May 21
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Cry of the shadow
Info: Mure as the over form Lort’s what they have in common
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They are pack animals they live and die for Family
They are not very territorial at this point they share they homes sometimes whit other creatures wo are not deanger to them
They are adopting younger one of there race if they are parent less in some cases but not mush even from other race’s especially if they are pregnant or lost there pup’s
The children or called pup’s are not good in fight’s it’s really bad if they do because it’s alarming the adults and then it’s give mürder
What Mure have but especially the Lort’s is cleaning days wo they clean all there nesting places and then them self and some cases there pups
They are immune to most illnesses like a could oh and they can’t get something on they teeth because they are mate of a form of hart gold
Mure
belle femme mature
belle femme mature
Tarte tatin endives et potimarron sur pâte au sarrazin accompagnée d'un mix de salades au chou kale et betteraves à la "cantine" Mûre, Paris, février 2023.
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Sors le champagne ! Ce monde-là ne fonctionne pas au Beaujolais ! - Alexandre Rignault / Michel Audiard, Le Baron de l'écluse, 1960.
Saint-Germain-de-Joux (01)
Inktober 31 : Mûre.
Une citrouille bien mûre pour halloween!
Ca a été dur de tout faire mais je suis allé au bout!
Kukangendai - Mure - minimalist rhythmic shenanigans a la Dawn of Midi (from Palm LP on Ideologic Organ)
Junya Noguchi – Guitar, Vocal Keisuke Koyano – Bass Hideaki Yamada – Drums
Kukangendai is a kick ass rock trio from Kyoto (Tokyo transplants). When I first hear this band live I was instantly transfixed by their minimalist yet illusory primitive, polyrythmic and structural, memory evoking rock narratives. Their energy is completely and transparently palpable yet handled with restraint of the pleasure of a disciplined form dealing with time and articulation. They are a power trio of bass, drums and guitar but the music they play is as much the limbic system of a forest than it is a geode. They started in 2006. They left Tokyo to Kyoto and started the cult venue Soto ("Outside") "to listen to music they hadn't heard yet" a few years later. They collaborated with Ryuichi Sakamoto last year. They reminded me of James Brown on a heavy binge of Bastro, there's a deep current of both archaic musical tastes and the human desire for articulating that archaism in there, but you shake your ass and get the shouting in… in a punk basement … 13th century version of Breadwinner, the bare soul version. I'm honoured and proud to work with this tribe, and to count them amongst friends.-Stephen O'Malley, February 2019, Paris