Coming soon, Les Exaucements (The Answers), a show with drawings, writings, sound, about how to disappear completely without leaving any trace. May 20 - July 2, L’Espal, Le Mans, France.
seen from United States
seen from China
seen from United States

seen from Malaysia

seen from Japan
seen from India
seen from India
seen from China

seen from Malaysia
seen from China
seen from Germany
seen from Hong Kong SAR China
seen from China
seen from United States

seen from United States

seen from United States
seen from China
seen from China

seen from United States
seen from Philippines
Coming soon, Les Exaucements (The Answers), a show with drawings, writings, sound, about how to disappear completely without leaving any trace. May 20 - July 2, L’Espal, Le Mans, France.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
автопортрет из ерунды и лозунг на монстрацию 2020, которая проходила в интернете из-за ковидных ограничений
Première étape.
Monstration en vue, c'est déroutant.
“Monstration”
-the dumbass in my bio class

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Sentient Art Installation - Novosibirsk Monstration, 1 May 2017 #Монстрация2017 #Monstration2017 #Lenin2017 #Монстрация #Monstration #запрещенавроссии #годблессженерика #godblessgenerica #фото by @s_mordvinov (at Новосибирск, Сибирь)
Daido Moriyama : Le livre est pour moi le temps de la réflexion. (...) Faire un livre, pour moi, c'est comme construire un grand puzzle. Ce puzzle, je lui fais prendre forme et il me reflète.
Rémi Coignet, “Daido Moriyama” (p.206 à 211) in Conversations, Paris, The Eyes Publishing, 2014, p.209
(rencontre effectuée le 13 Novembre 2012)
La dimension sensible de Van Lier passe par une attitude qu’il nomme cosmologique : mettre en relation des photographies diverses, s’intéresser à leur ressemblance, à leur appartenance, en somme ne lire la photographie qu’en réseau et en dégager des émotions, des plaisirs ou des nostalgies.
Marc Lenot, Jouer contre les appareils, thèse d’Histoire de l’Art, Université Paris 1 Panthéon-La Sorbonne, 2016. p.105