks me up. as heâs focused on talking to the man driving, scully is taking a look at peggyâs body and makes note of the time on her watch, which is stopped. but just then, mulder learns ray soamesâ corpse is missing. when they get back to the motel, itâs on fire with scullyâs laptop, pictures and evidence inside.
theresa nemman approaches them in the chaos, they take her to a diner to hear what she has to say. she talks about finding herself in the woods, not knowing how she got there. she tells them she has the marks on her back too. sheâs afraid sheâs going to die too. her nose starts to bleed, like peggyâs did earlier, and as scully jumps up to grab napkins for her, theresaâs father, dr. nemman shows up with detective miles to take her home. this is when they realize det. milesâ is billyâs father.
mulder & scully have a brief conversation, brimming with their frustrations of losing their files & evidence, being denied access to a girl who needs help and wanted to talk, realizing how much these men are concealing. scullyâs putting together dr. nemmanâs & det. milesâ involvement. âthey knowâ vs âthey know somethingâ â leading to mulderâs ultimate question (at this moment lol) of whatâs in the other graves. when they go to check, the graves have already been dug up. the only other bodies already taken. at the graves, mulder puts together that billy miles is responsible. scully starts to follow his thoughts. he talks about time being stopped, he pauses âyou think iâm crazyâ and scullyâŚsheâs silent for a moment before telling him about peggy oâdellâs watch. another huge moment to me. she doesnât believe itâs alien abduction, but she starts to understand the way mulderâs mind works, the connections he makes and the subsequent leaps. she doesn't keep this information from him despite it feeding a theory she doesn't agree with.
they head over to see billy miles. mulder talks to the nurse and scully starts to examine billy, finding his feet dirty, covered in the same dirt she found in the forest. a boy, who has been in a coma for years, completely bedridden and seemingly unaware of whatâs happening around him. and scully is ready to run with this. he was out in the woods!!! and another important moment, mulder grounds her. reminds her of what she needs to do, her reports, procedure. and i think this is the moment that cements their roles â but shows they can also switch as need arises. mulder didn't understand how much he needed the science & evidence until he had someone ready to find it. so they go back out to the woods to get another sample of the dirt. thatâs when they hear theresa scream and they go running. det. miles hits scully over the head and goes running after mulder, holding him at gunpoint as theresa continues to scream. and i love this moment too, because mulder appeals to this manâs better nature, urging him not to let billy kill another person. mulder stops him from shooting his son too. we see the marks on billyâs back, as a white light starts to overtake the scene with leaves blowing like a cyclone around billy & theresa. when the light finally fades, billy is conscious again, theresa is safe and the marks are gone from billyâs back. instantaneously.
the ending scenes are billy under hypnotic regression with dr. werber. mulder in the room with them. scully, blevins, the other man from scullyâs meeting, and csm observing. billy talks about the aliens, the tests, the implant. the tests didnât work, and the aliens were destroying the evidence. killing the abducteesâŚmulder and scully make eye contact through the glass. cut to scully reporting to blevins. she canât substantiate anything, they have no evidence, how do you prosecute?? this is what blevins & company care about. but scully held onto one piece of evidence: the implant, made of a metal that could not be identified, the implant billy miles claimed was controlling him. she leaves it with blevins, and when she exits, she watches csm enter blevinsâ office. she has no idea who this man is, but he has been present at crucial moments and she took notice. she doesnât understand yet but she wonât forget him.
in the end, mulder calls scully late at night to tell her the case file on billy miles has disappeared. csm is walking into the pentagon storage facility, filing away the metal implant with others just like it.
the pilot really lays a lot of groundwork. the implants, the marks/scars. the abduction experience, time loss, electronic interference, hypnotic regression. deformed corpses. government connections. disappearing evidence, constant interference. samanthaâs abduction.
episode connections (before i watch future episodes):
conduit: small detail, but the ash-like dirt reminds me of the sand & glass at lake okobogee.
duane barry: he has an implant in his nasal cavity, much like the one they find. later on, in the anasazi trilogy, we learn scully has a chip in her neck which later connects her to other female abductees and carries through to cassandra in patient x/the red and the black.
cancer arc: billy miles indicates the exact place scully gets cancer.
reduxes: blevins is exposed as the mole. for the first part of the first season, scully reports to him until the x files is reassigned to skinnerâs jurisdiction. his involvement isnât fully explored, but he doesnât completely disappear.
deadalive: ray soamesâ transformation â possibly a failed attempt of what happens to billy miles & others, and nearly happens to mulder. also similar to the bodies mulder finds in anasazi.
csm: heâs there for scullyâs meeting with blevins, he is there at the end for billy milesâ hypnotic regression. he is the most prominent figure in the conspiracy, as far as what we see, with a direct hand in scullyâs & mulderâs experiences.
samanthaâs abduction: there are two different versions of her abduction. truthfully, i think they just changed the story to work better for them. BUT (as iâve mentioned before) i think it fits well into the mytharc later on â within the framework of the show, i think itâs possible samantha was abducted twice. conduit, paper hearts, demons, and another episode.
myth x:
one thing i really do like about this book is that it breaks down all the players. each group of aliens are given a clear name (which appear in the show but was never completely clear to me until this time around). michelle bush purports that the aliens abducting the oregon teens are walk-ins, representing the divine. theyâre supposedly good but donât know how to go about their goals. in some ways, this rings true. itâs the walk-ins that âsaveâ samantha from more suffering. itâs like the walk-ins cassandra spender believes are trying to help them. bush describes their goal as âreintegration of both halves of the whole (alien and human) using natural means; this results in a single sentience allowing a return to physical and spiritual harmony.â which on paper, doesnât sound bad. but their methods are as harmful as any of the others (alien and human alike).
One of the things that really strikes me when I go back and watch The X Files is howâdespite not appearing in the series much at allâSamantha Mulderâs presence consistently haunts the show and its characters.
Her abduction first inspires and then continues to fuel her brotherâs search for the truth over several years. Even characters who have never met her seem to know immediately who she is, such as the moment that Scully sees Samanthaâs clone on the bridge in Season 2. Knowledge of the torturous experimentation she was subjected to as a teenager by the Cigarette Smoking Man haunts not only her brother Fox Mulder, but also the boy she was raised alongside: Jeffrey Spender. She is simultaneously grieved for by her parents, and also overlooked by them, both choosing lives of shame and secrecy, endlessly guilt-tripping their son into believing he was responsible for his sister being taken, saddling him with a guilt that will weigh on him for years to come.
Anyway, if youâve read this far, Samantha Mulder was done dirty and she deserved way better of an ending than what she got, especially after so many things in the show can be traced back to the mystery around her initial disappearance.