#modiste

L'Art e la mode Juin 1951

It is a great example of how anger is a secondary emotion and in this case the primary emotion are emotions related to feeling emotionally hurt.

People say all they had was miscommunication and that is absolutely not true. You wanted them to be all good in five seconds and that was never going to be the case. Two weeks to process what felt like a betrayal, work through it, and work through your own insecurities that could impact your relationship in the future is NO SMALL THING. Not to mention, Colin repeatedly shows his love even in his anger hurt and confusion.

My absolute favorite thing about the scene (and proof of them still having good conversation even while being on the outs) is Colin doing something that Eloise never did. He actually asks Penelope WHY she wrote what she wrote. Even in feeling his most hurt, he seeks understanding. He knows Pen better than anyone (as she does him) and he really needs to identify how and why his most favorite person in the world, the love of his life, could do this. After discussing it, he is still upset which again is fair but he does understand and knows that she is still who he has always know her to be.

To be vulnerable when you’re hurt instead of hurtful also so emotional maturity. Yes, we know their first time seeing each other after the reveal he says something hurtful but he immediately regrets it which is made evident by Luke Newton’s skill in facial expression. He even asks Pen’s questions which she agrees with and identifies why she couldn’t do those things back when she wrote about specific things (I.E. “why didn’t you just tell me to my face” “I know I should have I didn’t have the confidence to then”).

And the part where we see his insecurity about his writing skill and the biggest insecurity being deserving of her on full display. Colin has grown up feeling as if he has to be so many things for so many people to be able to feel worthy. Just being himself has never felt like enough so it makes complete sense that he cannot honestly fathom that his favorite person…the love of his life…loves him simply for being him. That’s beyond belief for him. That is why the “what good am I to you, then (if I can’t protect you) and Pen’s response of I love you is so important. We see Pen’s face go from on guard, defensive, and some indignation to soft and empathetic. She is truly seeing the insecurity and similarly to how Colin couldn’t believe that Pen had no chance of romance when she asked him to kiss her…Pen can’t believe that Colin thinks he can only be loved by her if he is in service of her or has utility. His reaction to her I love you also support Colin is demisexual theories. The affirmation that she does not need him to protect her or do all these things for her and instead just has to be the man she loves is the catalyst for the passion and desire we see him kiss her with afterwards As to say, that’s right. This is the only relationship in my life where I am able to fully be myself, where I am loved for who I am, where I am uplifted, understood, seen, and valued based on my true self not based on who society says I should be, where my vulnerability and emotional intelligence is seen as a strength and not a deficit, etc.

That is so beautiful to me.

This goes back to why for me Polin will always be the pinnacle. The depth of their relationship following years of friends especially as they got closer sets up how they work through conflicts. There are so many parallels when looking at Colin helping Pen work through her insecurity with her confidence and appearance and Pen helping Colin work through his insecurity with self doubt and feeling deserving/worthy of his love.

" Modiste sur le Pont des Arts" 🗼

Huile sur toile 🎨 de Jean Béraud 1880s

Violet: Madame Delacroix, this is Miss Katharine Sharma, she is fiancé to the Viscount. We are shopping for her trousseau and shall require several new night dresses. I think unlined muslin, lace and silk should do. No buttons. They are to be quite easily, errr umm… removed.

She admired some of the laces in the shop.

Kate: Violet, are you certain? These fabrics are so delicate, and lace is completely see-through. Without lining they will all be indecently sheer and might even tear. They’re not likey to last much longer than my honeymoon. Or even through one night.

Genevieve: That’s the point, ma chérie.