May 5, 2023
It's been brought to my attention that Bernard without his helmet is kinda hot. And I have to agree.
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It's been brought to my attention that Bernard without his helmet is kinda hot. And I have to agree.
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Spock, after being threatened with a knife by a mugger
Spock: What are you doing?
Mugger: I’m mugging you!
Spock: With that stance?
Mugger: Wha- What are you talking about? Just give me your money, Vulcan!
Spock: With a poor stance, you are easily unbalanced, and you can be easily knocked over.
#365daysofbiking Please avenge my death if necessary:
February 1st - Later, returning with some shopping and wheeling my bike up the canalside on Silver Street, I met these aggressive beggars.
True, I had a bag of shopping which included a French loaf. I guess they know what a human with food looks like. They thought I’d come to feed them.
They were wrong. There was a bit of a standoff, lots of hissing and a fair bit of irritated swearing. By me, not the geese, it has to be said.
Thankfully, I found some emergency corn in my coat pocket, and that distracted the hungry assailants.
If by chance one day I do not survive one of these encounters with the Canada geese, I expect readers of this journal to avenge my death if necessary.
Thank you.
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ISOLATED COMIC BOOK PANEL #2263 title: GANG BUSTERS #23 - P59:3 artist: DAN GORMLEY year: 1941
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Ty Segall & The Muggers - Stéréolux 2016
Nantes - France
https://www.youtube.com/watch?v=tUKwrxt27JA
Spider-Man #1 (August 1990). Todd McFarlane (Artist/Writer), Rick Parker (Letters), Bob Sharen (Colors), Jim Salicrup (Editor), Tom DeFalco (Editor-In-Chief).
The first issue of Todd McFarlane’s famous, (or infamous) adjectiveless Spider-Man monthly book, a comic that was essentially willed into existence by McFarlane’s popularity and his desire for more creative control. I haven’t read these books closely since they originally came out back when I was a kid. This take on Spider-Man is super interesting in hindsight, and especially compared to the younger, more humble Spider-Man we tend to see in films and cartoons. In McFarlane’s hands, Peter Parker is an unapologetic, confident, super-powered “yuppie” who lives in SoHo with his supermodel wife.
The opening pages contrast the superheroic Spider-Man at ease among the “concrete towers” of Manhattan, residing in a metropolitan Olympus while the rabble of the city scurry below. The street-level city scenes in this New York are dark, violent, and infested with predators. News of a triple homicide blares across the front page of The Daily Bugle. McFarlane’s New York City is more at home with Death Wish than the Lee/Ditko era, or the “grim n’ gritty” images of Gotham in Batman comics from the late 1980s (and McFarlane worked on Batman: Year Two back in 1987) . I remember thinking that the writer/artist’s transition to Spawn seemed abrupt and weird compared to his work on Spider-Man, the “Torment” storyline is particularly dark. Even the moments of comedy have an edge to them: at one point Spidey warns a captured mugger to breathe through his nose since his webs "can taste pretty hideous.” This is a Spider-Man who laughs at his own jokes in a city where there’s not much to laugh about if you’re not a superhero.
Since it’s summer, it’s getting really muggy outside.
For safety reasons, carry a weapon.. Preferably a knife.